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movies Archives - Page 10 of 12 - ShowBizCafe.com

movies Archives - Page 10 of 12 - ShowBizCafe.com

Mack Chico

By

2010/12/26 at 12:00am

‘Juan de los Muertos’: Cuba makes its first zombie movie

12.26.2010 | By |

'Juan de los Muertos': Cuba makes its first zombie movie

A flesh eating zombie film is being produced in Cuba with a budget that is huge by Cuban standards but quite modest almost everyplace else. Juan de los Muertos — “Juan of the Dead” , is the only zombie flick to have ever been produced in Cuba since the 1959 revolution in that country. The film flirts in a comical way with sensitive topics in Cuban life such as private enterprise and Cuban exiles. The film is due to be released in spring or summer of 2011.

In the film, zombies have taken over Havana. The response of the state controlled media is to blame their presence on Cuban exiles backed by the US government. In addition to the politically sensitive issue of Cuban expatriates, “Juan de los Muertos” touches on the issue of Cubans who work in private enterprise to make ends meet. Yahoo News reports as follows.

“State-run media blames the whole thing on government opponents backed by Cuba’s archenemies in Washington, but Juan knows better — and comes up with a plan.

Together with his sidekick, Lazaro — described by the filmmakers as “just as lazy, but twice as stupid” — Juan puts out the word that he is open for business.

Has your grandmother been turned into a zombie? Is your uncle stumbling about with blood coming out of his mouth?

Juan and Lazaro promise to get rid of your undead loved ones for just 15 Cuban convertible pesos ($16) a pop, and to clean up the mess for an extra 20 ($21).”

The film, which is a joint production of Spain’s La Zanfona Producciones, two Spanish television channels, the government of Spain’s Andalucia region and the state-run Cuban Institute of Art and Cinematography, is going into production this week, with shooting scheduled for October. It will be promoted in Spanish speaking markets abroad, as well as Europe and the United States.

The film shows a desire in Cuba to tolerate a wider range of artistic and political expression. Cuban music, art and other forms of entertainment have long had the potential to be marketable commodities abroad. There is an overlap in Cuban musical tastes with some American markets as well as a fanatic devotion to baseball in Cuba that could make for some interesting business possibilities.

Will Cuba evolve in a pragmatic manner towards a market economy? Perhaps freedom will come to Cuba through evolution rather than revolution. “Juan of the Dead” may be a movie about zombies, but it could be very interesting to those who are interested in taking the pulse of contemporary Cuba.

Check out the trailer and poster below:

Jack Rico

By

2010/12/13 at 12:00am

Critics Choice Movie Awards reveals nominees!

12.13.2010 | By |

Critics Choice Movie Awards reveals nominees!

(Los Angeles, CA – December 13, 2010) – The Broadcast Film Critics Association (BFCA) has announced the nominees for the 16th annual Critics’ Choice Movie Awards. The winners will be announced at the Critics’ Choice Movie Awards ceremony on Friday, January 14, 2011 at 9:00 PM ET/PT. This year’s event will again take place at the Hollywood Palladium. This is the fourth year in a row that VH1 will broadcast the gala live on the network and the first year the show will also be broadcast internationally.
 
“Black Swan” received an unprecedented 12 nominations for the 16th annual Critics’ Choice Movie Awards, garnering nods for Best Picture, Best Actress, Best Supporting Actress, Best Director, Best Original Screenplay, Best Cinematography, Best Art Direction, Best Editing, Best Costume Design, Best Makeup, Best Sound and Best Score.  “True Grit” and “The King’s Speech” followed close behind with 11 nominations each, while “Inception” received 10 nominations and “The Social Network” garnered 9.
 
“Toy Story 3” was honored in the Best Picture and Best Animated Feature categories while two Best Picture nominees, “Inception” and “The Town,” were also recognized in the Best Action Movie category. “127 Hours,” “The Fighter” and “Winter’s Bone” also scored multiple nominations, including Best Picture.
 
Nicole Kidman received her record seventh acting nomination for Best Actress in “Rabbit Hole.”  She won the first Critics’ Choice Award as Best Actress 15 years ago for “To Die For.”  Later Kidman was nominated for Best Actress in “Cold Mountain,” “The Hours” and “Moulin Rouge,” in addition to being part of the nominated Acting Ensembles in “Nine” and “The Hours.”
 
Amy Adams will be seeking her second Critics’ Choice Award as a Best Supporting Actress nominee in “The Fighter.”  Adams previously won the category for “Junebug” and has received three other nods from the BFCA, including one for Best Actress in “Enchanted.”
 
Twenty-year-old Jennifer Lawrence earned nods in both the Best Actress and Best Young Actor/Actress categories, among the four nominations for “Winter’s Bone,” while fourteen-year-old Hailee Steinfeld earned nods as both Best Supporting Actress and Best Young Actor/Actress for “True Grit,” contributing to its 11 nominations. Thirteen-year-old Chloe Grace Moretz was nominated in the Best Young Actor/Actress category twice for “Let Me In” and “Kick-Ass.”
 
Brothers Joel and Ethan Coen continue to be Critics’ Choice favorites, nominated jointly for Best Director and Best Adapted Screenplay for “True Grit.”  Previously they had shared Best Director honors for “No Country For Old Men,” and were nominated as writers of “The Man Who Wasn’t There,” “A Serious Man” and “No Country For Old Men.”  “No Country For Old Men” and “Fargo” also won Critics’ Choice Awards as Best Picture.
 
The 250 members of the BFCA, the largest film critics’ organization in the United States and Canada, representing television, radio and online critics, selected nominees in each of 25 categories.  The awards are bestowed annually to honor the finest in cinematic achievement.  Eligible films were released in 2010. The accounting firm of Gregory A. Mogab tallied the written ballots.
 
Historically, the Critics’ Choice Movie Awards are the most accurate predictor of the Academy Award nominations.  All four major acting category winners at the Academy Awards in 2010 were first Critics’ Choice Movie Awards winners in the same categories and were present at the January 15, 2010 ceremony to graciously give their first acceptance speeches of the awards season. The BFCA also recognized “The Hurt Locker” for Best Picture and Kathryn Bigelow as Best Director, making her the first female to win the award. “The Hurt Locker” and Bigelow also went on to win the Academy Award for Best Picture and Best Director, but were both overlooked at the Golden Globes.
 
Today, VH1 also announces the launch of its Critics’ Choice Movie Awards site at CriticsChoice.VH1.com. The site offers movie fans detailed information about the show and this year’s nominees, VH1.com’s Award Season Twitter Tracker, where users can see the awards show buzz that’s happening on Twitter in real time, and Quick Critic, an opportunity to share short film reviews for a prize that includes a trip for two to next year’s Critics’ Choice Movie Awards. Additionally, interviews with many of the acting nominees can be found on the BFCA’s site CriticsChoice.com.
 
About The Broadcast Film Critics Association:
The Broadcast Film Critics Association (BFCA) is the largest film critics organization in the United States and Canada, representing 250 television, radio and online critics.  BFCA members are the primary source of information for today’s film going public.  The very first opinion a moviegoer hears about new releases at the multiplex or the art house usually comes from one of its members.
 
NOMINATIONS FOR THE 16th ANNUAL CRITICS’ CHOICE MOVIE AWARDS
 
BEST PICTURE
127 Hours
Black Swan
The Fighter
Inception
The King’s Speech
The Social Network
The Town
Toy Story 3
True Grit
Winter’s Bone
 
BEST ACTOR
Jeff Bridges – “True Grit”
Robert Duvall – “Get Low”
Jesse Eisenberg – “The Social Network”
Colin Firth – “The King’s Speech”
James Franco – “127 Hours”
Ryan Gosling – “Blue Valentine”
 
BEST ACTRESS
Annette Bening – “The Kids Are All Right”
Nicole Kidman – “Rabbit Hole”
Jennifer Lawrence – “Winter’s Bone”
Natalie Portman – “Black Swan”
Noomi Rapace – “The Girl With the Dragon Tattoo”
Michelle Williams – “Blue Valentine”
 
BEST SUPPORTING ACTOR
Christian Bale – “The Fighter”
Andrew Garfield – “The Social Network”
Jeremy Renner – “The Town”
Sam Rockwell – “Conviction”
Mark Ruffalo – “The Kids Are All Right”
Geoffrey Rush – “The King’s Speech”
 
BEST SUPPORTING ACTRESS
Amy Adams – “The Fighter”
Helena Bonham Carter – “The King’s Speech”
Mila Kunis – “Black Swan”
Melissa Leo – “The Fighter”
Hailee Steinfeld – “True Grit”
Jacki Weaver – “Animal Kingdom”
 
BEST YOUNG ACTOR/ACTRESS
Elle Fanning – “Somewhere”
Jennifer Lawrence – “Winter’s Bone”
Chloe Grace Moretz – “Let Me In”
Chloe Grace Moretz – “Kick-Ass”
Kodi Smit-McPhee – “Let Me In”
Hailee Steinfeld – “True Grit”
 
BEST ACTING ENSEMBLE
The Fighter
The Kids Are All Right
The King’s Speech
The Social Network
The Town
 
BEST DIRECTOR
Darren Aronofsky – “Black Swan”
Danny Boyle – “127 Hours”
Joel Coen & Ethan Coen – “True Grit”
David Fincher – “The Social Network”
Tom Hooper – “The King’s Speech”
Christopher Nolan – “Inception”
 
BEST ORIGINAL SCREENPLAY
“Another Year” – Mike Leigh
“Black Swan” – Mark Heyman and Andres Heinz and John McLaughlin
“The Fighter” – Scott Silver and Paul Tamasy & Eric Johnson (Story by Keith Dorrington & Paul Tamasy & Eric Johnson)
“Inception” – Christopher Nolan
“The Kids Are All Right” – Lisa Cholodenko and Stuart Blumberg
“The King’s Speech” – David Seidler
 
BEST ADAPTED SCREENPLAY
“127 Hours” – Simon Beaufoy and Danny Boyle
“The Social Network” – Aaron Sorkin
“The Town” – Ben Affleck, Peter Craig and Sheldon Turner
“Toy Story 3” – Michael Arndt (Story by John Lasseter, Andrew Stanton and Lee Unkrich)
“True Grit” – Joel Coen & Ethan Coen
“Winter’s Bone” – Debra Granik and Anne Rosellini
 
BEST CINEMATOGRAPHY
“127 Hours” – Anthony Dod Mantle
“Black Swan” – Matthew Libatique
“Inception” – Wally Pfister
“The King’s Speech” – Danny Cohen
“True Grit” – Roger Deakins
 
BEST ART DIRECTION
“Alice in Wonderland” – Stefan Dechant
“Black Swan” – Therese DePrez and Tora Peterson
“Inception” – Guy Hendrix Dyas
“The King’s Speech” – Netty Chapman
“True Grit” – Jess Gonchor and Nancy Haigh
 
BEST EDITING
“127 Hours” – Jon Harris
“Black Swan” – Andrew Weisblum
“Inception” – Lee Smith
“The Social Network” – Angus Wall and Kirk Baxter
 
BEST COSTUME DESIGN
“Alice in Wonderland” – Colleen Atwood
“Black Swan” – Amy Westcott
“The King’s Speech” – Jenny Beavan
“True Grit” – Mary Zophres
 
BEST MAKEUP
Alice in Wonderland
Black Swan
Harry Potter and the Deathly Hallows Part 1
True Grit
 
BEST VISUAL EFFECTS
Alice in Wonderland
Harry Potter and the Deathly Hallows Part 1
Inception
Tron: Legacy
 
BEST SOUND
127 Hours
Black Swan
Inception
The Social Network
Toy Story 3
 
BEST ANIMATED FEATURE
Despicable Me
How to Train Your Dragon
The Illusionist
Tangled
Toy Story 3
 
BEST ACTION MOVIE
Inception
Kick-Ass
Red
The Town
Unstoppable
 
BEST COMEDY
Cyrus
Date Night
Easy A
Get Him to the Greek
I Love You Phillip Morris
The Other Guys
 
BEST PICTURE MADE FOR TELEVISION
The Pacific
Temple Grandin
You Don’t Know Jack
 
BEST FOREIGN LANGUAGE FILM
Biutiful
I Am Love
The Girl with the Dragon Tattoo
 
BEST DOCUMENTARY FEATURE
Exit Through the Gift Shop
Inside Job
Restrepo
Joan Rivers: A Piece of Work
The Tillman Story
Waiting for Superman
 
BEST SONG
“I See the Light” – performed by Mandy Moore & Zachary Levi/written by Alan Menken & Glenn Slater – Tangled
“If I Rise” – performed by Dido and A.R. Rahman/music by A.R. Rahman/lyrics by Dido Armstrong and Rollo Armstrong – 127 Hours
“Shine” – performed and written by John Legend – Waiting for Superman
“We Belong Together” – performed and written by Randy Newman – Toy Story 3
“You Haven’t Seen the Last of Me Yet” – performed by Cher/written by Diane Warren – Burlesque
 
BEST SCORE
“Black Swan” – Clint Mansell
“Inception” – Hans Zimmer
“The King’s Speech” – Alexandre Desplat
“The Social Network” – Trent Reznor and Atticus Ross
“True Grit” – Carter Burwell
 
 
NOMINEES BY PICTURE FOR
THE 16th ANNUAL CRITICS’ CHOICE MOVIE AWARDS

 
127 HOURS – 8 Nominations
Best Picture
Best Actor/James Franco
Best Director/Danny Boyle
Best Adapted Screenplay
Best Cinematography
Best Editing
Best Sound
Best Song/“If I Rise”
 
ALICE IN WONDERLAND – 4 Nominations
Best Art Direction
Best Costume Design
Best Makeup
Best Visual Effects
 
ANIMAL KINGDON – 1 Nomination
Best Supporting Actress/Jacki Weaver
 
ANOTHER YEAR – 1 Nomination
Best Original Screenplay
 
BIUTIFUL – 1 Nomination
Best Foreign Language Film
 
BLACK SWAN – 12 Nominations
Best Picture
Best Actress/Natalie Portman
Best Supporting Actress/Mila Kunis
Best Director/Darren Aronofsky
Best Original Screenplay
Best Cinematography
Best Art Direction
Best Editing
Best Costume Design
Best Makeup
Best Sound
Best Score
 
BLUE VALENTINE – 2 Nominations
Best Actor/Ryan Gosling
Best Actress/Michelle Williams
 
BURLESQUE – 1 Nomination
Best Song/“You Haven’t Seen the Last of Me Yet”
 
CONVICTION – 1 Nomination
Best Supporting Actor/Sam Rockwell
 
CYRUS – 1 Nomination
Best Comedy
 
DATE NIGHT – 1 Nomination
Best Comedy
 
DESPICABLE ME – 1 Nomination
Best Animated Feature
 
EASY A – 1 Nomination
Best Comedy
 
EXIT THROUGH THE GIFT SHOP – 1 Nomination
Best Documentary Feature
 
GET HIM TO THE GREEK – 1 Nomination
Best Comedy
 
GET LOW – 1 Nomination
Best Actor/Robert Duvall
 
HARRY POTTER AND THE DEATHLY HALLOWS PART 1 – 2 Nominations
Best Makeup
Best Visual Effects
 
HOW TO TRAIN YOUR DRAGON – 1 Nomination
Best Animated Feature
 
I AM LOVE – 1 Nomination
Best Foreign Language Film
 
I LOVE YOU PHILLIP MORRIS – 1 Nomination
Best Comedy
 
INCEPTION – 10 Nominations
Best Picture
Best Director/Christopher Nolan
Best Original Screenplay
Best Cinematography
Best Art Direction
Best Editing
Best Visual Effects
Best Sound
Best Action Movie
Best Score
 
INSIDE JOB – 1 Nomination
Best Documentary Feature
 
JOAN RIVERS: A PIECE OF WORK – 1 Nomination
Best Documentary Feature
 
KICK-ASS – 2 Nominations
Best Young Actress/Chloe Grace Moretz
Best Action Movie
 
LET ME IN – 2 Nominations
Best Young Actress/Chloe Grace Moretz
Best Young Actor/Kodi Smit-McPhee
 
RABBIT HOLE – 1 Nomination
Best Actress/Nicole Kidman
 
RED – 1 Nomination
Best Action Movie
 
RESTREPO – 1 Nomination
Best Documentary Feature
 
SOMEWHERE – 1 Nomination
Best Young Actor/Actress/Elle Fanning
 
TANGLED – 2 Nominations
Best Animated Feature
Best Song/“I See the Light”
 
TEMPLE GRANDIN – 1 Nomination
Best Picture Made for Television
 
THE FIGHTER – 6 Nominations
Best Picture
Best Supporting Actor/Christian Bale
Best Supporting Actress/Amy Adams
Best Supporting Actress/Melissa Leo
Best Acting Ensemble
Best Original Screenplay
 
THE GIRL WITH THE DRAGON TATTOO – 2 Nominations
Best Actress/Noomi Rapace
Best Foreign Language Film
 
THE ILLUSIONIST – 1 Nomination
Best Animated Feature
 
THE KIDS ARE ALL RIGHT – 4 Nominations
Best Actress/Annette Bening
Best Supporting Actor/Mark Ruffalo
Best Acting Ensemble
Best Original Screenplay
 
THE KING’S SPEECH – 11 Nominations
Best Picture
Best Actor/Colin Firth
Best Supporting Actor/Geoffrey Rush
Best Supporting Actress/Helena Bonham Carter
Best Acting Ensemble
Best Director/Tom Hooper
Best Original Screenplay
Best Cinematography
Best Art Direction
Best Costume Design
Best Score
 
THE OTHER GUYS – 1 Nomination
Best Comedy
 
THE PACIFIC – 1 Nomination
Best Picture Made for Television
 
THE SOCIAL NETWORK – 9 Nominations
Best Picture
Best Actor/Jesse Eisenberg
Best Supporting Actor/Andrew Garfield
Best Acting Ensemble
Best Director/David Fincher
Best Adapted Screenplay
Best Editing
Best Sound
Best Score
 
THE TILLMAN STORY – 1 Nomination
Best Documentary Feature
 
THE TOWN – 5 Nominations
Best Picture
Best Supporting Actor/Jeremy Renner
Best Acting Ensemble
Best Adapted Screenplay
Best Action Movie
 
TOY STORY 3 – 5 Nominations
Best Picture
Best Adapted Screenplay
Best Sound
Best Animated Feature
Best Song/“We Belong Together”
 
TRON: LEGACY – 1 Nomination
Best Visual Effects
 
TRUE GRIT – 11 Nominations
Best Picture
Best Actor/Jeff Bridges
Best Supporting Actress/Hailee Steinfeld
Best Young Actress/Hailee Steinfeld
Best Director/ Joel Coen & Ethan Coen
Best Adapted Screenplay
Best Cinematography
Best Art Direction
Best Costume Design
Best Makeup
Best Score
 
UNSTOPPABLE – 1 Nomination
Best Action Movie
 
WAITING FOR SUPERMAN – 2 Nominations
Best Documentary Feature
Best Song/“Shine”
 
WINTER’S BONE – 4 Nominations
Best Picture
Best Actress/Jennifer Lawrence
Best Young Actress/Jennifer Lawrence
Best Adapted Screenplay
 
YOU DON’T KNOW JACK – 1 Nomination
Best Picture Made for Television

Jack Rico

By

2010/05/12 at 12:00am

Free tickets to see ‘Shrek Forever After’ in New York!

05.12.2010 | By |

Free tickets to see 'Shrek Forever After' in New York!

ShowBizCafe.com invites you to see an advanced screening of one of the best family movies of the year SHREK FOREVER AFTER starring Mike Myers, Antonio Banderas, Cameron Diaz and Eddie Murphy on Saturday, May 15th at 9:30AM at an undisclosed theater in Manhattan. A pack of 4 individual tickets will be sent to the first 50 people.

Synopsis: After challenging an evil dragon, rescuing a beautiful princess and saving your in-laws’ kingdom, what’s an ogre to do? Well, if you’re Shrek, you suddenly wind up a domesticated family man. Instead of scaring villagers away like he used to, a reluctant Shrek now agrees to autograph pitch forks. What’s happened to this ogre’s roar? Longing for the days when he felt like a “real ogre,” Shrek is duped into signing a pact with the smooth-talking dealmaker, Rumpelstiltskin. Shrek suddenly finds himself in a twisted, alternate version of Far Far Away, where ogres are hunted, Rumpelstiltskin is king and Shrek and Fiona have never met. Now, it’s up to Shrek to undo all he’s done in the hopes of saving his friends, restoring his world and reclaiming his one True Love.

Instructions:
1. Fill out the COMMENTS section on the page with your name and email.
2. Wait for one of our staff members to email you an E-Ticket of the film.
3. Print the ticket with you from home or work.
4. The ticket only admits 1 person, that’s why you’ll get 4 so you can go with your family or friends.
5. The ticket is protected from duplication via a scanbar. The scanbar will not work twice.
6. Enjoy the film.

Follow us on Twitter for more advanced screenings! www.Twitter.com/Showbizcafe

To see the trailer and pictures of the film, click the poster below:

Shrek Forever After

Tickets are limited and are allocated to a random sampling of respondents. Limit one (Admit-One) pass per person. Seating is first come, first served. No purchase necessary. While supplies last.

Rated PG for mild action, some rude humor and brief language.

The theatrical release will be May 21st, 2010.

http://www.shrekforeverafter.com/

Passes are not for sale.

Jack Rico

By

2010/05/05 at 12:00am

Free tickets to ‘Robin Hood’ in New York!

05.5.2010 | By |

Free tickets to 'Robin Hood' in New York!

ShowBizCafe.com invites you to see an advanced screening of ‘Robin Hood’ starring Russell Crowe and Cate Blanchett on Thursday, May 13th at 7:30PM at an undisclosed theater in Manhattan, NY. Only 40 winners with an ADMIT ONE ticket will be picked.

Synopsis:

The story of an archer in the army of Richard Coeur de Lion who fights against the Norman invaders and becomes the legendary hero known as Robin Hood.

Instructions:
1. Fill out the COMMENTS section on the page with your name and email.
2. Wait for one of our staff members to email you an E-Ticket of the film
3. Print the ticket with you from home or work

 

Follow us on Twitter for more advanced screenings! www.Twitter.com/Showbizcafe

To see the trailer and pictures of the film, click the poster below:

Tickets are limited and are allocated to a random sampling of respondents. Limit one (Admit-One) pass per person. Seating is first come, first served. No purchase necessary. While supplies last.

Rated PG-13 for violence including intense sequences of warfare, and some sexual content.

No one under 13 will be admitted.

The theatrical release will be May 14th, 2010.

http://www.robinhoodthemovie.com/

Passes are not for sale.

Pau Brunet

By

2009/10/05 at 12:00am

‘Zombieland’ is No. 1 at the Box Office

10.5.2009 | By |

‘Zombieland’ is No. 1 at the Box Office

Sony’s marketing machine marches on: “Zombieland” opened No. 1 at the weekend box office, giving the studio its sixth first-place debut of the year. The horror-comedy hybrid sold an estimated $25 million in tickets at North American theaters, according to tracking services. The entry to watch, however, was Disney’s experiment in using 3-D to repackage the Pixar classics “Toy Story” and “Toy Story 2.” The films, re-rendered in 3-D and released as a double feature, sold an estimated $12.5 million, placed third — behind a three-week-old animated entry from Sony, “Cloudy With a Chance of Meatballs.” (That movie sold another $16.7 million for a cumulative total of $82.4 million.)

So Disney did a successful job priming the market for “Toy Story 3,” set for release in June, but so far failed to prove any points about the goldmine potential of re-releasing old hits in 3-D. The Ricky Gervais comedy “The Invention of Lying” (Warner Brothers) was fourth with about $7.4 million, while “Surrogates” (Disney) limped into fifth place with $7.3 million ($26.4 million total). The only other wide release, “Whip It,” fared poorly in sixth place. The Fox Searchlight comedy, backed by a months-long marketing campaign and featuring the talents of Drew Barrymore and Ellen Page, sold about $4.9 million.

Alex Florez

By

2009/08/11 at 12:00am

‘It Might Get Loud’ director sounds off on new film!

08.11.2009 | By |

'It Might Get Loud' director sounds off on new film!

Recently I had a chance to sit down with Oscar award winning filmmaker Davis Guggenheim (An Inconvenient Truth) in New York to talk about his latest documentary It Might Get Loud.  The film tells the personal stories, in their own words, of three generations of electric guitar virtuosos – The Edge (U2), Jimmy Page (Led Zeppelin), and Jack White (The White Stripes). It reveals how each developed his unique sound and style of playing favorite instruments, guitars both found and invented.

We spoke about documentary filmmaking, whether the non-fans will enjoy the movie and his arguable decision to include Jack White in the film. Here in full, the Q & A:

AF:  First of all, congratulations on the film, I thoroughly enjoyed it!  However, I almost have to say that with an asterisk at the end.  That’s because I’m a fan of all three musicians in the film. But I also have a lot of friends that are ‘U2 haters’ who say things like “The Edge is nothing but pedals and effects…he’s not a true guitarist!”

How much do you worry about getting the non fans out to watch the film?

DG:  Well the thing about the movie is that it’s kind of universal.  Some fans may like this band more than that band but everyone responds to these guys as artists.  We all grew up to this music and this movie shows you how they made it and why they made it and the people behind it.  So I find that for non guitarists, people will like it even more because they connect with the artistry behind it.  The super guitar geeks want to look at the chords being played but this is not about that, this about how these kids from different times, from different generations, took their obsessions and became rock stars.

AF:  So is it fair to say that these bands will get some new fans out of the movie?

DG:  Oh yeah.  It already has. My son bought a mandolin and now he’s playing ‘The Battle of Evermore’.  Years later, Led Zeppelin still moves people.  U2 still moves people.  All this music is still cutting edge.

AF:  I want to talk about your selection process.  For the film you chose three guitar virtuosos from three different generations.  While it’s difficult to argue with the contributions that both Jimmy Page and The Edge have made in their respective eras, I think Jack White is a curious and somewhat debatable choice to represent our time.  Perhaps because we’re not far enough removed from the era.

Did you ever consider someone else instead of Jack White?  For instance, Tom Morello from Rage Against the Machine.  Or did you just need a singer? Was this your original wish list of guitarists?

DG:  We knew we weren’t going to get everybody.  In fact, if we tried to make a movie about everybody it would be too diluted.  You’d spend three minutes on Tom Morello, three minutes on Eric Clapton…We thought, why not pick 3 guys from 3 different generations? And it was important to have Jack White because he is still becoming, he’s got two new bands, and he’s also a singer, but most importantly because he represents the next innovator. He’s such an innovator. His sound is so distinct.  He’s so creative.  To me, he embodies what Led Zeppelin embodies: experimentation, improvisation and aggression.  You could easily make a movie about Tom Morello or Eric Clapton too…I really wanted Jimi Hendrix but he wasn’t available.

AF:  What kind of guitarists did you grow up with?

DG:  I was a huge fan of U2 because my brother brought home that first album called ‘Boy’ and I was like ‘this is my music!’  It was so different and so direct and so different from the classic rock that everyone else was listening to.  But it was years later that I started to realize Led Zeppelin is this really amazing band.  ‘I cannot ignore Led Zeppelin.’  It was a half a generation ahead of me so I really didn’t look into it at first.  But then when you hear it, you’re like ‘this is such great music, this is great musicianship and it’s the root of all the rock and roll that followed it.’  Everyone who came up after Led Zeppelin had to deal with Led Zeppelin because they were so good.

AF:  Its interesting to me too.  Led Zeppelin was obviously before my time but when you really fall in love with a band like U2 you eventually start to trace their roots, their musical family tree and you find out that sure enough, it was Led Zeppelin, The Clash, Patti Smith and all those bands from the 70s that influenced them so much.

DG:  Yeah.  You’re good. I like that. You know your stuff.

AF:  A rockumentary.  In my opinion, ‘It Might Get Loud’ is one of a few that genuinely deserves to be called that.  A lot of films are called rockumentaries but all they really are is concert footage with a few sounds bites.  Then there’s the ‘E! True Hollywood Story’ and the ‘Behind the Music’ specials. ‘It Might Get Loud’ arrives as something different and refreshing because at the end of the day it is about the relationship between the musician and his instrument.

DG:  I wanted to make a different kind of music documentary.  Even to call it a documentary…I guess that’s how it has to be categorized, but this is about a summit of three guys from three different generations coming together to play and I’ve never seen that before. Whereas a lot of rockumentaries end up leading towards the death of the band or a drug overdose or a girlfriend breaking up the band, this movie is about the personal journey of these guys and how they went from teenage boys to artists and how they would write their songs.  I see a lot of other movies and say ‘wait you didn’t tell me anything about how they wrote and how they created. I want to know more!’

AF:  What is the appeal of the documentary film? And do you prefer it over a traditional narrative feature?

DG:  You know, I’ve done a couple of features and I’ve done a bunch of television.  So I like it all.  I’m really drawn to documentaries because right now at this moment, documentaries are exploding.  Creatively they’re changing.  Features aren’t being as experimental as documentaries are.  It Might Get Loud is an experimental movie where I had a lot of creative control.  I had animation in this film.  I used different kinds of techniques and storytelling devices that you could never use in features.  On top of that, you have all these people that you admire whose stories haven’t been told. 

The thing that you’re desperate for when you’re telling any kind of story, whatever is, is wanting to be passionate.  You want to be excited when you wake up in the morning, because if you excited that comes through in the filmmaking. 

I get sent a bunch of scripts.  Just last night I was reading a script and I cannot finish reading it because I’m so bored. I think audiences feel that same way when they see a lot of these movies. ‘Why did they even make this movie?’  These documentaries are so fun and interesting that I just keep following that.

AF:  A documentary like this one doesn’t have the same urgency as some of the others like ‘An Inconvenient Truth’, or the Obama piece that you made.  The ‘It needs to be said NOW’ factor.  Can you talk about the differences in the approaches?

DG:  That’s a very good question.  We made Inconvenient Truth in 5½ months and documentaries usually take a couple of years to do.  But we just felt like we had to make this movie now and the timing of it was its success. It was about capturing the moment. It Might Get Loud is very different. This is an exploratory movie about the nature of creativity. 

I like just jumping around.  I like being in the situation where I’m doing a totally different movie and saying ‘I don’t know if I’m going to be able to pull this off!’

AF:  I know that the structure of most documentaries are found in post.  I don’t know how much scripting you did beforehand but it was pretty neat how each story had its own take.  There’s a boy in the film that shadows Jack White, which serves as a clever device for his segment.  The Edge going back to his old high school brings this nostalgic effect. Then, Jimmy Page’s visit to the legendary Led Zeppelin house is almost mythological.  is that something that was at all premeditated, to have these different approaches for all of them?

DG:  Documentaries have a script that you are kind of writing in your head as you’re editing them, and when you finish the movie you finish the script.  Whereas if you’re doing a feature you finish your script, then start shooting.  So its kind of the opposite right? But I’ve learned with documentaries not to script stuff, to let the characters take me where I should go.  So with Jimmy Page, we just sat in a room for two days and just talked.  I asked him questions about this song and that song, and his songwriting.   Out of those interviews, an early map came out of the places where we might go shoot.  Those places then led to more clues.  We would edit some more, and that led us to even more clues. 

AF:  Very different from ‘An Inconvenient Truth’, where you had Al Gore’s slide show in essence, guiding you.

DG:  Yes, the slideshow was about 2/3 of the movie but the other part was telling his story which hadn’t been really done properly.  So we were following him around debating whether we should go here or whether we go there, still trying to discover those moments as we went.  I wasn’t even sure that you could intercut these very personal reflective moments inside this slideshow.  But it was very organic.  Then, we were constantly animating his slideshow and changing it and cutting it and moving it around.  It’s all an evolution.  His slideshow was almost twice as long than it was in the movie, so we had to kind of shape that.  By the time we finished the movie, we had our script. 

AF:  Thanks again, Davis. we wish you the best of luck with the film.

DG:  Thank you.  What a nice interview.  I enjoyed it! 

Mack Chico

By

2009/06/04 at 12:00am

David Carradine Dies at 72

06.4.2009 | By |

David Carradine Dies at 72

David Carradine, the star of the 1970s television series “Kung Fu” and the title villain of the “Kill Bill” movies, has died in Thailand, The Associated Press reported. The United States Embassy in Bangkok told The A.P. that Mr. Carradine had been found dead in his hotel suite in Bangkok, where he was working on a movie. He was 72.

Mr. Carradine was part of an acting family that included his father, John; his brother, Bruce, and half-brothers Keith and Robert; and his nieces Ever Carradine and Martha Plimpton.

After a short run as the title character in the 1966 television adaptation of the Western “Shane,” he found fame in the 1972 series “Kung Fu” as Kwai Chang Caine, a wanderer raised by Shaolin monks to be a martial arts master. He enjoyed a career resurgence in recent years when he was cast by Quentin Tarantino in the action movies “Kill Bill: Vol. 1″ and “Vol. 2.”

Mack Chico

By

2009/05/12 at 12:00am

Antonio Banderas in ‘The Big Bang’

05.12.2009 | By |

Antonio Banderas in 'The Big Bang'

Antonio Banderas is set to star in The Big Bang,” a neo-noir detective story to be directed by Tony Krantz.

Richard Rionda Del Castro, Krantz and Erik Jendresen will produce the film, based on a script by Jendresen (“Band of Brothers”). Production begins in Spokane, Wash., in September.

Banderas stars as an L.A. private detective who’s hired to find a missing stripper. The trail leads to the New Mexico desert, where the private eye finds a trail of bodies and contends with a brutal Russian boxer, three LAPD detectives and an aging billionaire looking to perfect the nuclear physics equivalent of the Big Bang.

Exec producing will be Patricia Eberle, Richard Salvatore and Ross Dinerstein.

Rionda Del Castro’s Hannibal Pictures is financing and handling foreign sales at Cannes. U.S. representation is being handled by WMA and Endeavor.

Pic marks the first theatrical feature for Krantz, one of the few ex-agents to make that leap. Krantz, who spent 15 years packaging series at CAA and later heading Imagine TV, previously directed two Jendresen-scripted films — “Sublime” and “Otis”– that were designed to go direct to video through Raw Feed, a venture Krantz co-created.

Krantz now owns Flame Ventures, whose slate includes a NASCAR Imax film in 3-D that Krantz will direct, and “The Conversation,” a series for AMC based on the Francis Ford Coppola film that is being written by Jendresen and Christopher McQuarrie.

Banderas most recently completed a starring role in Woody Allen‘s as-yet-untitled next film.

Mack Chico

By

2009/05/08 at 12:00am

Katie Holmes to star in Guillermo del Toro thriller

05.8.2009 | By |

Katie Holmes to star in Guillermo del Toro thriller

Katie Holmes will star in “Don’t Be Afraid of the Dark,” a thriller for Miramax Films that was scripted by Guillermo del Toro and Matthew Robbins.

Del Toro is producing with Mark Johnson and the film will be directed by del Toro protege Troy Nixey.

The film will shoot this summer in Melbourne as a “Guillermo del Toro Presentation.”

“Don’t Be Afraid of the Dark” is based on a 1973 ABC telepic about a young girl who moves in with her father and his girlfriend and discovers they are sharing the house with devilish creatures.

Nixey, a comicbook artist, is making his feature directing debut. Del Toro sparked to “Latchkey’s Lament,” a Nixey-directed short that captured the tone del Toro wanted for “Don’t Be Afraid of the Dark.”

Del Toro and Johnson are also teamed with Gary Ungar to produce “Hater,” an adaptation of the David Moody horror novel that will be directed at Universal by Juan Antonio Bayona (“The Orphanage”).

Holmes most recently completed “The Extra Man,” directed by Shari Springer Berman and Robert Pulcini.

Del Toro is busy readying “The Hobbit,” which he’s writing with Peter Jackson, Fran Walsh and Philippa Boyens. That film shoots next year.

Mack Chico

By

2009/05/05 at 12:00am

Dom DeLuise, actor, comedian and chef, dies

05.5.2009 | By |

Dom DeLuise, actor, comedian and chef, dies

Dom DeLuise, the portly actor-comedian whose affable nature made him a popular character actor for decades with movie and TV audiences as well as directors and fellow actors, has died. He was 75.

DeLuise died Monday night, son Michael DeLuise told KTLA-TV and radio station KNX on Tuesday. The comedian died in his sleep after a long illness. Calls to his agent were not immediately returned.

The actor, who loved to cook and eat almost as much as he enjoyed acting, also carved out a formidable second career later in life as a chef of fine cuisine. He authored two cookbooks and would appear often on morning TV shows to whip up his favorite recipes.

As an actor, he was incredibly prolific, appearing in scores of movies and TV shows, in Broadway plays and voicing characters for numerous cartoon shows.

Writer-director-actor Mel Brooks particularly admired DeLuise’s talent for offbeat comedy and cast him in several of his films, including “The Twelve Chairs,” “Blazing Saddles,” “Silent Movie,” “History of the World Part I” and “Robin Hood: Men in Tights.” DeLuise was also the voice of Pizza the Hutt in Brooks’ “Star Wars” parody, “Spaceballs.”

The actor also appeared frequently in films opposite his friend Burt Reynolds. Among them, “The End,” “The Best Little Whorehouse in Texas,” ‘Smokey and the Bandit II,” “The Cannonball Run” and “Cannonball Run II.”

Another actor-friend, Dean Martin, admired his comic abilities so much that he cast DeLuise as a regular on his 1960s comedy-variety show. In 1973, he starred in a situation comedy, “Lotsa Luck,” but it proved to be short-lived.

Other TV credits included appearances on such shows as “The Munsters,” “The Girl From U.N.C.L.E.,” “Burke’s Law,” “Sabrina the Teenage Witch” and “Diagnosis Murder.”

On Broadway, DeLuise appeared in Neil Simon‘s “Last of the Red Hot Lovers” and other plays.

Because of his passion for food, the actor battled obesity throughout much of his life, his weight reaching as much as 325 pounds at one point. For years, he resisted the efforts of family members and doctors who tried to put him on various diets. He finally agreed in 1993 when he needed hip replacement surgery and his doctor refused to perform it until he lost 100 pounds.

He and his family enrolled at the Duke University Diet and Fitness Center in Durham, N.C., and DeLuise lost enough weight for the surgery, although he gained some of it back afterward.

On the positive side, his love of food resulted in two successful cookbooks, 1988’s “Eat This — It Will Make You Feel Better!” and 1997’s “Eat This Too! It’ll Also Make You Feel Good.”

At his Pacific Palisades home, DeLuise often prepared feasts for family and friends. One lunch began with turkey soup and ended with strawberry shortcake. In between, were platters of beef filet, chicken breast and sausage, a bowl of spaghetti and meatballs and a saucer of lettuce.

He strongly resembled the famed chef Paul Prudhomme and joked in a 1987 Associated Press interview that he had posed as Prudhomme while visiting his New Orleans restaurant, K-Paul’s Louisiana Kitchen.

DeLuise was appearing on Broadway in “Here’s Love” in the early 1960s when Garry Moore saw him and hired him to play the magician “Dominick the Great” on “The Garry Moore Show.”

His appearances on the hit comedy-variety program brought offers from Hollywood, and DeLuise first came to the attention of movie-goers in “Fail Safe,” a drama starring Henry Fonda. He followed with a comedy, “The Glass Bottom Boat,” starring Doris Day, and from then on he alternated between films and television.

“I was making $7,000 a week — a lot of money back then — but I didn’t even know I was rich,” he recalled in 1994. “I was just having such a great time.”

He was born Dominick DeLuise in New York City on Aug. 1, 1933, to Italian immigrants. His father, who spoke only Italian, was a garbage collector, and those humble beginnings stayed with him throughout his life.

“My dad knows everything there is to know about garbage,” one of the actor’s sons, David DeLuise, told The Associated Press in 2008. “He loves to pick up a broken chair and fix it.”

DeLuise’s introduction to acting came at age 8 when he played the title role of Peter Rabbit in a school play. He went on to graduate from New York City’s famed School of Performing Arts in Manhattan.

For five years, he sought work in theater or television with little luck. He finally decided to enroll at Tufts College and study biology, with the aim of becoming a teacher.

Acting called him back, however, and he found work at the Cleveland Playhouse, appearing in stage productions that ranged from comedies such as “Kiss Me Kate” to Shakespeare’s “Hamlet.”

“I worked two years solidly on plays and moving furniture and painting scenery and playing parts,” he remarked in a 2006 interview. “It was quite an amazing learning place for me.”

While working in summer stock in Provincetown, Mass., he met a beautiful young actress, Carol Arthur, and they were soon married.

The couple’s three sons, Peter, Michael and David, all became actors and all appeared with their father in the 1990s TV series “SeaQuestDSV,” in which Peter and Michael were regulars.

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