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Reviews for DVD Releases

Alex Florez

By

2008/12/15 at 12:00am

The House Bunny

12.15.2008 | By |

Rating: 2.5

Rated: PG-13 for sex-related humor, partial nudity and brief strong language.
Release Date: 2008-08-22
Starring: Karen McCullah Lutz, Kirsten Smith
Director(s):
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Film Genre:
Country:USA
Official Website: http://www.thehousebunny.com/

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From the get-go ‘The House Bunny’ wants you to believe it’s a post-modern fairy tale comedy set on a college campus. Only when it nearly forgets what the moral to its story is, it almost becomes the ‘makeover’ episode from a daytime talk show.  In fact, I’m inclined to say it turns the word ‘makeover’ into a genre.

Leading the way is Anna Faris (Scary Movie), who steps into Shelley Darlingson’s pumps as a stereotypical blond Playboy bunny who is kicked out of Hugh Hefner’s mansion. But soon enough she finds a new home at an awkward sorority where the girls are dull, unpopular and desperate for pledges in order to keep the dean from taking away their house.  Predictably however, Shelley takes it upon herself to transform the girls into beauty queens and become the most coveted group to be around.

The ‘girls’, played by stars on the rise, Emma Stone (Superbad), Kat Dennings (Charlie Bartlett), Katharine McPhee (American Idol), Rumer Willis (Bruce and Demi’s eldest) and a few others, are so surprisingly likable during their pre-makeover stage that you’d almost wish they didn’t undergo any treatment.  Emma Stone in particular, works the ‘bookworm’ role so charmingly well, she steals more than one scene clearly meant for Faris to carry, who can’t seem to hide how hard she tries for every laugh. 

The pitfall here is that for too long a period, the film paints vanity in such a great light, that it sends mixed signals to the audience about the message the filmmakers want to convey. Is being beautiful on the outside really that important to get ahead in life? Well, for most of the film, they make you think so.  Of course, that’s no message for a fairy tale to send – Shelley must learn that what boys really like is what’s on the inside. And so begins a mad and sloppy dash during the second half of the film to make things right.  

One opportunity that the filmmakers certainly missed was to demystify the famous Playboy mansion. It does nothing to change or add to the widely held and fixed idea we all have of the estate.  Instead we’re limited to some Hugh Hefner cameos and a thinly put together subplot involving Shelley’s banishment.

Nevertheless, this female driven comedy has its appeal as screenwriters Karen McCullah Lutz and Kirsten Smith (Legally Blonde) take parts from ‘The Revenge of the Nerds’ lore and attempt to make it their own.

Alex Florez

By

2008/12/09 at 12:00am

The Dark Knight

12.9.2008 | By |

Rating: 4.5

Rated: PG-13 for intense sequences of violence and some menace.
Release Date: 2009-01-23
Starring: Bob Kane, Christopher Nolan
Director(s):
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Film Genre:
Country:USA
Official Website: http://thedarkknight.warnerbros.com/

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At two and one half hours, “The Dark Knight” is a great muddle of equivocal morality masquerading as a superhero skein.  Helmer Christopher Nolan’s sequel to “Batman Begins” falls victim to a curse common to attempts to build a franchise:  It has no compelling story.
 
Instead, it throws a filmmaker’s bag of tricks at a screenplay that is too long by an hour.  The tricks come in the form of plot twists, largely incomprehensible because their visual clues are buried under special effects and their dialogue clues are buried under a pumped up soundtrack.  That is too bad, because stripped of its silly subplots, “The Dark Knight” has the germ of a satisfying comic book flick.
 
The first rule of superheroes is that the superhero is the guy with the super powers.  Civilians do not have super powers.  If they did, there would be no need for a superhero.  This is where “The Dark Knight” falls down.  Too many civilians survive explosions, car accidents, and assassination attempts that should have killed them because they don’t have super powers.
 
The plot is roughly this:  After cleaning up Gotham Batman (Christian Bale) is having second thoughts.  Using criminal tactics to catch criminals may turn him into one.  He also wants to marry his love interest, Rachel Dawes (Maggie Gyllenhaal, terribly miscast).  She won’t have him until he gives up the cape and mask.  Into this frittata toss The Joker (the late Heath Ledger) with a scheme to take over what is left of Gotham’s mob headed by Salvatore Maroni (convincingly played by Eric Roberts).  Add handsome crusading DA Harvey Dent (Aaron Eckhart) who gains the confidence of Batman and alter ego Bruce Wayne, and you have the recipe for the end of the Batman saga.  Predictably The Joker is the fly in Batman’s retirement ointment.  Without Batman’s help, cops can’t prevent the agent of chaos from turning Gotham into a war zone – and from keeping Batman in costume.
 
Ledger’s Joker is totally competent, but in Jack Nicholson he has a tough act to follow.  He comes across more like Christian Slater in “Heathers” than the cinematic master of madness.  With the exceptions of veterans Michael Caine and Morgan Freeman, performances fall victim to special effects, some of which are cheesy.  Even the once sleek Batmobile now looks like Hummer that has been sat on by an elephant.
 
With a PG-13 rating, nothing in “The Dark Knight” is objectionable to children, but it could bore them to death.

Alex Florez

By

2008/12/09 at 12:00am

Dr. Seuss’ Horton Hears A Who?

12.9.2008 | By |

Rating: 3.0

Rated: G
Release Date: 2008-03-14
Starring: Ken Daurio, Cinco Paul
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Country:USA
Official Website: http://www.horton.es/

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Mack Chico

By

2008/12/09 at 12:00am

I Am Legend (Wide Screen Edition)

12.9.2008 | By |

Rating: 3.5

Rated: PG-13 for intense sequences of sci-fi action and violence.
Release Date: 2007-12-14
Starring: Akiva Goldsmith, Mark Protosevich
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Country:USA
Official Website: http://wwws.warnerbros.es/iamlegend/?frompromo=movies_maintouts_iamlegend

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Mack Chico

By

2008/12/02 at 12:00am

Wanted

12.2.2008 | By |

Rating: 3.5

Rated: R for strong violence including some torture, and for language throughout.
Release Date: 2008-06-27
Starring: Michael Brandt, Dean Georgaris
Director(s):
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Film Genre:
Country:USA
Official Website: http://www.wantedmovie.com/

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Wanted provides the jolt of adrenaline one expects from solid summer entertainment. It exists solely to keep the heart pounding as it shifts from one gear to the next, decelerating only when exposition demands a reduction in pace. The movie marries the superhero origin film with the revenge thriller, blending them with hints of the frenzied intensity embodied by 300 and the visual orchestrations of The Matrix. The storyline, while not Pulitzer material, is strong enough to keep the average viewer involved. But this is one of those experiences where the brain is not the primary organ engaged by what flashes on the screen in the darkness.

The backstory of Wanted is of a young man who finds out his long lost father is an assassin. And when his father is murdered, the son is recruited into his father’s old organization and trained by a man named Sloan to follow in his dad’s footsteps.

 

Director Timur Bekmambetov showed in Night Watch that he knows how to do some arresting stuff with his cameras. He’s the everyman who discovers he’s more than he thought he was. He’s Peter Parker with an attitude. And, face it, who wants Mary Jane Watson when you can have Fox?

Angelina Jolie has always oozed sex appeal, but she’s never been able to match badass with dominatrix quite like this. Jolie doesn’t have any qualms about showing off her body, nor should she, considering how well sculpted it is. James McAvoy‘s American accent is a little flawed, but his transformation from dweeb to assassin is believable. Morgan Freeman adds a touch of class to things (much as he does with nearly every movie he’s in). There’s something perversely delicious, however, about getting to hear Easy Reader say two of George Carlin’s seven words that can’t be spoken on television.

 

The film’s sense of style is going to capture the praise of some who might normally not applaud a summer movie fueled by adrenaline and testosterone. But Wanted manages to deliver what action fans crave while still maintaining a veneer of artfulness. There are times when the film is flat-out silly (such as the spinning car assassination), but that’s part of the movie’s charm. At its worst, Wanted is never boring. At its best, it can be damn close to intoxicating. One word, written without apology, describes it best: fun.

Alex Florez

By

2008/12/02 at 12:00am

Step Brothers

12.2.2008 | By |

Rating: 2.0

Rated: R for crude and sexual content, and pervasive language.
Release Date: 2008-07-25
Starring: Will Ferrell, Adam McKay
Director(s):
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Film Genre:
Country:USA
Official Website: http://www.sonypictures.com/movies/stepbrothers/index.html

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Alex Florez

By

2008/12/02 at 12:00am

The X Files: I Want to Believe

12.2.2008 | By |

Rating: 2.5

Rated: PG-13 for violent and disturbing content and thematic material.
Release Date: 2008-07-25
Starring: Chris Carter, Frank Spotnitz
Director(s):
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Country:USA, Canada
Official Website: http://xfiles.com/

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Alex Florez

By

2008/12/02 at 12:00am

The Chronicles of Narnia: Prince Caspian

12.2.2008 | By |

Rating: 3.0

Rated: PG for epic battle action and violence.
Release Date: 2008-05-16
Starring: Andrew Adamson, Christopher Markus
Director(s):
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Country:UK, USA
Official Website: http://www.disney.es/FilmesDisney/narnia/

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Alejandro Arbona

By

2008/11/18 at 12:00am

Tropic Thunder

11.18.2008 | By |

Rating: 3.0

Rated: R for pervasive language including sexual references, violent content and drug material.
Release Date: 2008-08-15
Starring: Ben Stiller, Justin Theroux, Etan Cohen
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Country:NULL
Official Website: http://www.tropicthunder.com/

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“Tropic Thunder”, the new comedic vehicle by Ben Stiller and his pals, kicks off with a assault on the audience so unexpected and so enormously funny that it takes you totally by surprise and disarms you completely. Unfortunately, though “Tropic Thunder” is pretty good at several other points, this sequence ends up being the funniest in the entire movie.

It’s the story of three Hollywood actors from very different genres, who join forces to shoot a Vietnam-war melodrama. Ben stiller is Tugg Speedman, an action star whose career has suffered after his recent choices of roles, namely that of a developmentally disabled character he played hoping to win an Oscar in a movie called “Simple Jack.” Roberto Downey Jr., on the other hand, plays Kirk Lazarus, an Australian five-time Oscar-winner, who goes after roles for the challenge of becoming wholly new and different people foreign to his own reality; in the film-within-a-film also called “Tropic Thunder,” he plays an African-American soldier, a role for which Lazarus/Downey Jr. has had his skin dyed and his hair curled. And Jack Black plays Jeff Portnoy, a gross-out comedy star whose biggest success has been playing multiple roles as each member of a flatulent, obese family, and who’s joined the cast of the weighty Vietnam picture because he’d like to be taken seriously as an artist. Brandon T. Jackson also appears as a hip-hop star called Alpa Chino (read the name out loud if you don’t see the gag), and Jay Baruchel as Kevin Sandusky, a rookie actor on his first production, surrounded by big stars. Finally, the outstanding cast is rounded out by the British actor/comedian Steve Coogan as Damien Cockburn, the film’s director; Nick Nolte as Four Leaf Tayback, the Vietnam vet whose war memoirs were the basis for the screenplay; Matthew McConaughey as Rick Peck, Speedman’s aggressive agent; and Tom Cruise in a prosthetic belly and bald cap, as the villainous Les Grossman, the head of the studio.

The actors are generally excellent, above all Downey Jr. The exception to a strong cast for me was Ben Stiller, a comedic star I personally find to be very limited in the versatility of his characters and improvisations (notice how similar most or all of his film characters are; they tend to be hostile, overbearing, extremely dumb, or all three). The same goes for Tom Cruise, whose character turns out to be a one-note joke; the novelty of seeing Tom Cruise in disguise and playing such an unpleasant character was a gag that got old fast, and a role to which Cruise didn’t bring anything more.

The movie does have its grand comic moments, and some even hilarious. When it weakens is when the story becomes too dense; separate subplots play out onscreen, but Stiller’s unskilled hand as director treats all of them with equal importance, and the audience is distracted by narratives that should have just been extremely minor subplots. What’s more, enormous stretches of time pass in the film’s over-long running time when we don’t see or hear from one character or another, creating a very uneven story during the middle part of the movie.

Nevertheless, “Tropic Thunder” redeems itself and entertains the audience enormously during its stronger parts, and it even has its truly brilliant moments.

One separate note: The subject of a Caucasian actor playing an African-American man and verging on blackface buffoonery has turned out not to provoke the negative reaction you would have imagined, and I think rightly so, because it’s an issue of satire and what that character as a Hollywood star is willing to do. However, the element that has drawn criticism and even a boycott after all is the melodramatic, Oscar-bait role Tugg Speedman (Stiller) had played in his previous outing, “Simple Jack” about a developmentally disabled young man. Stiller is certainly less deft as an actor than Downey Jr., and plays that fictional part with less seriousness – because even a comedic character has to take himself totally seriously, even if the audience laughs at him. And maybe it’s because of the broad, exaggerated absurdity of Stiller’s performance in the part, but several groups dedicated to the rights and dignity of people with disabilities have organized a boycott of “Tropic Thunder.” I respect their motives wholeheartedly, but I don’t personally agree with them; the character is nothing more than a skewering of Hollywood actors and these roles they play, whether for the challenge of embodying a character they couldn’t possibly fully understand, or to raise awareness of the disadvantages faced by different groups in society, or as in the case of Tugg Speedman in “Simple Jack,” to show off their dramatic chops and try to win an Oscar. It’s not disrespectful of people with disabilities, in my opinion, but just Hollywood satire, and I’m confident that was Stiller’s intention as writer, director and actor.

Alex Florez

By

2008/11/18 at 12:00am

Wall E

11.18.2008 | By |

Rating: 3.5

Rated:
Release Date: 2008-06-27
Starring: Andrew Stanton
Director(s):
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Film Genre:
Country:NULL
Official Website: http://disney.go.com/disneypictures/wall-e/

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