Pirates of the Caribbean: On Stranger Tides
05.21.2011 | By Jack Rico |

05.19.2011 | By Jack Rico |
HOLLYWOOD, CA (May 19, 2011) – Paramount Pictures, Twentieth Century Fox and Lightstorm Entertainment jointly announced today that James Cameron’s “TITANIC” will be re-released worldwide on April 6, 2012.
The release, which marks the 100th anniversary of the Titanic setting sail (April 10th), will present the film in 3D for the first time ever.
Written, directed and produced by Cameron, “TITANIC” is the second highest grossing movie of all time. It is one of only three films to have received a record 11 Academy AwardsÒ including Best Picture and Best Director; and launched the careers of stars Leonardo DiCaprio and Kate Winslet.
Called “A spectacular demonstration of what modern technology can contribute to dramatic storytelling” by Variety upon its release in 1997, the long in the works 3D conversion is being overseen by Cameron and his Lightstorm producing partner Jon Landau who produced the hit movie.
Said Cameron, “There’s a whole generation that’s never seen ‘TITANIC’ as it was meant to be seen, on the big screen. And this will be ‘TITANIC’ as you’ve never seen it before, digitally re-mastered at 4K and painstakingly converted to 3D. With the emotional power intact and the images more powerful than ever, this will be an epic experience for fans and newcomers alike.”
“This new presentation of Paramount’s top-grossing film is particularly special because 2012 is the 100th anniversary of our studio. Paramount has had the pleasure of introducing audiences to some of the all-time classics of cinema during that century of moviemaking and we cannot think of a better way to mark the occasion than with this re-release of ‘TITANIC’,” said Brad Grey, Chairman and CEO of Paramount Pictures.
Commented Fox Filmed Entertainment Chairmen and CEOs, Jim Gianopulos and Tom Rothman: “Our 30-plus year relationship with Jim Cameron and Lightstorm has been enormously rewarding, from ‘Aliens’ to ‘Avatar’, and the global phenomenon of ‘TITANIC’ remains one of the greatest sources of pride in our history. We are pleased to allow a new generation of audiences to experience the film in its brilliant digital restoration in 3D.”
05.17.2011 | By Jack Rico |
âThe Roommateâ starring Minka Kelly and Leighton Meester, should be considered an official remake of Barbet Schroederâs 1992 hit, âSingle White Femaleâ. Its plot, a roommate with a mental disorder who wants to look and be just like her friend, are almost identical. This new remake version, perhaps intended for a younger female audience, is unexceptional. It fails to improve upon the original, from its acting to the dialogue to the direction, it might as well have been sent straight to DVD, or Lifetime. But because its two female leads are so beautiful and sexy, it unapologetically slips into the realm of guilty pleasure.
The premise of âThe Roommateâ is slightly different than the âSWFâ. Sara Matthews (Minka Kelly) a new college student is assigned to room with Rebecca (Leighton Meester), a rich, pretty girl who unbeknownst to Sara, suffers from a personality disorder. As time passes by, their relationship grows stronger and Rebecca becomes more possessive of her friend. Little by little we see her eliminate all the things that make Sara unhappy until her âgoodâ intentions become too dangerous to ignore.
Yes, it is true that the script has no surprises or twists worth being excited about, the direction of Christian E. Christiansen is trite and worthy of Lifetimeâs top 10 best, and the thrills are stale and flat, but Roommateâs sexiness and attractive cast, are hard to knock. As a result, the âbadâ aspects are amusing and you just go along with it waiting for another hottie to get killed or pummeled.
Whether it is a coincidence or just deliberate casting, Kelly and Meester look like twin sisters, Meester looking a tad younger. Nevertheless, it works specially well when Meester âbecomesâ Sara in the final stretch of the film.
All in all, âThe Roommateâ is a forgettable film, but it is never so bad that it sinks to the point of you walking out. People will laugh and enjoy the bad brushing it off as cheap escapism on a good, fun Saturday night out with the ladies.
05.16.2011 | By Jack Rico |
CANNES (May 15, 2011) – Principal photography began on GAMBIT, starring Academy Award© winner Colin Firth (The King’s Speech), Cameron Diaz (The Green Hornet, There’s Something About Mary), Golden Globe and BAFTA award winner Alan Rickman (Harry Potter Series, Alice In Wonderland) and BAFTA award winner Sir Tom Courtenay (The Golden Compass) in London on May 5th. In addition, Golden Globe winner Stanley Tucci (Julie & Julia) and Academy Award© winner and veteran comedic actress Cloris Leachman have joined the cast.
The film is directed by Michael Hoffman (The Last Station) and based on a screenplay written by Academy Award© winners Joel and Ethan Coen (True Grit, No Country for Old Men). Mike Lobell (The Freshman, Honeymoon in Vegas) is producing, alongside Crime Scene Pictures partners Adam Ripp and Rob Paris, who are also financing. Crime Scene Pictures is having an impressive inaugural year. Rizal Risjad and Philip Elway are executive producers.
Shooting in London and in New Mexico, the story centers on British art curator Harry Deane (Firth) who devises a finely-crafted scheme to con England’s richest man and avid art collector, Lionel Shabandar, (Rickman) into purchasing a fake Monet painting. In order to bait his buyer, he recruits a Texas rodeo queen (Diaz) to cross the pond and pose as a woman whose grandfather liberated the painting at the end of WWII.
The behind-the-scenes talent is equally stellar. Florian Ballhaus (Red, The Time Traveller’s Wife, The Devil Wears Prada) will serve as Director of Photography. Academy Award© winner Jenny Beavan (The King’s Speech, A Room with a View) will be the Costume Designer. Joining her are Hair and Makeup Chief Christine Blundell, Academy Award© winner for Topsy Turvey, and Production Designer Stuart Craig, a three-time Academy Award© winner (Gandhi, Dangerous Liaisons, The English Patient), who has multiple nominations for his work on the Harry Potter series.
FilmNation Entertainment is handling distribution outside of the United States, with CBS Films distributing in the United States. Alliance Films will be distributing the film in Canada, Momentum Pictures in the UK and Aurum Productions in Spain.
05.16.2011 | By Mack Chico |
The film about the comic Norse god “Thor” continued to top the box office in its second weekend, followed by the comedy “Bridesmaids”.
The adventures of the son of King Odin, from the Marvel comics, raised $34.5 million in theaters in the United States and Canada and has a cumulative total of $120 million and counting.
“Bridesmaids“, which features a battle between two women to arrange the marriage of their friend, comes in second with $24.4 million.
“Fast and Furious 5“, starring Vin Diesel and Dwayne Johnson, was in third place with $19.5 million in its third week at the box office.
The horror movie of a priest hunting vampires, “Priest“, came in fourth, with 14.5 million in its first week in theaters.
The familiar “Rio” maintained its number five after five weeks in theaters, with $ 8 million RECAD this weekend and 125 million dollars since its release.
“Jumpig the Broom” about two African American families who are for a wedding, came in sixth place with $ 7.3 million.
Another romantic comedy, “Something Borrowed”, came in seventh place with $ 7 million, followed by “Water for Elephants” with 4.1 million dollars.
Close the box office this week, “Madea’s Big Happy Family”, with 2.2 million, and “Soul Surfer” with $ 1.8 million.
05.12.2011 | By Jack Rico |
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The modern romantic comedy ‘No Strings Attached‘ starring Ashton Kutcher and Natalie Portman is surprisingly not as bad as I expected. The film benefits from an interesting premise, good chemistry between the stars and appealing situations that will easily engage romantic couples looking for a fun time at theater.
The plot centers on Adam and Emma (Ashton Kutcher and Natalie Portman), childhood friends who try to maintain a strictly sexual relationship, but it’s not long before they both discover that love is impossible to resist.
The romantic comedies of today, a.k.a rom-coms, tend to be very formulaic, predictable and unoriginal, but this one, because of its R rating, takes advantage of it by being mischievous. Of course, youâll experience all the typical ploy devices inserted into these movies such as the irritating best friends, the poppy soundtrack, and of course, the ultimate declarations of love at the end of the movie. Nevertheless, the film aims to reach adults, in particular those who have been through experiences like this at some point in their lives. The movie has shades of the recent âLove and Other Drugsâ (Jake Gyllenhaal and Anne Hathaway), whose plot also involved a woman who just wanted a purely sexual relationship. Her reasons were different and legitimate as opposed to Portmanâs character. The tone was also more dramatic and not as playful as this.
Much of the upbeat tone of âAttachedâ comes from the cerebral dallyings of screenwriter Elizabeth Meriwether, who has built a real and authentic narrative that reflects the times we live in today – an ode to a sexual revolution that has become part of the natural order of things. The dialogue is another matter. Phrases like, âIâm warning you… if you come closer one more step, I might never let you go”, sound like scratching nails on a chalkboard. To be frank, no right-minded man would dare say something like that in real life because he runs the risk that the woman who hears it will throw up on him. Defects like these run rampant in every rom-com, but here you get over it because Portmanâs and Kutcher’s charm is irresistible.
Portman, a soon to be Best Actress winner at this yearâs Oscar for Black Swan, is exploring a new genre with great results. She plays a sexy, beautiful, confident woman who is not shy in proving she has a fun side to her. Mix that in with her dramatic strengths and you have an actress who wonât keep on embarrassing the genre any further. Do not be surprised if we see her in more romantic comedies in the not too distant future. Kutcher on the other hand, is overshadowed by Portmanâs screen presence and skill. Even though he looks the part perfectly, his limited acting range fails him time and time again in the climactic moments of the finale.
The director Ivan Reitman, creator of such classic films as Ghostbusters, Stripes, and Twins, in this instance chooses to leave vulgar comedy to the side and focus on the psychology of the principle relationship. As a result, the film feels adult and less silly.
‘No Strings Attached’ is not compelling as âWhen Harry Met Sally‘ or as savvy as ‘500 Days of Summer,â but it achieves its objective of being a pleasant diversion for a couples night out at the movies.
05.10.2011 | By Karen Posada |
ShowBizCafe.com was very excited to get invited to Grand Rapids, Michigan back in September 2010, where we spent a chunk of the nighttime in a scrap yard seeing the cast of ’30 Minutes or Less’ film a couple of pretty neat scenes. A few of us film junkies were picked up at our hotel by 7pm the day we arrived and were taken to a secret location to see Jesse Eisenberg, Aziz Ansari, Danny McBride, Nick Swardson, Michael Peña and Dilshad Vadsaria making the movie directed by Ruben Fleischer with Ben Stiller as an executive producer.
The action/comedy is set to come out in theaters on August 12, 2011. The plot: Nick (Eisenberg) a pizza delivery guy who has no real goals set for himself in life is forced to get himself together when two small time robbers (McBride & Swardson) make him rob a bank; making Nick realize how much life has to offer. Chet (Ansari) his best friend comically helps him along the way and the final push is given when the love of his life (Vadsaira) is put at risk, in the meantime, Peña is given a task to accomplish from the bad guys themselves. This is a dream team, with Eisenberg’s silly/serious comedy skits, McBride & Swardson’s jokes bouncing from one to the other, Ansari & Peña’s nonchalant crazy behavior and Vadsaria’s beauty this is set to be a good laugh out loud comedy with bits of good action.
When we arrived on the set we walked to the scrap yard where we got to see the main character, Nick, struggling to keep his cool as a bomb attached to him is about to explode and he’s trying to get the main lady to safety (since she plays the damsel in distress). We hear the bad guys who are dressed in monkey suits (to avoid getting recognized) screaming, cursing and making jokes as poor Nick tries to man up to the situation. Fleischer takes various shots of this scene, from different angles, distances and even let’s the actors play with their own lines to make their own script as they ease into character. In another scene we see a struggle between the bad guys dressed in monkey suits and Michael Peña. It was a cool, clear summer night and the lights on the set cast beautiful shadows off of the mountains of scrap metal set around the lot; there’s even some fake metal deer, computers and funky machinery. We were quiet on set and could see from the camera and a TV set up close to us how the scene plays out. Vadsaira’s screams are loud as are the laughs of McBride & Swardson (the bad guys), Eisenberg’s character breathes nervously and tries to find the right words as cool sweat fills his forehead. We got to interview the entire cast along with the director and the props, visual effects, stunt coordinator and special effects guys. After a great buffet dinner we got to see the coolest thing of all, a flame thrower getting used! It was the first time it was being used on set by Swardson, you must have been able to see that thing from space; that’s how big the flame was.
Here’s some of the stuff the cast & director got to tell us:
Jesse Eisenberg‘s character is closer to what he was in “Zombieland” than on the “Facebook movie”, although here he looks more grown up and mature. Eisenberg cautiously and kindly approached us as we bombarded him with questions late in the night.
ShowBizCafe (SBC): What was it like working with Ruben(director) once again and how was it compared to Zombieland?
Jesse Eisenberg (JE): It was great! Ruben has a great kind of sense of how to create a comedic movie and not compromise the characters and he does that really well. I mean the tone of the movie is a little bit different from Zombieland since this is set in more of a real world context, in that movie for my character was more heightened comedy, here my character is pretty straightforward. The comedy in this is a little less winking to the audience, Zombieland constantly was playing on the absurdity of the real characters whereas this movie is genuinely scary in a real way. The stakes in this movie are legitimately high and the character, at least Aziz and my character are real world characters.
SBC: can you tell us about the toughest scene to make and about the love story in this film?
JE: Every scene kind of has some challenge logistically. I’m wearing this bomb throughout the whole movie, but as I said, the movie kind of takes place in this very real world setting, so it’s occasionally been challenging because there’s so much action and there’s also so many things that are comedic elements in the movie but it’s my job to kind of maintain the emotional honesty. At the risk of being pretentious, that’s my job, so that’s occasionally challenging. The love part, I’ve been in love with my best friend’s twin sister; I’ve spent the last several years not doing anything important in my life and never taking control of my life so one of the things that the bomb does is allow me to…
SBC: What do you have coming up after this movie?
JE: I’m not sure. I have a lot of publicity engagements(for the Facebook movie, which was coming out then) which last until like October and then I’m trying to do a play in New York City. I write stage plays.
The director, Ruben Fleischer, made sure to give us a full run down on what we were seeing, showing us pictures and sketches of the scenes and explaining to us how certain things work; such as the flame thrower and car chases. He also spoke about the freedom he gives actors with their lines and their characters.
SBC: How much liberty do you give the actors and how are you able to control that at a certain point?
RF: We work together,
SBC: Besides the entertainment factor, would you like the audience to get something else out o the film?
RF: The theme of the movie is: Jesse plays this pizza delivery guy who just sits on his couch and has let life pass him by, he’s kind of never really done anything and when he’s faced with the circumstances of the bomb he’s forced to prioritize. He essentially has one day to live, so it forces him to get off his ass and do something and also to tell the girl he’s always loved how he feel and finally to be real with his best friend about some sh*t he’s never talked about.
Danny McBride and Nick Swardson make up a necessary component of the film. They seemed to also have formed a tight friendship outside of the film as we interview the two together behind the cameras and they continued to finish each other’s jokes.
SBC: What kind of bad guys are you?
NS: We are almost like dumb and dumber bad guys, we’re not pure evil. We are just bored and don’t know what to do with our lives.
DM: I don’t know, we are motherf*&*ers in this thing. We’re making some bad choices but we have goals and ambitions, you know. Maybe people will root for us, we wanna change the world; we want to create the first tanning salon where guys get…
SBC: Talk to us a little about your improv skits and freedom.
NS: well they let us improvise a lot, we definitely got the scripts as much as we could but we were given free reign to add stuff and whatever. We have to stay in check though, it’s bad because when I look at Danny and when I look at Jesse, and Jesse cracks up and it’s just like I’m susceptible to it.
DM: The cool thing about working with Nick is he isn’t like one of the improvisers, you are just doing like stand up comedy in the scene. We never take it too far off the page, the scene is always what it’s about and we’ll just try to come up with different ways to spit the jokes out.
NS: Yeah, you don’t’ want to be self-indulgent. You want to make sure to stay in character, it’s not just us doing fart jokes in the middle of a drive-by shooting.
DM: That’s not to say that there aren’t.
NS: There are. But, it’s in the context (laughs)
SBC: What brought you to this project and what projects do you guys have coming up? Danny you have a noir detective movie with Jody Hill, when’s that coming out?
DM: For me it just seemed like a cool project and I liked everyone involved so you just kind of make time for the things you want to do. You know Diliberti and Sullivan, the same guys who wrote L.A.P.I., it’s kind of a throwback to movies like The Long Goodbye and Chinatown, yeah it’s a noir/comedy, Jody and I are both very tired. We’ve had long years. I don’t know what the booking is, but it probably won’t be until next year.
NS: My reason for this project was perfect timing, I just finished a romantic comedy in June so it was perfect timing to jump into something completely different. I have a show coming out in October, a sketch show; so it was a perfect window before doing press for that. The sketch is called Nick Swardson’s Pretend Time, it will be on Comedy Central; just more filth in the airwaves.
We also caught up with the co-star Aziz Ansari; so we continued on with the comedic strike as he spoke to us as he spoke us about his character in this film along with some of his more known characters.
SBC: Tell us about your character in this film and about some of the action you got to be a part of.
AA: Well my character is just a guy whose best friend is given this impossible situation and they have a rough time in the begging because he confessed to being in love with his twin sister and they are forced into this situation when they are robbing a bank together.
SBC: What are some of your favorite movies?
AA: When I was growing up my favorites, the ones that I watched all the time, I mean I watched comedies and stuff but the movies I watched all the time were Die Hard and Terminator 2, like the classic 80’s, 90’s action movies. In this movie there is a thing where these guys like Lethal Weapon a lot…so i brought that out in my personality, so I was like this guy must really be into action movies like Point Break and Terminator 2 and Die hard, like those are his favorite movies.
SBC: We heard you are working on writing with Danny, can you tell us about that and about the Randy movie?
AA:
Finally, we got to ask Michael Peña on his take on the movie and on his character.
SBC: What’s your character like?
MP: He’s a professional assassin, or at least he thinks he is. Along the movie though it is proven he’s not. a little bit like someone I know from Chicago who’s always in and out of the pen and he loves Scarface, the Good fellas and the Godfather he always talks like them and is always quoting them. He has a partner who is a stripper, she’s the one that basically sets me up with the other bad guys and we have a romantic scene.
SBC: How have you balanced the comedy and action in the film?
MP: It’s been interesting to me, because when I did Observe and report, like you knew you were doing the comedy and I was kind of the bad guy for that, this one is interesting because you have to do a little bit of drama…some of the scenes are more like drama the other ones you can
After a long night on set we were greeted off by the viewing of the flame thrower and left the cast to continue working into the wee hours of the morning. We had a chance to explore Grand Rapids the next day and even got to sneak into one of the museums across our hotel. This set visit gave us a pretty intimate look into the making of this film as well as the people involved in it. It definitely has all the ingredients to entertain with it’s action and comedy, we look forward to seeing the outcome.
05.9.2011 | By Jack Rico |
New York, NY (May 3, 2011) – Nominations in 26 competitive categories for the American Theatre Wing’s 65th Annual Antoinette Perry “Tony” Awards® were announced today by Tony Award winning actor Matthew Broderick and Tony Award winning actress Anika Noni Rose, at the Tony Award Nominations Announcement sponsored by IBM. The nominees were selected by an independent committee of 22 theatre professionals appointed by the Tony Awards Administration Committee. The 2011 Tony Awards are presented by The Broadway League and the American Theatre Wing. (The list of nominations follows.)
Marking 65 years of excellence on Broadway, The Tony Awards will be broadcast live from the Beacon Theatre on CBS, Sunday, June 12th, 8:00 – 11:00 p.m. (ET/PT time delay).
Legitimate theatrical productions opening in any of the 40 eligible Broadway theatres during the current season may be considered for Tony nominations. The 2010/2011 eligibility season began April 30, 2010 and ended April 28, 2011. The Tony Awards will be voted in 26 competitive categories by 824 members of the theatrical community.
As previously announced, the 2011 Special Tony Awards for Lifetime Achievement will be presented to playwright Athol Fugard and Philip J. Smith, Chairman of the Shubert Organization. The Isabelle Stevenson Award will be presented V-Day founder and artistic director, Eve Ensler. The 2011 Tony Honors for Excellence in the Theatre will be presented to William Berloni, The Drama Book Shop and Sharon Jensen and Alliance for Inclusion in the Arts.
The Antoinette Perry “Tony” Awards are bestowed annually on theatre professionals for distinguished achievement. The Tony is one of the most coveted awards in the entertainment industry and the annual telecast is considered one of the most prestigious programs on television.
Nominations for the 2011 American Theatre Wing’s Tony Awards®
Presented by The Broadway League and the American Theatre Wing
Best Play
Good People
Author: David Lindsay-Abaire
Producers: Manhattan Theatre Club, Lynne Meadow, Barry Grove
Jerusalem
Author: Jez Butterworth
Producers: Sonia Friedman Productions, Stuart Thompson, Scott Rudin, Roger Berlind, Royal Court Theatre Productions, Beverly Bartner/Alice Tulchin, Dede Harris/Rupert Gavin, Broadway Across America, Jon B. Platt, 1001 Nights/Stephanie P. McClelland, Carole L. Haber/Richard Willis, Jacki Barlia Florin/Adam Blanshay
The Motherf**ker with the Hat
Author: Stephen Adly Guirgis
Producers: Scott Rudin, Stuart Thompson, Public Theater Productions, Oskar Eustis, Joey Parnes, Labyrinth Theater Company, Stephen Adly Guirgis, Mimi O’Donnell, Yul Vázquez, Danny Feldman, Fabula Media Partners LLC, Jean Doumanian, Ruth Hendel, Carl Moellenberg, Jon B. Platt, Tulchin Bartner/Jamie deRoy
War Horse
Author: Nick Stafford
Producers: Lincoln Center Theater, André Bishop, Bernard Gersten, National Theatre of Great Britain, Nicholas Hytner, Nick Starr, Bob Boyett, War Horse LP
Best Musical
The Book of Mormon
Producers: Anne Garefino, Scott Rudin, Roger Berlind, Scott M. Delman, Jean Doumanian, Roy Furman, Important Musicals LLC, Stephanie P. McClelland, Kevin Morris, Jon B. Platt, Sonia Friedman Productions, Stuart Thompson
Catch Me If You Can
Producers: Margo Lion, Hal Luftig, Stacey Mindich, Yasuhiro Kawana, Scott & Brian Zeilinger, The Rialto Group, The Araca Group, Michael Watt, Barbara & Buddy Freitag, Jay & Cindy Gutterman/Pittsburgh CLO, Elizabeth Williams, Johnny Roscoe Productions/Van Dean, Fakston Productions/Solshay Productions, Patty Baker/Richard Winkler, Nederlander Presentations, Inc., Warren Trepp, Remmel T. Dickinson, Paula Herold/Kate Lear, Stephanie P. McClelland, Jamie deRoy, Barry Feirstein, Rainerio J. Reyes, Rodney Rigby, Loraine Boyle, Amuse Inc., Joseph & Matthew Deitch/Cathy Chernoff, Joan Stein/Jon Murray, The 5th Avenue Theatre
The Scottsboro Boys
Producers: Barry and Fran Weissler, Jacki Barlia Florin, Janet Pailet/Sharon A. Carr/Patricia R. Klausner, Nederlander Presentations, Inc./The Shubert Organization, Beechwood Entertainment, Broadway Across America, Mark Zimmerman, Adam Blanshay/R2D2 Productions, Rick Danzansky/Barry Tatelman, Bruce Robert Harris/Jack W. Batman, Allen Spivak/Jerry Frankel, Bard Theatricals/Probo Productions/Randy Donaldson, Catherine Schreiber/Michael Palitz/Patti Laskawy, Vineyard Theatre
Sister Act
Producers: Whoopi Goldberg & Stage Entertainment, The Shubert Organization and Disney Theatrical Productions
Best Book of a Musical
Bloody Bloody Andrew Jackson
Alex Timbers
The Book of Mormon
Trey Parker, Robert Lopez and Matt Stone
The Scottsboro Boys
David Thompson
Sister Act
Cheri Steinkellner, Bill Steinkellner and Douglas Carter Beane
Best Original Score (Music and/or Lyrics) Written for the Theatre
The Book of Mormon
Music & Lyrics: Trey Parker, Robert Lopez and Matt Stone
The Scottsboro Boys
Music & Lyrics: John Kander and Fred Ebb
Sister Act
Music: Alan Menken
Lyrics: Glenn Slater
Women on the Verge of a Nervous Breakdown
Music & Lyrics: David Yazbek
Best Revival of a Play
Arcadia
Producers: Sonia Friedman Productions, Roger Berlind, Stephanie P. McClelland, Scott M. Delman, Nicholas Quinn Rosenkranz, Disney Theatrical Group, Robert G. Bartner, Olympus Theatricals, Douglas Smith, Janine Safer Whitney
The Importance of Being Earnest
Producers: Roundabout Theatre Company, Todd Haimes, Harold Wolpert, Julia C. Levy
The Merchant of Venice
Producers: The Public Theater, Oskar Eustis, Andrew D. Hamingson, Jeffrey Richards, Jerry Frankel, Debbie Bisno & Eva Price, Amy Nederlander, Jonathan First, Stewart F. Lane & Bonnie Comley, Universal Pictures Stage Productions, Merritt Forrest Baer, The Araca Group, Broadway Across America, Joseph & Matthew Deitch, JK Productions, Terry Allen Kramer, Cathy Chernoff/Jay & Cindy Gutterman, Mallory Factor/Cheryl Lachowicz, Joey Parnes, The Shubert Organization
The Normal Heart
Producers: Daryl Roth, Paul Boskind, Martian Entertainment, Gregory Rae, Jayne Baron Sherman/Alexander Fraser
Best Revival of a Musical
Anything Goes
Producers: Roundabout Theatre Company, Todd Haimes, Harold Wolpert, Julia C. Levy
How to Succeed in Business Without Really Trying
Producers: Broadway Across America, Craig Zadan, Neil Meron, Joseph Smith, Michael McCabe, Candy Spelling, Takonkiet Viravan/Scenario Thailand, Hilary A. Williams, Jen Namoff/Fakston Productions, Two Left Feet Productions/Power Arts, Hop Theatricals, LLC/Paul Chau/Daniel Frishwasser/Michael Jackowitz, Michael Speyer-Bernie Abrams/Jacki Barlia Florin-Adam Blanshay/Arlene Scanlan/TBS Service
Best Performance by an Actor in a Leading Role in a Play
Brian Bedford, The Importance of Being Earnest
Bobby Cannavale, The Motherf**ker with the Hat
Joe Mantello, The Normal Heart
Al Pacino, The Merchant of Venice
Mark Rylance, Jerusalem
Best Performance by an Actress in a Leading Role in a Play
Nina Arianda, Born Yesterday
Frances McDormand, Good People
Lily Rabe, The Merchant of Venice
Vanessa Redgrave, Driving Miss Daisy
Hannah Yelland, Brief Encounter
Best Performance by an Actor in a Leading Role in a Musical
Norbert Leo Butz, Catch Me If You Can
Josh Gad, The Book of Mormon
Joshua Henry, The Scottsboro Boys
Andrew Rannells, The Book of Mormon
Tony Sheldon, Priscilla Queen of the Desert
Best Performance by an Actress in a Leading Role in a Musical
Sutton Foster, Anything Goes
Beth Leavel, Baby It’s You!
Patina Miller, Sister Act
Donna Murphy, The People in the Picture
Best Performance by an Actor in a Featured Role in a Play
Mackenzie Crook, Jerusalem
Billy Crudup, Arcadia
John Benjamin Hickey, The Normal Heart
Arian Moayed, Bengal Tiger at the Baghdad Zoo
Yul Vázquez, The Motherf**ker with the Hat
Best Performance by an Actress in a Featured Role in a Play
Ellen Barkin, The Normal Heart
Edie Falco, The House of Blue Leaves
Judith Light, Lombardi
Joanna Lumley, La Bête
Elizabeth Rodriguez, The Motherf**ker with the Hat
Best Performance by an Actor in a Featured Role in a Musical
Colman Domingo, The Scottsboro Boys
Adam Godley, Anything Goes
John Larroquette, How to Succeed in Business Without Really Trying
Forrest McClendon, The Scottsboro Boys
Rory O’Malley, The Book of Mormon
Best Performance by an Actress in a Featured Role in a Musical
Laura Benanti, Women on the Verge of a Nervous Breakdown
Tammy Blanchard, How to Succeed in Business Without Really Trying
Victoria Clark, Sister Act
Nikki M. James, The Book of Mormon
Patti LuPone, Women on the Verge of a Nervous Breakdown
Best Scenic Design of a Play
Todd Rosenthal, The Motherf**ker with the Hat
Rae Smith, War Horse
Ultz, Jerusalem
Mark Wendland, The Merchant of Venice
Best Scenic Design of a Musical
Beowulf Boritt, The Scottsboro Boys
Derek McLane, Anything Goes
Scott Pask, The Book of Mormon
Donyale Werle, Bloody Bloody Andrew Jackson
Best Costume Design of a Play
Jess Goldstein, The Merchant of Venice
Desmond Heeley, The Importance of Being Earnest
Mark Thompson, La Bête
Catherine Zuber, Born Yesterday
Best Costume Design of a Musical
Tim Chappel & Lizzy Gardiner, Priscilla Queen of the Desert
Martin Pakledinaz, Anything Goes
Ann Roth, The Book of Mormon
Catherine Zuber, How to Succeed in Business Without Really Trying
Best Lighting Design of a Play
Paule Constable, War Horse
David Lander, Bengal Tiger at the Baghdad Zoo
Kenneth Posner, The Merchant of Venice
Mimi Jordan Sherin, Jerusalem
Best Lighting Design of a Musical
Ken Billington, The Scottsboro Boys
Howell Binkley, How to Succeed in Business Without Really Trying
Peter Kaczorowski, Anything Goes
Brian MacDevitt, The Book of Mormon
Best Sound Design of a Play
Acme Sound Partners & Cricket S. Myers, Bengal Tiger at the Baghdad Zoo
Simon Baker, Brief Encounter
Ian Dickinson for Autograph, Jerusalem
Christopher Shutt, War Horse
Best Sound Design of a Musical
Peter Hylenski, The Scottsboro Boys
Steve Canyon Kennedy, Catch Me If You Can
Brian Ronan, Anything Goes
Brian Ronan, The Book of Mormon
Best Direction of a Play
Marianne Elliott and Tom Morris, War Horse
Joel Grey & George C. Wolfe, The Normal Heart
Anna D. Shapiro, The Motherf**ker with the Hat
Daniel Sullivan, The Merchant of Venice
Best Direction of a Musical
Rob Ashford, How to Succeed in Business Without Really Trying
Kathleen Marshall, Anything Goes
Casey Nicholaw and Trey Parker, The Book of Mormon
Susan Stroman, The Scottsboro Boys
Best Choreography
Rob Ashford, How to Succeed in Business Without Really Trying
Kathleen Marshall, Anything Goes
Casey Nicholaw, The Book of Mormon
Susan Stroman, The Scottsboro Boys
Best Orchestrations
Doug Besterman, How to Succeed in Business Without Really Trying
Larry Hochman, The Scottsboro Boys
Larry Hochman and Stephen Oremus, The Book of Mormon
Marc Shaiman & Larry Blank, Catch Me If You Can
Tony Nominations by Production
The Book of Mormon – 14
The Scottsboro Boys – 12
Anything Goes – 9
How to Succeed in Business Without Really Trying – 8
The Merchant of Venice – 7
Jerusalem – 6
The Motherf**ker with the Hat – 6
The Normal Heart – 5
Sister Act – 5
War Horse – 5
Catch Me If You Can – 4
Bengal Tiger at the Baghdad Zoo – 3
The Importance of Being Earnest – 3
Women on the Verge of a Nervous Breakdown – 3
Arcadia – 2
Bloody Bloody Andrew Jackson – 2
Born Yesterday – 2
Brief Encounter – 2
Good People – 2
La Bête – 2
Priscilla Queen of the Desert – 2
Baby It’s You! – 1
Driving Miss Daisy – 1
The House of Blue Leaves – 1
Lombardi – 1
The People in the Picture – 1
www.TonyAwards.com
05.6.2011 | By Jack Rico |
The â1-4-0â³:Â ‘Last Night’ explores temptation from the female and male perspectives. Which one will give and the questions that surround it in is what this film centers on.
The Gist: Infidelity. Can people really be faithful to one another no matter how in love they are? This is the topic director Massy Tadjedin explores in an authentic, intimate, emotionally charged depiction of love in New York City. During an evening apart, married couple Joanna and Michael encounter tempting opportunities to cheat on each other: Michael spends time on a business trip with his sexy colleague, Laura, while Joanna crosses paths with a former flame, Alex.
What Works: I really enjoyed this film. ‘Last Night’ is a realistic look at what happens to people when sexual temptation is presented to them front and center. What most pulled me in was how director Tadjedin delved deep into the struggles of infidelity. The performances are modest here, but great casting choice in Eva Mendes who was perfect as Washington’s seductive paramour. This is an eye opener, one that shows how much pain and anguish one goes through when feelings of unfaithfulness begin to take hold. You stick around intensely engaged to see how the whole thing will it end. Will they cheat on each other, will you as a viewer lose faith in your own relationship because of it? The storyline is relatable, the outcome is unexpected, just like in real life.
What Doesnât Work:Â If you’re not used to intensive dialogue, even one as interesting as this one, then you shouldn’t watch this film. It’s for people who enjoy cinema that cates to real issues that people can identify and connect with.
Pay or Nay? Pay. Keira Knightley is becoming good at acting in these indie romance NYC films that focus on women in search for love in the big city. The movie serves up a good dose of raw emotion and tension in the form of temptation. It’s a wonderful date movie, one which will perhaps spark many questions about your own relationship.
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