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Movie Reviews and Ratings

Jack Rico

By

2010/01/22 at 12:00am

Exclusive interview! Jay Baruchel quits acting

01.22.2010 | By |

Exclusive interview! Jay Baruchel quits acting

I was invited by Dreamworks Studios this week to watch never before seen footage from 3 of their upcoming animated releases for 2010… one of them was ‘How To Train Your Dragon‘ starring Jay Baruchel. After the screenings, Dreamworks takes us to a restaurant called A Voce at the Time Warner Center in Manhattan to frolic and eat with peers. One of the lovely publicists at the event asks me if I could chat with Jay to get to know him better. I said sure.

Baruchel approaches me with a trucker hat, a heavy beard and a tattoo of his mother’s name on his right forearm. I ask him about it and he replies I’m going to get a few more on my body for her. He must really love his mother! We then segue into 4 films coming out this year with him as one of the lead roles: She’s Out of My League, How To Train My Dragon, The Trotsky and The Sorcerer’s Apprentice. I asked how happy was he of being in the middle of a comeback. He answers disappointingly that it doesn’t mean anything, it’s all coincidence of the release dates. (as he was cursing up a storm). He continues saying that he’s been through this notion of the IT guys before and nothing has happened, “for example, when I was in ‘Million Dollar Baby,’ everybody said watch out for this guy, he’s gonna be someone. Then when I was in ‘Knocked Up,’ people said I was in a sleeper hit, gonna need to watch that kid. Then in ‘Tropic Thunder’ I was hailed as the one to watch…again! So I say, I don’t believe in being the IT guy nor am I interested.”

He then went on to share with me EXCLUSIVELY, that he wants to quit acting altogether. “You know, I think I’m gonna quit acting. I don’t wake up with that feeling of love for acting, for this business. I really just do it to pay my mom’s bills and take care of her.” With his beard in tow and the disappointed look, I had to ask if he was pulling a Joaquin Phoenix here. He laughed and scoffed at the notion. He says that it was embarrassing to see that and assured me it was nothing of the sort. We finally concluded with a new movie he’s currently filming called ‘Notre Dame de Grace’ which might be his last project.

Jay Baruchel

Jack Rico

By

2010/01/21 at 12:00am

‘Shrek Forever After’ – Exclusive First Review!

01.21.2010 | By |

'Shrek Forever After' - Exclusive First Review!

I was invited by Dreamworks Studios this week to watch never before seen footage from 3 of their upcoming animated releases for 2010…

– 10 minutes of the superheroe spoof comedy ‘Megamind’ starring Brad Pitt and Tina Fey
– 30 minutes of ‘Shrek Forever After’ starring the old cast
– ‘How To Train My Dragon 3D’ with America Ferrera, Gerard Butler and Jay Baruchel.

All three looked very promising, but Shrek stood out the best in my opinion. The story was the more attractive piece and it maintained its great humor. It is going to be a HUGE hit!

Here’s a breakdown of what I saw followed by some commentary (spoilers!):

Megamind:
The directors and producers took the stage to present and wow us critics with footage from their respective films. Megamind was mostly unrendered and made me wonder of their willingness to even present it. Kudos. The scene they showed us began with our hero Metro Man, voiced by Brad Pitt, at the opening of his new museum. He plays with babies, flies around in circles and cracks jokes until his ceremony is preempted by his blue archenemy Megamind voiced by Will Ferrell, which the story revolves around. They exchange various gags and more jokes until our villain tells Metroman that he is holding hostage Roxanne Ritchi (Tina Fey), the reporter and love of our heroes’ life. He flies to save her and is duped by a ruse that ends his life via a potent laser blast from the sun.

Afterwards, the director Tom McGrath gets on stage again and tells us via colored story boards that Megamind eventually ends up unhappy in the Oval Office of the White House thinking Metroman is dead. We then are shown the poster of the film which we couldn’t take pictures of. Sorry.

The story was very funny, but not enough for me to hail it innovative and fresh. It’s all recycled. At least it looked entertaining and worth a watch. Megamind opens November 5th.

Shrek Forever After:

The exclusive 30 minute scene begins with the opening of the film as a narrator recaps what has happened with the last three Shrek films. He brings us to the present time where Fiona’s Mom and Dad were about to give away their kingdom to the titular villain – Rumpelstiltskin, a dwarf  and loser of a man, desperate for attention and greed for all material goods – in exchange for the removal of the ogre spell on their daughter. He tries to get their signature on a contract but is thwarted when Shrek saves Fiona with his one true kiss. We fast forward and see Shrek with the whole family and friends crew going through their daily routine. But we see it repeated about 5 times in a row symbolizing how overwhelmed and frustrated he is with his life as a father and husband. The poop hits the fan when he screams at the top of his lungs in a kids party and walks out after an argument with Fiona who blames him for everything that’s going wrong.

He ends up meeting Rumpelstiltskin in the forest and convinces him to exchange one day of his life for being a feared and hated ogre once again. Shrek resistantly agrees and his life goes back to normal… but it isn’t normal. He notices that Rumpelstiltskin took away the day he was born, thus he never met Fiona nor does he have a family to love again. Shrek is captured by witches and is taken to Rumpelstiltskin’s new castle in Far Far Away land where he confronts him and escapes along with Donkey. Fade to black.

This was the actual half hour beginning of the film. It was very entertaining and very funny. I must’ve laughed liked 4 times before it ended. Puss in Boots needs to happen ASAP, he’s the best character of the franchise. Shrek forever After opens May 21st.

How To Train My Dragon 3D:
I won’t talk much about this one since it was shown in its entirety and will leave it as part of an official review week of release on March 26. But it was a fun film with great voice acting from Gerard Butler. The film is about the war between vikings and dragons. You can check out the trailer here (link). Overall the film has some touching moments at the end that might move some folks (it did me) and the 3D experience was standard and fun. Nothing ‘Avatar’ like.

My conversations with Jeffrey Katzenberg, Gerard Butler, Jay Baruchel

So Dreamworks takes us to a restaurant called A Voce at the Time Warner Center in Manhattan to frolic and eat with peers. While I’m there about to get a drink, Jeffrey Katzenberg is at the bar with me and I asked him about the decision of showing unfinished and unrendered movie footage so early. He replied “I don’t mind doing if it’s going to garner your attention and make the film a better buy for consumers. You know, I think there’s no reason why it should not be seen if you’re going to get excited. It’s just my thinking.” Kudos to him. This was a crux and still is for most film studios. He’s different and much respect to him for being open about it. The other film directors don’t necessarily agree with him, but do it anyway.

Jeffrey Katzenberg

Several minutes later, a publicist approaches me and says if I would like to meet Gerard Butler and have a chat with him. It was interesting to see this dynamic since it is usually the press pursuing the actors and not vice versa. We had a great chat, he looked slim and not chubby like he did in The Ugly Truth. We spoke about his career, jokes about Phantom of the Opera, the way the movie ‘How To Train My Dragon’ captured his mannerisms and essence and how this is his first feature length voiceover for animation. He’s had previous stints with voice work on television, but not like this. Butler spoke about cringing early in his career at the site of seeing himself on film. He hated it. He has no problems now with it. After some jokes were said about inane things and we moved on to Jay Baruchel.

Gerard Butler

Jay Baruchel approaches me with a trucker hat, a heavy beard and a tattoo of his mother’s name on his right forearm. I ask him about it and he replies I’m going to get a few more on my body for her. He must really love his mother! We then segue into 4 films coming out this year with him as one of the lead roles: She’s Out of My League, How To Train My Dragon, The Trotsky and The Sorcerer’s Apprentice. I asked how happy was he of being in the middle of a comeback. He answers disappointingly that it doesn’t mean anything, it’s all coincidence of the release dates. (as he was cursing up a storm). He continues saying that he’s been through this notion of the IT guys before and nothing has happened, “for example, when I was in ‘Million Dollar Baby,’ everybody said watch out for this guy, he’s gonna be someone. Then when I was in ‘Knocked Up,’ people said I was in a sleeper hit, gonna need to watch that kid. Then in ‘Tropic Thunder’ I was hailed as the one to watch…again! So I say, I don’t believe in being the IT guy nor am I interested.”

Jay Baruchel

He then went on to say, and I believe this is an EXCLUSIVE, that he wants to quit acting altogether. “You know, I don’t wake up with that feeling of love for acting, for this business. I really just do it to pay my mom’s bills and take care of her.” With his beard in tow and the disappointed look, I had to ask if he was pulling a Joaquin Phoenix here. He laughed and scoffed at the notion. He says that it was embarrassing to see that and assured me it was nothing of the sort. We finally concluded with a new movie he’s currently filming called ‘Notre Dame de Grace’ which might be his last project.

Jack Rico

By

2010/01/21 at 12:00am

Tooth Fairy

01.21.2010 | By |

Tooth Fairy

I didn’t really know what to expect of the latest family film ‘Tooth Fairy’ starring Dwayne ‘The Rock’ Johnson. At one point I thought it might be the same fare as his 2007 ‘The Game Plan’, which was #1 at the box office for two weeks in a row, but no, this was nowhere near as charming as that one. ‘The Tooth Fairy’ was just bad cinema. The Rock is a simpatico guy, but with a ludicrous plotline, uninspired dialogue, the worse camera editing I’ve seen in years and a paltry supporting cast, there was no way he was saving this sinking ship.

Here’s the story. A bad deed on the part of a tough minor-league hockey player (The Rock) results in an unusual sentence: He must serve one week as a real-life tooth fairy.

He wears a ballerina dress when first becoming a fairy and instead of it being a funny moment, it was a bit embarrassing. I’m wondering why he needs to be working these types of films. Could you imagine what his wrestling buddies must be saying? His body of work isn’t so bad at all. His previous roles in films such as ‘Race to Witch Mountain was great family fun potpourried with thrills, chills and action. ‘The Game Plan’ was a touching and charming movie that makes grown men cry when they see it.

Director Michael Lembeck, mostly a TV director, shouldn’t be doing movies. His camera shot selections were not flattering to the actors and showed the many audio dubbing flaws caught by the lens. Just intolerable. Adding to the demise of the movie was seeing a New York legend Billy Crystal in a pajama like costume regurgitating screenwriter Lowell Ganz’s stale and infantile dialogue.

Do not spend your money this week on ‘Tooth Fairy’. If you want the same family vibe with lots of smiles and warm, fuzzy sentiments and a tear or two, see ‘The Game Plan’ on DVD. You’ll be grateful I recommend it to you.

Jack Rico

By

2010/01/19 at 12:00am

Whiteout

01.19.2010 | By |

Rating: 3.0

Rated: R for violence, grisly images, brief strong language and some nudity.
Release Date: 2009-09-11
Starring: Erich Hoeber, Jon Hoeber
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: www.whiteoutmovie.com

 Go to our film page

Before writing this criticism, I read some reviews from some major outlets spewing diatribes about this film. I just want to say their statements are greatly exaggerated. They just don’t get graphic novels. That is what ‘Whiteout’ is based on via the creative pens of Greg Rucka and Steve Lieber, This is a stomach churning action-thriller that journeys into the depths of ice hell in the Antarctica. Expect a balanced dose of action and drama, but it’s the slow, escalating tension that ultimately maintains you glued to your seat.

Carrie Stetko (Kate Beckinsale), the lone U.S. Marshal assigned to Antarctica, is investigating the continent’s first murder, which draws her into a shocking mystery. Now, with only three days until a calamitous winter, Carrie must solve the crime before Antarctica is plunged into darkness and she is stranded with the killer.

The movie has its deficiencies such as the dialogue (“Doc, this wasn’t an accident!”) and its shoddy denouement that will leave audiences cursing, but it needs to be applauded for creating a tense filled atmosphere through slow paced and eery scenes. I appreciated the twists and turns, which I felt, were unpredictable, yet plausible. Overall that is what going to the movies is all about, experiencing something far from the realities of life.

Jack Rico

By

2010/01/14 at 12:00am

Mark Wahlberg to do ‘Four Brothers’ sequel

01.14.2010 | By |

Mark Wahlberg to do 'Four Brothers' sequel

I remember seeing Four Brothers and laughing so hard. I know it wasn’t a comedy, but there are some lines in that movies that are just LMAO funny! That’s when I knew that Mark Wahlberg was one of my favorite actors (see my 1:1 interview with him here).

So now I get word that he might involved in doing a sequel to it. Here’s the article we got from THR.com.

Paramount is developing a sequel to its 2005 thriller “Four Brothers,” bringing back many of the creative team for “Five Brothers.”

Mark Wahlberg, the star of “Four Brothers,” hatched the sequel idea with that film’s writers, David Elliot and Paul Lovett.

The original movie, directed by John Singleton, revolved around four adopted brothers (Wahlberg, Tyrese Gibson, Andre Benjamin and Garret Hedlund) who come together to avenge their mother’s death in what at first appears to be a random robbery. Although not a massive hit, it still grossed a tidy $74 million at the domestic box office.

Plot details are being kept under wraps, and it is not clear which of the other actors, if any, would return. Hedlund would appear to be out, as his character was killed in the first movie. Wahlberg stars in Peter Jackson’s “The Lovely Bones,” which opens nationally on Friday, and appears in the upcoming “Date Night” with Steve Carell and Tina Fey.

Ted Faraone

By

2010/01/14 at 12:00am

The Spy Next Door

01.14.2010 | By |

The Spy Next Door

If Jackie Chan did not exist, it would be necessary to invent him.  His latest vehicle, “The Spy Next Door,” fits neatly into his array of comic action films suitable for children and their parents.  The 92 minute, PG-rated effort from helmer Brian Levant and screenwriters Jonathan Bernstein, James Greer, and Gregory Poirier, offers a little something for everyone.  That’s not to say that it is flawless.  It sticks pretty closely to the unassuming geek as martial arts master formula which Chan has perfected.  Add to the recipe a little “fish-out-of-water” and season with elements from the “Get Smart” series and you have a tasty frittata that should satisfy all but the most finicky.
 
Chan stars as Bob Ho, a Chinese intelligence officer on loan to the CIA.  That preposterous premise sets the tone for rest of pic’s hijinx.  His cover is a geeky, suburban pen salesman.  The “Next Door” part of the story involves Amber Valetta as Gillian, single mother of three impossible kids, and Chan’s love interest.  Plot centers on Ho’s desire to retire from spying and marry Gillian.  Her kids’ opinion of him is the first hitch.  He’s just not cool enough.  The second hitch is a sort of comic version of Al Pacino’s famous line, “Every time I try to get out they drag me back in.”
 
In this case, the drag back is a Russian plot to unleash a bacterium on all the world’s oil supply — Russia’s excepted — which consume anything made of petroleum and then vanish as quickly as they appear.
 
Pic is played over-the-top to excellent comic effect.  Magnús Scheving’s Poldark, Ho’s arch enemy, is a marvelous caricature of a bad guy.  Another standout on the Russian team is Katherine Boecher as Creel, a slinky blond sporting tight black outfits, Jimmy Choos and a mean kick.
 
What brings all the elements together and creates pic’s best action sequences — as well as most of its jokes — is a sort of contrived plot point in which Gillian leaves town to look after her injured dad and puts Bob in charge of her three unruly brats.   To Bob, this is his chance to make the kids like him.  It’s also his fish-out-of-water moment.  Spies have some learning to do where raising kids is at issue.  Of course, Bob has to win the kids over — and he does so in part by accident.  Gillian’s 11-year-old, Ian (Will Shadley) is as much a geek as Bob appears to be, a would be rocket scientist, who downloads the Russian’s secret bacterium formula from Bob’s home computer thinking it is a video game.  This puts the Russians on Bob’s tail and consequently on the kids’ tails.  The sight of Bob kickboxing Russian spies is just too cool for words.  Ian is won over.  So is four-year-old Nora (Alina Foley).  Farren (Madeline Carroll), Gillian’s 13-year-old stepdaughter, is the toughest nut, but even she cracks.  The kids join the fight against the Russians with undisguised glee in scenes reminiscent of the “Home Alone” series.  Thus far, the formula works.
 
Gillian is another story.  Furious at the revelation that Bob is a spy and that her brood has been endangered, she gives him the shove — permanently.  Since this is a comedy, however, the final reel offers a slapstick climax, which includes a Russian spy wearing a television as a hat.
 
Special mention goes to recording artist Billy Ray Cyrus as CIA good guy Colton James and comic George Lopez as the Russian’s mole in the CIA.  Choreography is as good as one has come to expect from Chan, and lensing by Dean Cundey frames it all to good effect.  Soundtrack includes familiar “Secret Agent Man” and Blondie’s “One Way Or Another”.  One nit to pick is Chan’s accent.  He can be a tad tough to understand at times, but since editor Lawrence Jordan leaves no loose ends, a lost line or two can be imputed from the context.

Jack Rico

By

2010/01/14 at 12:00am

The Book of Eli

01.14.2010 | By |

The Book of Eli
Jack Rico

By

2010/01/12 at 12:00am

The Burning Plain

01.12.2010 | By |

Rating: 2.5

Rated: R for sexuality, nudity and language.
Release Date: 2009-09-18
Starring: Guillermo Arriaga
Director(s):
Distributor:
Film Genre:
Country:USA, Argentina
Official Website: NULL

 Go to our film page

‘The Burning Plain’ is a bleak film which is heavy on the visceral drama and light on substance. The script isn’t compelling nor are the characters and last I heard, the idea behind creating a movie is to entertain audiences to some degree, not make one miserable and despondent.

Three stories about three women swing back and forth in time and place, gathering apparently disconnected and twisted scenes into a monotonous tale of betrayal, love and death. The film stars Charlize Theron, Kim Bassinger and a new crop of actors.

Mexican screenwriter Guillermo Arriaga, now turned director, is a magnificent pensman who creates scenes that bring the best out of actors and his director. Regrettably, as his fourth work shows, he has reached a repetitive, one dimensional plateau where he can’t seem to free himself from. Once again, Arriaga tells a story of various characters paralleling each other. He began with this structure in ‘Amores Perros’ and continued in ‘21 Grams,’ ‘Babel’ and now ‘The Burning Plain’. When I spoke to him, Arriaga contested that he felt the composition and story of this film are completely different than anything he has done before. He needs to take a closer look at his films and pick up on the recurring patterns – multi-narratives and gut wrenching, emotional dramas. There isn’t anything wrong with Arriaga continuing along this trademark path, but isn’t variety the spice of life? Versatility is where you prove yourself to be better than just one style and I am hoping to see something distinct and fresh for his next project.

This is a Hollywood indie intertwined with a Latino story. For Hispanics, the decision to watch this heavy film for the sake of supporting a fellow patriot, is ignorant. You make your decision based on the quality of the script and the acting. In this case, the script is banal, too serious and melodramatic and the acting, though arguably strong, is not compelling and lacks believability. I recommend you wait for his arch nemesis, Alejandro González Iñárritu’s new film ‘Biutiful’ starring Javier Bardem for a more enjoyable experience at the movies in December.

Namreta Kumar

By

2010/01/09 at 12:00am

Wonderful World

01.9.2010 | By |

Wonderful World

Unfortunately Wonderful World feels too much like a tired film to represent the revival at the end.  It is made memorable only by the concept of cynicism and its witty remarks. Josh Goldin’s Ben Singer (Matthew Broderick) has a thin layer of charm, however his actual cynicism begins to border on pathological at points.

Ben Singer is a divorced, failed folk singer now working a 9-5 “temp” job, he really only has Ibu, his roommate/friend, and Sandra, his daughter, to give his misery company. When it seems like life has taken a turn for the worst with the hospitalization of Ibu, it turns out it is exactly what Ben needed to change his perspective on life.

Ben’s relationship with his daughter turns into the crux of the film and proves to be the best part of it. Sandra, played by Jesse Tyler Fergusen, breathes wonder into every scene. It is through her and Ben’s relationship that Goldin shines as a director. From the set of cold moments at the start of the film through the closing moments the father-daughter relationship and the carefulness of the scenes outline a stronger composition than the rest of the film.

The core of Goldin’s film is wonderful, but unfortunately the film feels just as jaded as Ben’s point of view. Outside the father-daughter relationship, nothing seems fresh or renewed in any way. Everything is a sad reflection of the failed man at the start of the film, rather than the hopeful man at the end.
The Bottom Line is that this film just does not hit the mark, and as Josh Goldin summarized in his own film, “You understand Bottom Line you understand America.”

Jack Rico

By

2010/01/06 at 12:00am

Youth in Revolt

01.6.2010 | By |

Youth in Revolt

It’s only the second week of January, but already Puerto Rican director Miguel Arteta’s ‘Youth in Revolt’ is my favorite film of the year. The premise is simple – boy meets girl, girl meets boy and boy wrecks two cars and goes to jail for his love. But what is most appealing and absorbing is the sophisticated english dialogue written by Gustin Nash, based on C.D Payne’s – Youth in Revolt: The Journals of Nick Twisp. Michael Cera could not have been more perfectly casted as the intellectual, Frank Sinatra loving, sardonic virgin teen who comes from heavily dysfunctional parents.

The film revolves around the life of Nick Twisp (Michael Cera) – a unique, but affable teen with a taste for the finer things in life. He falls hopelessly in love with the beautiful, free-spirited Sheeni Saunders (Portia Doubleday) while on a family vacation.  But family, geography and jealous ex-lovers conspire to keep these two apart. With Sheeni’s encouragement, Nick abandons his dull, predictable life and develops a rebellious alter ego: Francois. With his ascot, his moustache and his cigarette, Francois will stop at nothing to be with Sheeni, and leads Nick on a path of destruction with unpredictable and uproarious consequences.

It is very rare nowadays to see films that dare to challenge young audiences with words through a high level rhetoric. We saw this template used originally by indie director/screenwriter Kevin Smith in ‘Clerks’. A total hit and a great way to pick up the dictionary and see how many ways you can say “let’s have sex” to a girl. This was also part of the success behind the creative strategy that screenwriter Kevin Richardson used for his television series Dawson’s Creek in the late 90’s. I personally love this take on a teen romantic film – ‘Nick and Norah’s Infinite Playlist,’ also with Cera, played with this notion to a degree as well.

The other layer that I thoroughly enjoyed is the worldly and sophisticated tastes that the two protagonists shared in music, film and poetry. Cera loves Sinatra (the first frame opens up with the 1960 album Nice ‘n’ Easy), and he invokes Fellini’s masterpiece ‘La Strada’ in a DVD store as he tries to explain it to a girl he is trying to pick up. Ms. Doubleday loves french standards from Serge Gainsbourg and has an infatuation with New Wave french actor Jean-Paul Belmondo, in particular his breakthrough film ‘Breathless’ from Jean-Luc Godard. It’s this and other highbrow idiosyncrasies that seduced me from the onset.

What didn’t seem to mix well was the roguish alter-ego of Cera’s character Francois, as well as some of the casts contributions. One highlight was that of South African actor Adhir Kalyan, who played Cera’s lascivious friend. Very funny scenes! Does today’s youth really think and act like this today? No, but one hopes it inculcates a desire to explore the arts and culture side of them.

From a Hispanic perspective, it is wonderful to know that a born talent from Puerto Rico directed this film. There is a scarcity of great movies coming from ‘La Isla del Encanto’ these days. Arteta is perhaps more of an American in culture than Puerto Rican, but nevertheless, it is gratifying to hear the sound of a Latino last name next to a good work such as this and his previous (The Good Girl, Star Maps). Actually the last good film I saw come out of Puerto Rico was ‘Maldeamores’ directed by Carlos Ruiz Ruiz. It’s a Woody Allenesque romantic tale with a caribbean twist. A definite DVD rental this weekend.

For those who like teen romantic comedies ‘Youth in Revolt’ is a very enjoyable film peppered with laugh out loud moments. It is rated R so be warned that the sexuality is a bit vulgar and strong.

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