The House Bunny
08.21.2008 | By Alex Florez |
Rated: PG-13 for sex-related humor, partial nudity and brief strong language.
Release Date: 2008-08-22
Starring: Karen McCullah Lutz, Kirsten Smith
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.thehousebunny.com/
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From the get-go âThe House Bunnyâ wants you to believe itâs a post-modern fairy tale comedy set on a college campus. Only when it nearly forgets what the moral to its story is, it almost becomes the âmakeoverâ episode from a daytime talk show. In fact, Iâm inclined to say it turns the word âmakeoverâ into a genre.
Leading the way is Anna Faris (Scary Movie), who steps into Shelley Darlingsonâs pumps as a stereotypical blond Playboy bunny who is kicked out of Hugh Hefnerâs mansion. But soon enough she finds a new home at an awkward sorority where the girls are dull, unpopular and desperate for pledges in order to keep the dean from taking away their house. Predictably however, Shelley takes it upon herself to transform the girls into beauty queens and become the most coveted group to be around.
The âgirlsâ, played by stars on the rise, Emma Stone (Superbad), Kat Dennings (Charlie Bartlett), Katharine McPhee (American Idol), Rumer Willis (Bruce and Demiâs eldest) and a few others, are so surprisingly likable during their pre-makeover stage that youâd almost wish they didnât undergo any treatment. Emma Stone in particular, works the âbookwormâ role so charmingly well, she steals more than one scene clearly meant for Faris to carry, who canât seem to hide how hard she tries for every laugh.Â
The pitfall here is that for too long a period, the film paints vanity in such a great light, that it sends mixed signals to the audience about the message the filmmakers want to convey. Is being beautiful on the outside really that important to get ahead in life? Well, for most of the film, they make you think so. Of course, thatâs no message for a fairy tale to send – Shelley must learn that what boys really like is whatâs on the inside. And so begins a mad and sloppy dash during the second half of the film to make things right. Â
One opportunity that the filmmakers certainly missed was to demystify the famous Playboy mansion. It does nothing to change or add to the widely held and fixed idea we all have of the estate. Instead weâre limited to some Hugh Hefner cameos and a thinly put together subplot involving Shelleyâs banishment.
Nevertheless, this female driven comedy has its appeal as screenwriters Karen McCullah Lutz and Kirsten Smith (Legally Blonde) take parts from âThe Revenge of the Nerdsâ lore and attempt to make it their own.Â
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