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Movie Reviews

Alex Florez

By

2008/08/21 at 12:00am

The House Bunny

08.21.2008 | By |

Rated: PG-13 for sex-related humor, partial nudity and brief strong language.
Release Date: 2008-08-22
Starring: Karen McCullah Lutz, Kirsten Smith
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Film Genre:
Country: USA
Official Website: http://www.thehousebunny.com/

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The House Bunny

From the get-go ‘The House Bunny’ wants you to believe it’s a post-modern fairy tale comedy set on a college campus. Only when it nearly forgets what the moral to its story is, it almost becomes the ‘makeover’ episode from a daytime talk show.  In fact, I’m inclined to say it turns the word ‘makeover’ into a genre.

Leading the way is Anna Faris (Scary Movie), who steps into Shelley Darlingson’s pumps as a stereotypical blond Playboy bunny who is kicked out of Hugh Hefner’s mansion. But soon enough she finds a new home at an awkward sorority where the girls are dull, unpopular and desperate for pledges in order to keep the dean from taking away their house.  Predictably however, Shelley takes it upon herself to transform the girls into beauty queens and become the most coveted group to be around.

The ‘girls’, played by stars on the rise, Emma Stone (Superbad), Kat Dennings (Charlie Bartlett), Katharine McPhee (American Idol), Rumer Willis (Bruce and Demi’s eldest) and a few others, are so surprisingly likable during their pre-makeover stage that you’d almost wish they didn’t undergo any treatment.  Emma Stone in particular, works the ‘bookworm’ role so charmingly well, she steals more than one scene clearly meant for Faris to carry, who can’t seem to hide how hard she tries for every laugh. 

The pitfall here is that for too long a period, the film paints vanity in such a great light, that it sends mixed signals to the audience about the message the filmmakers want to convey. Is being beautiful on the outside really that important to get ahead in life? Well, for most of the film, they make you think so.  Of course, that’s no message for a fairy tale to send – Shelley must learn that what boys really like is what’s on the inside. And so begins a mad and sloppy dash during the second half of the film to make things right.  

One opportunity that the filmmakers certainly missed was to demystify the famous Playboy mansion. It does nothing to change or add to the widely held and fixed idea we all have of the estate.  Instead we’re limited to some Hugh Hefner cameos and a thinly put together subplot involving Shelley’s banishment.

Nevertheless, this female driven comedy has its appeal as screenwriters Karen McCullah Lutz and Kirsten Smith (Legally Blonde) take parts from ‘The Revenge of the Nerds’ lore and attempt to make it their own. 

 

Alex Florez

By

2008/08/21 at 12:00am

Death Race

08.21.2008 | By |

Rated: R for strong violence and language.
Release Date: 2008-08-22
Starring: Paul W.S. Anderson
Director(s):
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Film Genre:
Country: USA
Official Website: http://www.deathracemovie.net/index.php

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Death Race

A remake of Roger Corman’s 1975 cult action film starring David Carradine and Sylvester Stallone, Death Race pumps even more adrenaline and senseless gore into a film that seems more like a video game adaptation than a ‘B’ movie remake.

Set in the not so distant future, Death Race tells the story of Jensen Ames (Jason Statham), a former speedway champion turned blue collar worker who is framed for a gruesome murder.  He soon realizes however, it’s all been part of a plot to coerce him into participating in the world’s most popular televised sport: a car race set in a maximum security prison in which the inmates must brutalize and kill one another in order to win. If they are lucky to finish the race alive and in first place, then they’ll also gain their freedom.

Despite all the action, the film attempts to make its subtle satirical jabs at our culture – the one that can’t enough reality television, extreme fighting competition, and violent video game titles.  One in particular, ‘Twisted Metal’ certainly comes to mind as a game which essentially shares the same premise as the movie.  But like those video games, Death Race’s plot is thin and lacking the emotion necessary to really push a story forward.  In this film, its all about outfitting cars with weapons you pick up along the way and blowing up your competitors off the tracks.

For Statham, its a no brainer role, as he slowly turns into the Jean-Claude Van Damme of our era, funny accent and all. For Joan Allen however, this might be her worst mistake as a professional actress.  Allen playing the role of the Warden who organizes the race is as believable as the film’s own premise.  One pleasant surprise is the addition of Natalie Martinez, the rookie cuban american actress, who teams up with Statham playing ‘Case’, his ‘navigator’.  Giving the film its sexiness, I’m sure we’ll be seeing much more of her in these Angelina Jolie/female action star type roles.

Although a case can be made that these days, video game have evolved with much more complex story-lines, there will always be a great appetite for the ‘shoot em up’ types games where users can’t wait for the next level to keep smashing the buttons on their controllers.  For those type of people, Death Race is must.

 

Mack Chico

By

2008/08/19 at 12:00am

Street Kings

08.19.2008 | By |

Rating: 1.0

Rated: R for strong violence and pervasive language.
Release Date: 2008-04-11
Starring: James Ellroy, Kurt Wimmer, Jamie Moss
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Country:USA
Official Website: http://www.foxsearchlight.com/press/

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Mack Chico

By

2008/08/19 at 12:00am

Miss Pettigrew Lives for a Day

08.19.2008 | By |

Rating: 2.5

Rated: PG-13 for some partial nudity and innuendo.
Release Date: 2008-03-07
Starring: David Magee, Simon Beaufoy
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Country:UK
Official Website: http://www.filminfocus.com/focus-movies/miss-pettigrew/synopsis.php

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Elena Calvo

By

2008/08/19 at 12:00am

The Life Before Her Eyes

08.19.2008 | By |

Rating: 3.0

Rated: R for violent and disturbing content, language and brief drug use.
Release Date: 2008-04-18
Starring: Emil Stern
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Country:USA
Official Website: http://www.lifebeforehereyes.com/

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Alejandro Arbona

By

2008/08/16 at 12:00am

Tropic Thunder

08.16.2008 | By |

Rated: R for pervasive language including sexual references, violent content and drug material.
Release Date: 2008-08-15
Starring: Ben Stiller, Justin Theroux, Etan Cohen
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Official Website: http://www.tropicthunder.com/

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Tropic Thunder

“Tropic Thunder”, the new comedic vehicle by Ben Stiller and his pals, kicks off with a assault on the audience so unexpected and so enormously funny that it takes you totally by surprise and disarms you completely. Unfortunately, though “Tropic Thunder” is pretty good at several other points, this sequence ends up being the funniest in the entire movie.

It’s the story of three Hollywood actors from very different genres, who join forces to shoot a Vietnam-war melodrama. Ben stiller is Tugg Speedman, an action star whose career has suffered after his recent choices of roles, namely that of a developmentally disabled character he played hoping to win an Oscar in a movie called “Simple Jack.” Roberto Downey Jr., on the other hand, plays Kirk Lazarus, an Australian five-time Oscar-winner, who goes after roles for the challenge of becoming wholly new and different people foreign to his own reality; in the film-within-a-film also called “Tropic Thunder,” he plays an African-American soldier, a role for which Lazarus/Downey Jr. has had his skin dyed and his hair curled. And Jack Black plays Jeff Portnoy, a gross-out comedy star whose biggest success has been playing multiple roles as each member of a flatulent, obese family, and who’s joined the cast of the weighty Vietnam picture because he’d like to be taken seriously as an artist. Brandon T. Jackson also appears as a hip-hop star called Alpa Chino (read the name out loud if you don’t see the gag), and Jay Baruchel as Kevin Sandusky, a rookie actor on his first production, surrounded by big stars. Finally, the outstanding cast is rounded out by the British actor/comedian Steve Coogan as Damien Cockburn, the film’s director; Nick Nolte as Four Leaf Tayback, the Vietnam vet whose war memoirs were the basis for the screenplay; Matthew McConaughey as Rick Peck, Speedman’s aggressive agent; and Tom Cruise in a prosthetic belly and bald cap, as the villainous Les Grossman, the head of the studio.

The actors are generally excellent, above all Downey Jr. The exception to a strong cast for me was Ben Stiller, a comedic star I personally find to be very limited in the versatility of his characters and improvisations (notice how similar most or all of his film characters are; they tend to be hostile, overbearing, extremely dumb, or all three). The same goes for Tom Cruise, whose character turns out to be a one-note joke; the novelty of seeing Tom Cruise in disguise and playing such an unpleasant character was a gag that got old fast, and a role to which Cruise didn’t bring anything more.

The movie does have its grand comic moments, and some even hilarious. When it weakens is when the story becomes too dense; separate subplots play out onscreen, but Stiller’s unskilled hand as director treats all of them with equal importance, and the audience is distracted by narratives that should have just been extremely minor subplots. What’s more, enormous stretches of time pass in the film’s over-long running time when we don’t see or hear from one character or another, creating a very uneven story during the middle part of the movie.

Nevertheless, “Tropic Thunder” redeems itself and entertains the audience enormously during its stronger parts, and it even has its truly brilliant moments.

One separate note: The subject of a Caucasian actor playing an African-American man and verging on blackface buffoonery has turned out not to provoke the negative reaction you would have imagined, and I think rightly so, because it’s an issue of satire and what that character as a Hollywood star is willing to do. However, the element that has drawn criticism and even a boycott after all is the melodramatic, Oscar-bait role Tugg Speedman (Stiller) had played in his previous outing, “Simple Jack” about a developmentally disabled young man. Stiller is certainly less deft as an actor than Downey Jr., and plays that fictional part with less seriousness – because even a comedic character has to take himself totally seriously, even if the audience laughs at him. And maybe it’s because of the broad, exaggerated absurdity of Stiller’s performance in the part, but several groups dedicated to the rights and dignity of people with disabilities have organized a boycott of “Tropic Thunder.” I respect their motives wholeheartedly, but I don’t personally agree with them; the character is nothing more than a skewering of Hollywood actors and these roles they play, whether for the challenge of embodying a character they couldn’t possibly fully understand, or to raise awareness of the disadvantages faced by different groups in society, or as in the case of Tugg Speedman in “Simple Jack,” to show off their dramatic chops and try to win an Oscar. It’s not disrespectful of people with disabilities, in my opinion, but just Hollywood satire, and I’m confident that was Stiller’s intention as writer, director and actor.

 

Mack Chico

By

2008/08/14 at 12:00am

The Scorpion King 2: Rise of a Warrior

08.14.2008 | By |

Rating: 2.0

Rated: PG-13 for violence, and sexual content including references.
Release Date: 2008-08-19
Starring: Randall McCormick
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: No disponible.

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See how the legend of The Scorpion King began!  When a young Mathayus witnesses his father’s death at the hands of the king (UFC Champion Randy Couture), his quest for vengeance transforms him into the most feared warrior of the ancient world.  From the producers of The Mummy and the director of Resident Evil: Extinction and Highlander comes a heroic adventure filled with heart-stopping action and thrilling visual effects!

 

Experience pulse-pounding action and see how the Scorpion King legend was born when the highly-anticipated prequel The Scorpion King 2: Rise of a Warrior comes to DVD and Blu-ray Hi-Def on August 19, 2008 from Universal Studios Home Entertainment. An adrenaline-fueled adventure of epic proportions, The Scorpion King 2: Rise of a Warrior takes viewers back to the beginning of the saga of Mathayus, the young warrior who would become the fearsome Scorpion King. Directed by Russell Mulcahy (Resident Evil: Extinction, Highlander), the film stars world-renowned, five-time Ultimate Fighting Championship winner  Randy Couture.  The DVD is priced at $29.98 SRP and the Blu-ray version at $39.98 SRP.

In addition, a special Scorpion King Warrior Pack will be available day and date, containing the new DVD as well as the original action blockbuster DVD, The Scorpion King starring Dwayne “The Rock” Johnson, priced at $36.98 SRP.

“By far Universal’s most ambitious DVD OriginalTM to date, The Scorpion King 2: Rise of a Warrior raises the made-for-DVD bar to the next level with production values that deliver theatrical-style action, adventure and excitement,” said Craig Kornblau, President of Universal Studios Home Entertainment and Universal Pictures Digital Platforms. “Our strong track record in this arena has encouraged us to pursue this market even more aggressively as of late.  With The Mummy continuing to successfully build on its global popularity and appeal at the box office, we saw a unique opportunity to offer home entertainment consumers a new, engaging experience that embraces the iconic elements they love about this franchise.”

The Scorpion King 2: Rise of a Warrior is the latest in a series of top-selling Universal DVD Original® releases that includes American Pie Presents: Beta House and Bring It On: In It to Win It. Both the DVD and Blu-ray are packed with behind-the-scenes interviews, exciting deleted scenes and outtakes, and astonishing Scorpion King secrets.

In addition to Couture, the cast of The Scorpion King 2: Rise of a Warrior features Michael Copon (Bring It On: In It to Win It), Karen David (Batman Begins) and Natalie Becker (The World Unseen).

Mack Chico

By

2008/08/14 at 12:00am

Star Wars: The Clone Wars

08.14.2008 | By |

Rated: PG for some thematic elements.
Release Date: 2008-08-15
Starring: Henry Gilroy, Steve Melching, Scott Murphy
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.starwars.com/theclonewars/

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Star Wars: The Clone Wars

Unless you are a hardcore Star Wars fan, it will be difficult for the average moviegoer to remember all six, oh my humble apologies, seven Star Wars film episodes. With that said, in preparation to see the new computer animated ‘Star Wars: The Clone Wars’ film, questions were beginning to emerge in me about George Lucas’ creativity. Is he stuck for eternity in this Star Wars bubble and is he incapable of filming anything else? I believe it is a warranted question. This is the same guy who wrote, directed, casted, and edited ‘American Graffiti’, a cinematic effort that earned him five Oscar nominations in 1974. That is evidence he can do something else outside of ‘the force’ – so why doesn’t he? This, my friends, is the million dollar question.

Lucas has been driven, for some time now, to create this new animated feature to coincide with the launch of his Lucasfilm Animation universe. The movie transports us to the middle of episodes two and three (as communicated to me by a Warner Bros. representative) where Jedi Knights struggle to maintain order and restore peace. Systems are falling prey to the forces of the dark side as the Galactic Republic slips further under the sway of the Separatists. Anakin Skywalker (soon to be Darth Vader) and his Padawan learner Ahsoka Tano (a sort of intern) find themselves on a mission that brings them face-to-face with crime lord Jabba the Hutt. But Count Dooku and his sinister agents, including the nefarious Asajj Ventress, will stop at nothing to ensure that Anakin and Ahsoka fail at their quest. Notable is a cameo of Samuel L. Jackson lending his voice for his character Mace Windu.

Since new characters are introduced here, and not continued in the following adventures of the Jedis, it is hard to say whether or not this film fits in nicely with the rest of the episodes. We will have to wait and see.

Nevertheless, boy was it entertaining! It began with great animated fighting sequences and it kept that tempo throughout the very end, a characteristic that spells out pure fun. I would actually dare to say it was more entertaining than Lucas’ recent Star Wars trilogy – Episodes I, II and III. Most of this decision is based on Hayden Christensen’s vapid and uninspiring acting as Anakin Skywalker in the aforementioned works, resulting in an unmemorable experience. These computer generated ‘actors’ did a better job of engaging me than he.

The premise was easy enough to understand, the characters were likable, the sequences were dynamic and full of brio. The film is obviously for fans of the Star Wars saga, but looking to attract young new legions of fans.

Alex Florez

By

2008/08/13 at 12:00am

Vicky Cristina Barcelona

08.13.2008 | By |

Rated: PG-13 for mature thematic material involving sexuality, and smoking.
Release Date: 2008-08-15
Starring: Woody Allen
Director(s):
Distributor:
Film Genre:
Country: USA, Spain
Official Website: http://vickycristina-movie.com/

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Vicky Cristina Barcelona

Not so long ago, New York based director (at that time, anyway) Woody Allen once confessed to us that the reason there are never any prominent hispanic characters in any of his films is because he sticks to what he knows.  Meaning of course, old Jewish families, upper class Manhattanites and chaotic love affairs that usually flirt with death.  So what does Allen now know about Catalonia and Spanish culture in general that prompts him to set his latest film on the mediterranean coast? Other than that they will finance his films?

To answer my own question, I think the appeal for Allen has been the idea that such sexual promiscuity and emotional confusion also exists outside the realm of New York and in practically every single corner of the globe.

Vicky Cristina Barcelona, his first and most likely last film to be set in Spain, pits Scarlett Johansson (Cristina) and Rebecca Hall (Vicky) as two American friends who decide to spend their summer in Barcelona.  Cristina, more of a wandering spirit, is always on the lookout for adventure, while Vicky on the other hand, is much more sensible and committed to her fiance back home.

But their radically different attitudes towards love are tested when they meet Spanish painter Juan Antonio (Javier Bardem) and his volatile ex-wife Maria Elena (Penélope Cruz).

A case can be made that Allen has made this same film 35 times over (excluding the ‘early funny ones’). As usual, you’ll find plenty of sarcasm, infidelity and yes, a few rounds fired from a gun.  But the plot only sizzles when Penelope Cruz joins the cast.  Her turbulent behavior is wildly reminiscent of Judy Davis’ brilliant performance in Allen’s Deconstructing Harry (1997). 

Unfortunately, in this film, Cruz is the catalyst for an event that never arrives. The sense that something absurd, tragic and utterly hilarious would take place in the end, the way it did in Crimes and Misdemeanors (1989) for instance, kept building throughout the film. Instead, it moves right along, one lustful scene after another, wondering what sort of statement it wants to make about ‘love’ that it hasn’t already.

 

Then there’s the mysterious voice over which threads the film together. Totally unnecessary given that it doesn’t really explain anything nor does it provide any insight from an omniscient point of view.

The movie’s funniest moments, without question, rely on the chemistry between Bardem and Cruz, giving way to the little momentum the film manages at times – making Johansson and Hall seem out of touch with the whole ‘Woody Allen genre’.

Hispanics however, will marvel at how well Allen’s neurotic language translates in Spanish. While most of the film is spoken in English, the few scenes where Bardem and Cruz exchange a few words in, are hysterical.  More evidence that these days, the international community seems to get Woody more than we do.

 

Mack Chico

By

2008/08/12 at 12:00am

Smart People

08.12.2008 | By |

Rating: 2.5

Rated: R for language, brief teen drug and alcohol use, and for some sexuality
Release Date: 2008-04-11
Starring: Mark Poirier
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.smartpeople-themovie.com/

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Despite its sharp cast and a few laughs, Smart People is too thinly plotted to fully resonate.

This is not Juno. In fact, I don’t think this movie gives anything new that we haven’t known about. People who are intelligent can be so smart that they lose touch on what’s important, they slowly distance themselves from those who care about them without even realizing it. Smart People got a lot of brain but… not enough heart. Yes it’s smart, witty, and occasionally funny but along the way, something is missing. Something that would make it captivating instead of boring, which is what it is.

All I can say is thank heavens Thomas Haden Church is in this movie. His character is probably the most interesting one. He’d come up with smart-ass remarks and comebacks that are entertaining. Not laugh out loud funny, but good enough to keep us from sleeping.

The tone of the movie for the most part is depressing. The filmmaker wants you to see how smart people can be so detached that when they start to feel something, they don’t know what to do with it or they react in the wrong way. Ellen Page’s character’s crush on her uncle, played by Thomas Haden Church is one example.

Dennis Quaid does an excellent job playing a clueless, unhappy professor, Sarah Jessica Parker has a certain charm and cuteness, but would somebody please give Ellen Page some other character to do!

Don’t get me wrong, I love Juno, but what Ellen Page needs now is not another independent movie (Hard Candy, Tracey Fragment, An American Crime).

She should try another big budget project that would challenge her to do a different role in a different style or genre (she was in X-Men 3 by the way)

The movie does okay in depicting a dysfunctional family without being too outrageous and messed up. But you’ll mostly get frustrated with how it can’t seem to carry itself and bring itself to a good conclusion or resolution.

It’s sorta like hearing a note held for the longest time with only a few fillers from time to time, but only a few unfortunately. The self-realization moments aren’t groundbreaking. This movie fails to leave a lasting impression. It’s another independent movie that will easily be forgotten in time.

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