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The Latest in ShowBiz News

Karen Posada

By

2012/11/05 at 12:00am

‘Wreck-It Ralph’ scores first place at the box office!

11.5.2012 | By |

'Wreck-It Ralph' scores first place at the box office!

Disney’s ‘Wreck-It Ralph’ opens at number one in the box office with $49.1 million dollars. The much anticipated cartoon film had no problem getting here, since it has received great reviews and its colorful story easily captivates kids and adults. The studio is gearing up for the upcoming holidays!

Denzel Washington’s ‘Flight’ opened at number two with $25 million dollars; he certainly attracts a crowd. Director Robert Zemeckis reminds the public that he still has it with this adult film that not only pleased many, but also has a lot of Oscar buzz around it.

Argo’ has been up and down the box office and once again it’s at number three with $10.2 million dollars.  This is another film that has gotten a lot of Oscar buzz and has achieved a grand total of $75.9 million dollars after being in theaters for four weeks.

The Top 10 in the Box Office are:

1. Wreck-It Ralph – $49.1 mil

2. Flight – $25 mil

3. Argo – $10.2 mil

4. The Man With the Iron Fists – $8.2 mil

5. Taken 2 – $6 mil

6. Cloud Atlas – $5.2 mil

7. Hotel Transylvania – $4.5 mil

8. Paranormal Activity 4 $4.3 mil

9. Here Comes the Boom – $3.6 mil

10. Silent Hill: Revelation 3D – $3.3 mil

Jack Rico

By

2012/11/05 at 12:00am

Top 10 Hispanic directors that could direct Star Wars VII!

11.5.2012 | By |

As you might have heard, Disney purchased Lucasfilm for 4 billion dollars, and with it, the Star Wars and Indiana Jones saga. The big talks to come out of that deal is that Disney is gun-ho on continuing the Star Wars saga, ergo, the seventh chapter of the series. For now Indy is out of the conversation.

With a look into the future of the iconic sci-fi franchise, we pick 10 directors – Hispanic directors – that possess the skill, vision and passion to take it into the next 35 years. By selecting these helmers and cinephiles, we break Hollywood conventions and give rise to a new generation of directors whom most likely grew up wanting to be the new George Lucas, laser-sword fighting like Luke Skywalker, quoting Han Solo, crushing on Princess Leia and fearing Darth Vader. 

So without further adieu, we pick the Top 10 Hispanic directors we think can and should helm the new Star Wars trilogy. Read More

Jack Rico

By

2012/11/03 at 12:00am

The Man with the Iron Fists (Movie Review)

11.3.2012 | By |

So you saw the trailer to “The Man with the Iron Fists” and it adrenalized you to see it. I mean, it has all the elements you personally like such as: martial arts movies that are impressively choreographed, violently-bloody-driven action sequences, hokey jokes from the villains and heroes, Russell Crowe who is one of your favorite actors and one who adds credibility to the cast, a hip hop infusion from the respected Wu-Tang’s RZA to make it “cool” and Quentin Tarantinoputting his name and reputation on it. Yes, I thought the exact same thing too until… I saw the movie.

The story is an action-adventure martial arts throwback film, inspired by the kung-fu classics from the 80’s such as “Fury of the Dragon,” “Black Samurai,” “Godfather of Hong Kong,” “Fists of Double K” and “Five Deadly Venoms”. It tells the story of warriors, assassins and a lone outsider hero who all descend on one fabled village in China for a winner-takes-all battle for a fortune in gold. 

On paper, it’s hard for any studio to dismiss this movie, but, not everything that is on paper works. Not to bog you down with sports analogies, but look at the powerful offensive minded New York Yankees who were swept in the playoffs by the Detroit Tigers for exactly not hitting, and your Los Angeles Lakers, who by far have the best starting lineup in basketball history, are 0-3 to start the season. So how does one explain these things? Chemistry. When you have great film elements at your disposal, it is the director’s job to have them flow seamlessly amongst each other, and not live individually. This is where you have to blame tyro helmer and screenwriter RZA (real name Robert “Bobby” Fitzgerald Diggs) for not having the experience to recognize the devil in the details. Is it all bad? No, but as a result, the movie is lifeless.

Visually, the movie is top notch. It is the jokes that aren’t funny and the acting as a whole is just abominable. All your left with then is the action to propel the film forward. In this regard, the martial arts sequences are intricate and ambitious. It truly is the movie’s only saving grace. 

Overall, “The Man with the Iron Fists” doesn’t have that much to offer on the inside. It’s just flash, all steak and no sizzle. Do yourself a favor and save your money if you can. I recommend you catch a better selection of contemporary martial arts classics on Bluray/DVD that will surely provide you with a superior and more memorable cinematic experience:

– “The Raid: Redemption” (this year’s best action film marked by its harshly gruesome Indonesian martial arts sequences)

– “Ong-back” (no wires, stunt doubles, or CGI, just beat downs in every sense of the word)

 Tarantino’s “Kill Bill” 1 & 2 (they’re intense, engrossing, filled with rib-cracking laughs and you just can’t seem to get enough from them)

 Ang Lee’s “Crouching Tiger, Hidden Dragon” (one of the best of all time)

– Jackie Chan’s “The Legend of Drunken Master” (this is one of Chan’s career defining works)

– “Kung Fu Hustle” (perhaps the most entertaining movie on this mini list because of it’s bizarre, outlandish humor and exciting action kung fu scenes)

– “Chocalate” (a rarely talked about gem featuring a female fighter), “Hero” (some say better than ‘Crouching Tiger’)

– “Fearless” (one of, if not, Jet Li’s finest work)

As of the posting of this movie review, “Ong-bak” and “Fearless” are currently on Netflix streaming, thus allowing you watch these immediately. 

 

Rated: Rated R for bloody violence, strong sexuality, language and brief drug use
Release Date: 2012-11-02
Starring: Eli Roth, RZA
Official Website: http://www.ironfists.com/

Jack Rico

By

2012/11/02 at 12:00am

Wreck-It Ralph

11.2.2012 | By |

Wreck-It Ralph

There is a difference between doing a movie based on a video game and a movie about a video game. Films like “Doom,” “Super Mario Bros,” “Resident Evil,” and “Max Payne,” are prime examples of the former, and films such as “Gamer,” “Tron,” “eXistenZ” and “WarGames,” depict the latter description. But Disney’s animated 3D film “Wreck-It Ralph” is by far the best film about a video game ever done. This comment doesn’t necessarily mean that it is the best animated movie of the year – “Frankenweenie,” “Rise of the Guardians,” “Paranorman” and “Brave” might have something to say against that, but it should be amongst the favorites at the Oscars in 2013. Nevertheless, it is visually nostalgic, sensorially exuberant, vivaciously mirthful and emotionally moving. 

 

The plot is simple and has been done before, but it is always about the execution. For decades, Ralph (voice of John C. Reilly) has been overshadowed by Fix-It Felix, Jr. (voice of Jack McBrayer), the good-guy star of their game who always gets to save the day. Tired of playing the role of a bad guy, Ralph takes matters into his own massive hands and sets off on a journey across the arcade through multiple generations of video games to prove he’s got what it takes to be a hero. On his quest, Ralph meets tough-as-nails Sergeant Calhoun (voice of Jane Lynch) from the first-person action game Hero’s Duty, and feisty misfit Vanellope von Schweetz (voice of Sarah Silverman) from the candy-coated cart-racing game Sugar Rush, who may just be his first real friend. But everything changes when a deadly enemy is unleashed, threatening the entire arcade and Vanellope herself. Ralph finally gets his chance to save the day—but can he do it in time? 

 

For anyone who has ever played video games circa 1980’s and 90’s, novice film director Rich Moore, a cartoon veteran, does a magnificent job in getting his animators to reproduce the exact Nintendo and arcade images of yesteryear. It almost felt like it was 1988 in the movie and outside of the theater. He managed to capture vast inside references and minutiae like kids placing their quarters against the front border of the arcade to gesture that they were next to play, etc. It is that attention to detail that makes a difference in the emotional cinematic experience of the spectator. 

 

The 3D is surprisingly subtle, I’d actually say too subtle for a film of this nature. Instead of seeing pixels fly out of the screen, I had to lift my glasses to make sure I wasn’t watching 2D. When the result is this uneventful, the extra investment is completely unnecessary. 

 

This is a movie hard not to enjoy. Adults will appreciate it because it’ll remind them of their youth when they would run home from school to play ‘Q*bert,’ along with all the inside references and retro cliche’s, and kids today will have fun with it because it possesses all the color, fast paced imagery and gags they come to expect from today’s animated assemblage.

 

Latinos, the highest movie going demographic in the United States, love animated movies more than any one else. They’re sure to make this movie a #1 hit at the box office!

Mack Chico

By

2012/11/01 at 12:00am

List of AMC Movie theaters closed in NYC and NJ

11.1.2012 | By |

A good way to escape the madness from Hurricane Sandy and the streets of NYC and NJ this weekend is getting out of the house and catching a flick. Escapism for many is the order of the day and we believe a good movie will take care of many of those cabin fever woes.

Several of AMC’s theatres remain closed due to the lack of power and because public transportation is still suspended in many areas in New York and New Jersey, many of you will be prevented from getting to the theatres. The Eastern Operations team is continuing to assess the damages as locations are slowly coming back online. In the meantime below are the theaters that are CLOSED. All other theaters not included are OPEN!

We will continue to update this page as well as provide information on our Facebook and Twitter channels.

If you have any questions about whether your theatre is currently closed, please call the Guest Services line at your local AMC movie theatre.

Affected AMC Theatres:

Manhattan/Long Island

19th Street 6

Fantasy 5

Fresh Meadows 7

Kips Bay 15

Roosevelt Field 8

Shore 8

Stony Brook 17

Village 7

 

New Jersey

Aviation 12

Clifton Commons 16

East Hanover 12

Freehold 14

Jersey Gardens 20

Menlo Park 12

Monmouth Mall 15

New Brunswick 18

Newport Centre 11

Seacourt 10

Wayne 14

 

Last updated: Thursday, November 1, 2012 4:45PM Eastern Time.

Mack Chico

By

2012/11/01 at 12:00am

‘Oz the Great & Powerful’ – New poster!

11.1.2012 | By |

'Oz the Great & Powerful' - New poster!

Meet the Wicked Witch in the first of three images from the new poster for OZ THE GREAT & POWERFUL!

If you were thinking this was going to be another 1939 Judy Garland Oz, guess again. From what we can discern from the poster Oz has gone from a quiet country spot with an Emerald City, to an almost tropical-feeling landscape that feels a bit more alive proving that Disney is really trying to go for the visual galore.

There’s a bit of yellow brick hiding in the corner, too, which is good. And it seems a smart marketing move to allude more to the story people know and love (The Wizard of Oz), rather than focus on this film’s main character, (Oz, the wizard himself) and how he came to be there. If nothing more, the nostalgia attached to The Wizard of Oz will get plenty of people in the seats to see what the Land of Oz would look like in 2012.

The plot: Oscar Diggs (James Franco), a small-time circus magician with dubious ethics, is hurled away from dusty Kansas to the vibrant Land of Oz. At first he thinks he’s hit the jackpot-fame and fortune are his for the taking. That all changes, however, when he meets three witches, Theodora (Mila Kunis), Evanora (Rachel Weisz), and Glinda (Michelle Williams), who are not convinced he is the great wizard everyone’s been expecting. Reluctantly drawn into the epic problems facing the Land of Oz and its inhabitants, Oscar must find out who is good and who is evil before it is too late. Putting his magical arts to use through illusion, ingenuity-and even a bit of wizardry-Oscar transforms himself not only into the great and powerful Wizard of Oz but into a better man as well.

Oz the Great and Powerful comes into theaters on March 8, 2013.

'Oz the Great and Powerful' poster

Mack Chico

By

2012/10/30 at 12:00am

‘Sin City 2’: Robert Rodriguez has an official release date!

10.30.2012 | By |

'Sin City 2': Robert Rodriguez has an official release date!

Theres is an official release date for “Sin City: A Dame To Kill For” from Mexican-American director Robert Rodriguez. It is scheduled for release October 4, 2013.

Rodriguez wrapped up “Machete Kills” in 29 days before jumping into “Sin City 2” and is shooting on his soundstages in his native Austin. But while the movie may be underway, casting for major parts is still underway. So far, the only Latinas casted are Jessica Alba and Rosario Dawson, who played Nancy Callahan and Gail respectively. Alba received a lot of screen time and her character was key for many scenes along Mickey Rourke. 

Rourke’s character, Marv, was killed in the original film but this story precedes that tragic fate. Of note in the article, too, is the fact that Angelina Jolie, who was expected to play the major role of Ava, is not likely to appear. So that role is still being cast. Same goes for Dwight, originally played by Clive Owen. Owen was expected to return but apparently Dwight’s story in “Sin City 2” sees him get facial reconstruction so they will likely just recast the character. 

Rodriguez and co-director Frank Miller wrote the script for the new movie, which is a combination of comics storylines and a new one written specifically by Miller for the movie. One of the storylines being adapted is A Dame to Kill For, originally published in 1993 and featuring a man named Dwight entangled in a complicated and deadly relationship with a femme fatale named Ava.

Karen Posada

By

2012/10/30 at 12:00am

Nadine Velazquez: ‘Flight’ Will Take Her Places

10.30.2012 | By |

Puerto Rican actress Nadine Velazquez steals the show in “Flight,” Denzel Washington’s new film coming out this Friday. Read More

Karen Posada

By

2012/10/29 at 12:00am

Flight

10.29.2012 | By |

Flight

The word that best describes ‘Flight’ is: intense; not only because of its beginning but ultimately because of its subject matter. This is one of the most solid movies I’ve seen all year, which although it’s a compliment at the same time it makes me think that it played everything mostly safe enough to be likeable. This two hour plus long movie delivers one of the most intense flight scenes I’ve ever experienced, making that alone a good reason to pay to see it; fortunately the rest of the film although it mainly rotates around the main character it takes us on a interesting yet depressing unexpected journey.

 

After veteran pilot Whip Whitaker (Denzel Washington) saves a malfunctioning airplane from crashing, he goes between being called a hero and placed under scrutiny when alcohol is found in his blood. With the help of his old friends Charlie (Bruce Greenwood), Harling (John Goodman) and lawyer Hugh Lang (Don Cheadle) he will try to clean up his name, while entertaining a relationship with Nicole (Kelly Reilly).

 

Director Robert Zemeckis has been focusing on PG movies for a while now, but here he certainly decided to get out of that mold with a hard rated R film. He’s made movies such as ‘Cast Away’ and ‘Forrest Gump’, which weren’t only extremely successful, but like this one, also placed a spotlight on the main character. Zemeckis doesn’t disappoint carrying the audience on a story about this Pilot’s present, without getting overly dramatic or boring. Although there’s a key element missing about his past to explain why he’s become this troubled being, which might stem from either his father’s death or his divorce and estranged relationship with his family; it is never clear.  

 

Washington has to receive some Oscar recognition for his terrific performance here, as he’s able to convey a character that could easily be disliked by those of us watching, but somehow he has us rooting for him. Goodman takes some tension out of the film in the few scenes he appears, as a hippie friend who’s the only one to understand the main character. Cheadle and Greenwood also add a good steady touch to the film, inserting some hard reality into the life of an arrogant man. A lot of the time romance seems pushed on films and although here it has a rocky kind of surreal beginning, it’s able to become more real as it progresses because a big chunk of the film would be missing without Reilly’s involvement.

 

Speaking of romance, this film encounters interracial relationships, something that Hollywood tends to avoid at times; Washington is seen with a Caucasian woman as well as Puerto Rican actress Nadine Velazquez who has quite a shocking role. The film begins with full frontal nudity; Velazquez’ role might seem minor but she carries more weight than expected. Even though she doesn’t have much of a speaking or acting role, this might be her real breakthrough into the world of Hollywood.

 

One of the things that bothered me about the film was how much God was mentioned, but seeing how it takes place in the South, to be more specific in Georgia; perhaps it’s showing the religious roots. Maybe, also because whenever there’s a disaster people try to find an explanation through what they believe in. The film touches upon the belief of “everything happens for a reason” and that some people think we don’t have control of our own lives; despite of the religious angle it takes at times, it’s quite interesting. There’s some comedy in it though not only talking about religion, but also with James Badge Dale character.

 

The film is able to give its public a complete experience, which although it’s mainly depressing and tough to watch at times, it’s entertaining. This isn’t the story of flight 1549 when pilot Chesley Sullenberg landed safely on New York’s Hudson River, saving everyone on board; it’s far from it, but it might remind you a little of it although it was written before this event. So, fasten your seatbelts and enjoy a movie that’s able to use many tools to make you leave the movie theater somewhat uplifted.   

Karen Posada

By

2012/10/29 at 12:00am

Movie review: ‘Flight’ starring Denzel Washington

10.29.2012 | By |

Movie review: 'Flight' starring Denzel Washington

The word that best describes ‘Flight’ is: intense; not only because of its beginning but ultimately because of its subject matter. This is one of the most solid movies I’ve seen all year, which although it’s a compliment at the same time it makes me think that it played everything mostly safe enough to be likeable. This two hour plus long movie delivers one of the most intense flight scenes I’ve ever experienced, making that alone a good reason to pay to see it; fortunately the rest of the film although it mainly rotates around the main character it takes us on a interesting yet depressing unexpected journey.

After veteran pilot Whip Whitaker (Denzel Washington) saves a malfunctioning airplane from crashing, he goes between being called a hero and placed under scrutiny when alcohol is found in his blood. With the help of his old friends Charlie (Bruce Greenwood), Harling (John Goodman) and lawyer Hugh Lang (Don Cheadle) he will try to clean up his name, while entertaining a relationship with Nicole (Kelly Reilly).

 

Director Robert Zemeckis has been focusing on PG movies for a while now, but here he certainly decided to get out of that mold with a hard rated R film. He’s made movies such as ‘Cast Away’ and ‘Forrest Gump’, which weren’t only extremely successful, but like this one, also placed a spotlight on the main character. Zemeckis doesn’t disappoint carrying the audience on a story about this Pilot’s present, without getting overly dramatic or boring. Although there’s a key element missing about his past to explain why he’s become this troubled being, which might stem from either his father’s death or his divorce and estranged relationship with his family; it is never clear.  

 

 

Washington has to receive some Oscar recognition for his terrific performance here, as he’s able to convey a character that could easily be disliked by those of us watching, but somehow he has us rooting for him. Goodman takes some tension out of the film in the few scenes he appears, as a hippie friend who’s the only one to understand the main character. Cheadle and Greenwood also add a good steady touch to the film, inserting some hard reality into the life of an arrogant man. A lot of the time romance seems pushed on films and although here it has a rocky kind of surreal beginning, it’s able to become more real as it progresses because a big chunk of the film would be missing without Reilly’s involvement.

 

Speaking of romance, this film encounters interracial relationships, something that Hollywood tends to avoid at times; Washington is seen with a Caucasian woman as well as Puerto Rican actress Nadine Velazquez who has quite a shocking role. The film begins with full frontal nudity; Velazquez’ role might seem minor but she carries more weight than expected. Even though she doesn’t have much of a speaking or acting role, this might be her real breakthrough into the world of Hollywood.

 

 

One of the things that bothered me about the film was how much God was mentioned, but seeing how it takes place in the South, to be more specific in Georgia; perhaps it’s showing the religious roots. Maybe, also because whenever there’s a disaster people try to find an explanation through what they believe in. The film touches upon the belief of “everything happens for a reason” and that some people think we don’t have control of our own lives; despite of the religious angle it takes at times, it’s quite interesting. There’s some comedy in it though not only talking about religion, but also with James Badge Dale character.

 

The film is able to give its public a complete experience, which although it’s mainly depressing and tough to watch at times, it’s entertaining. This isn’t the story of flight 1549 when pilot Chesley Sullenberg landed safely on New York’s Hudson River, saving everyone on board; it’s far from it, but it might remind you a little of it although it was written before this event. So, fasten your seatbelts and enjoy a movie that’s able to use many tools to make you leave the movie theater somewhat uplifted. 

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