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The Latest in ShowBiz News

Mack Chico

By

2011/08/08 at 12:00am

Win the ‘Final Destination’ DVD Box Set

08.8.2011 | By |

Win the 'Final Destination' DVD Box Set

We’re doing it again! ShowBizCafe.com and Warner Bros. are giving you the opportunity to win the ‘Final Destination’ DVD Box Set that includes all 4 films.

All you have to do is answer 5 trivia questions correctly in the COMMENTS section below to win.

The first 5 winners will be notified by e-mail. Only one entry per e-mail address will be accepted, and multiple entrants may be disqualified. Employees agents, consultants and other advisors of showbizcafe.com are not eligible to participate in this contest. No one under 13 is eligible. VOID WHERE PROHIBITED.

Once again, to enter, please post your name and email address, plus your 5 correct answers. We will email you for your home address. All entrants MUST be residents of the United States. ShowBizCafe.com respects the privacy of its readers. No information submitted in this contest will be given, copied, transferred, or sold to any third parties.

Warner Bros.’ new chapter to the successful horror franchise FINAL DESTINATION 5 stars Nicholas D’Agosto, Emma Bell, Miles Fisher and Arlen Escarpeta with David and Tony Todd. The horror film is releasing on August 12th.

Good luck and thanks for visiting ShowBizCafe.com!

TRIVIA QUESTIONS:

1. At the end of the first Final Destination, Carter is hit and killed by what swinging object?
            A. Light bulb
            B. Stoplight
            C. Neon sign
            D. Monkey

2. The car crash scene in Final Destination 2 was nominated for “Best Action Sequence” at what 2003 awards ceremony?
            A. Oscars
            B. Golden Globes
            C. Nobel Prize
            D. MTV Movie Awards

3. In Final Destination 3, Ashley and Ashlyn are killed and nearly turned to “ashes” by what overheating piece of equipment?
            A. Tanning bed
            B. Ronco “Set It and Forget It” Rotisserie
            C. Pizza oven
            D. Subway train

4. In the fourth installment, The Final Destination, Hunt gets his organs sucked out by what?
            A. Vacuum cleaner
            B. Pool drain
            C. Roto-Rooter employee
            D. Roomba robotic vacuum

5. Final Destination 5 will play in what format in theaters across America?
            A. 1D
            B. 2D
            C. Real D 3D
            D. Fake D 3D

Jack Rico

By

2011/08/05 at 12:00am

Jack Rico

By

2011/08/01 at 12:00am

‘Scarface’ to be re-released for one night event

08.1.2011 | By |

'Scarface' to be re-released for one night event

Centennial, Colo. – August 1, 2011 – Blasting onto the silver screen with the intensity of its original release nearly 30 years ago, the pop culture phenomenon Scarface, starring Al Pacino and directed by Brian De Palma, returns to movie theaters in a one-night Fathom event on Wednesday, August 31 at 7:30 p.m. local time. Presented by NCM Fathom and Universal Studios Home Entertainment, audiences nationwide will get the opportunity to experience one of the most influential gangster classics ever made like never before — with all-new restored high-definition picture and enhanced audio. Fans who attend this special event will also get an exclusive look at a 20-minute special feature that showcases interviews with popular filmmakers and talent expressing how this epic feature redefined the gangster genre, leaving an enduring influence on cinema.

Tickets for the Scarface Special Event are available at participating theater box offices and online at www.FathomEvents.com. For a complete list of theater locations and prices, visit the NCM Fathom website (theaters and participants are subject to change). The Scarface Special Event will appear in more than 475 select movie theaters across the country via the new digital cinema projection systems.

“Almost 30 years after its initial release, Scarface remains iconic and stirs passionate responses from audiences around the world,” said Dan Diamond, vice president of NCM Fathom. “Now, fans can experience Scarface like never before in theaters with spectacularly updated visual and sound quality, and never-before-seen elements in an historic, one-night event.”

Scarface is a 1983 American crime drama and masterful collaboration between acclaimed director Brian De Palma and Academy Award®-winning screenwriter Oliver Stone. Produced by Martin Bregman, Academy Award® winner Al Pacino stars as Tony Montana, a Cuban immigrant who finds wealth, power and passion beyond his wildest dreams…at a price he never imagined. Scarface was nominated for three Golden Globe® Awards (including Best Actor, Best Supporting Actor and Best Original Score), and was named one of the Top 10 Gangster Films of All Time by the American Film Institute.

This one-night, in-theater event celebrates the first-ever Blu-rayTM release of Scarface on September 6 from Universal Studios Home Entertainment. Fans of Scarface will enjoy the restored high-definition picture and 7.1 audio plus see exclusive new bonus content that reveals the film’s iconic legacy as one of the greatest crime sagas of all time. For a limited time only, the Scarface Special Limited Edition Blu-rayTM comes with collectible SteelBookTM packaging, 10 exclusive art cards, a digital copy of the film and a DVD of the original 1932 Scarface, making it a must-own addition to every film fan’s library. And, for the ultimate collector and cigar enthusiast, an elegantly hand-crafted Scarface-themed humidor will also be made available in an exclusive, never-before-available, limited edition.

Ted Faraone

By

2011/07/29 at 12:00am

Attack the Block

07.29.2011 | By |

Attack the Block

Other than the accents, the thing that may most differentiate British sci-fi pic “Attack the Block,” from its American counterparts is a relative lack of firearms.  It was only a few years ago that the British copper began to carry a gun.  Clubs were sufficient for generations.  Otherwise, American filmmakers could learn something from this contemporary tale of space-alien invasion of Earth.

Like “Cowboys & Aliens,” it has elements of a morality tale.  It also offers suspense, crime, an unlikely band of street rabble forced to save the planet, and a good deal of understated, classically British, comic relief.  It is not, however, a comedy as it is billed.  But it does have “coming of age” elements, which actually work.

Title will make little sense to American auds.  In UK, a “block” can mean many things.  In this case it refers to a subsidized apartment house, what the Brits call a “block” of “council flats.”  The block is turf to two gangs, a group of teen and pre-teen thugs led by Moses (John Boyega), whose weapon of choice is the knife, and whose mode of transport is the bicycle, and a rather more lethal bunch of drug dealers who are a generation older.  The two gangs come into conflict by accident of alien invasion.  Auds can guess which gang lives to tell the story.

Pic opens with Sam (Jodie Whittaker, who played opposite Peter O’Toole’s Maurice in “Venus” a few years ago) about to be mugged by Moses and his juvenile delinquent gang.  The mugging is interrupted by what looks like a meteorite but is in fact a space alien landing on a parked car.  It’s an ugly thing but not quite as awful as the creatures from “Cowboys & Aliens.”  Moses and the gang slay the thing and parade it around as if it were a prop.

All well and good until its mates come looking for it.  These nasty creatures are eyeless, black, hairy blobs who jump higher than an Olympian, scale tall buildings, and tear the guts out of their human victims.

The attack of the killer blobs leads to a couple of plot twists.  First, it brings about an encounter, founded on a misunderstanding, between Moses’ gang and the older drug dealers.  Second, it puts Moses gang into an almost guerilla mode as they flee to safety in the block’s “weed room,” a reinforced indoor greenhouse for growing marijuana.

For all his bravado as a delinquent, Moses is not exactly the bravest of guerilla fighters.  One of pic’s amusing subplots is Moses’ coming of age.  Another amusing subplot is provided by a couple of small kids, aged seven or eight, who show just what a super soaker can do to nasty space aliens.  The main plot, however, as with “Cowboys & Aliens,” lies in the alliance between erstwhile enemies in the face of greater danger.  Sam joins the teen gang.  The girls of the block get involved in fighting the aliens, too.  Even the geek, who come in for special bullying by Moses & Co. provides a critical plot twist and is eventually accepted as one of the in-crowd.  The plot twist is deceptively simple:  It seems, he points out, that the alien slain by Moses is a female.  The hairy blobs are males.  Moses and Co. have the female pheromones all over them.  That is what attracts the hairy blobs.  Auds can figure out the rest as Moses steps up to the plate in an action of almost commando precision.

Pic’s fall guys are the older drug dealers and the cops.  The latter can’t seem to get anything right, even a space alien invasion, which they see with their own eyes.

Unusual for British import, “Attack the Block” can be understood by American ears.  Sound recording is adequate.  Action takes place in one night, which is a money-saving device for filmmakers.  An abundance of night cuts the cost of set design.  Lensing by Thomas Townend is up to par.  Writer-director Joe Cornish helms with a steady hand, and pic is littered with ironic punch lines delivered in deadpan.  How English!  Kudos to Jonathan Amos for keeping pic down to 88 minutes in the cutting room.  Action, which abounds, is convincing, if a tad bloody.  Special effects lack the razzle-dazzle a Hollywood effort would offer, but it is not missed.  The aliens get their point across without it.

“Attack the Block” is rated R, largely for language and violence.  Sex is implicit rather than explicit.  The rating is a joke.  Today’s kids would love it.  Pic offers nothing they have not already seen in a video game.

Estelle Gonzales Walgreen

By

2011/07/29 at 12:00am

Smurfs vs. Los Pitufos: Why The Spanish Translation?

07.29.2011 | By |

Updated: January 16, 2024

Depending on what part of town you are from or what language your TV is talking to you in, you’ve heard the name ‘Los Pitufos’. Confused? Well, think of one of the most popular brands in kid’s entertainment and think of 500 million chotchkies sold worldwide with the Pitufos image that includes blue bottled water. Yes, it’s none other than The Smurfs, the beloved characters with a recurring role in children’s hearts, whose long-awaited movie opens today. Thanks to the youngsters en mi familia and their screeches about Pitufos, I realize the Smurfs I grew up with and their Pitufos were one and the same. Read More

Ted Faraone

By

2011/07/28 at 12:00am

Cowboys and Aliens

07.28.2011 | By |

Cowboys and Aliens

Helmer Jon Favreau seems to have found his métier as a director of sci-fi flicks.  That may be good for his bank account, but not so good for auds.  Favreau is a very talented guy who has done just about everything that one can do in film and largely done it well.  A few box office hits in the sci-fi genre with bankable stars in the cast (Iron Man and Iron Man 2) have shown him the light.  It’s not exactly the headlight of an oncoming train at the end of the tunnel, but he could do better.

Cowboys & Aliens, which opens Friday, July 29, is a silly movie.  That is not to say that it isn’t fun to watch.  Even the 1936 propaganda film, “Reefer Madness” (a.k.a. Tell Your Children) offers a degree of amusement.  But watching “Cowboys & Aliens” is akin to ordering from a Chinese buffet menu — One from column A, two from column B.  Pic is a blend of clichés from high-tech sci-fi pix (think “Aliens,” “Priest,” and “Super 8”), a morality tale, and a western, topped off by a sucker-punch to auds delivered by a hummingbird.

It also stars Daniel Craig as bandito Jake Lonnergan who has a bad case of amnesia and Harrison Ford as former Union Army Civil War Colonel Woodrow Dolarhyde and current local cattleman and padrone of a one-horse town in the wild American West of 1873.  In other words, it was bankable.  Dolarhyde is a greedy bastard who has trouble showing emotion.  He also has a son, Percy (Paul Dano) who is the local bully.  Keith Carradine is perhaps one of pic’s two or three most convincing thesps as the local sheriff.  And Olivia Wilde graces the screen as a good space alien — which explains why her eye makeup withstands explosions, physical attack by bad space aliens, and plunges into deep water.  Max Factor, eat your heart out!  At least she gets a better part than she had in “Priest.”

Throw in a cast of thousands including a plucky kid (Noah Ringer), a loyal dog, a tough-talking minister (Clancy Brown), and an Indian chief (Raoul Trujillo), and a bunch of bad space aliens who look like a cross between the thing from “Super 8” and the acid-blooded creatures from “Aliens,” and shake until the mixing glass is frosty.  You get a movie of sorts.

What little humor “Cowboys & Aliens” offers comes from some deadpanned punchlines uttered by Craig, Carradine, and Brown.  Dialogue is not pic’s strong suit.  Best lines seem to go to Trujillo who allegedly speaks only in the Apache language.

There is a moment in an adventure or crime movie when an experienced filmgoer will say to himself — or to the very attractive and incisive amateur critic seated to his left), “I knew that was going to happen.”

“Cowboys & Aliens” has more than a few.

Pic opens with a wounded Craig waking up in a desolate landscape wearing an odd metal bracelet and being set upon by a trio of bad guys.  He dispatches them with super-human dispatch, a gift which serves him well throughout pic’s 118 minutes.

Arriving in the one-horse town, he dispatches the local bully and gets the attention of gun toting Ella (Wilde) and the sheriff, who recognizes him from a “Wanted” poster.  What Craig doesn’t remember is that he has stolen gold from Ford and that he was abducted and escaped from the bad space aliens.  Evidently amnesia is one of the after-effects of alien abduction.

Just as Craig and Percy the bully (who accidentally shoots a deputy) are about to be handed over to U.S. Marshalls, Ford arrives to spring his kid.  At the same time, the bad aliens attack the town with what appear to be jet fighter-bombers.  In the process they kidnap about half the inhabitants.

The rest of pic centers on a few revelations (Craig’s memory slowly returns thanks to Ella and some Indian mysticism) and the need for banditi, greedy guys, a good space alien, and the Apache to join forces to defeat the aliens before the planet is taken over for its gold deposits.  The bad space aliens arrived on a rocket-powered space ship which contains both gold mining and refining equipment.  Like Nazis, they even pull the gold teeth from their captives.

Ending is totally predictable.  Harrison Ford’s shell cracks.  The “Wanted” poster is forgotten.  The bad aliens appear to be dispatched, some good guys die heroic deaths, and the plucky kid comes of age early.

Pic’s sucker punch comes in the form of a hummingbird, a special-effects hummingbird, no less, connected to Ella, which appears to Craig first as he regains his memory and again in the final reel only to scream a figurative “sequel!”

“Cowboys & Aliens” offers more than a few good action scenes.  Special effects, save the bad aliens, are not bad.  Best effect is Wilde emerging buck naked from a funeral pyre set for her by the Apache.  In order to keep pic’s PG-13 rating Craig covers her with an Indian blanket before any more than her fine backside appears on screen.  Have no fear in taking the kids.

The morality tale, utterly politically correct in today’s climate, is that greedy people have to set aside their greed and unite with their erstwhile enemies for the common good.

A final note:  “Cowboys & Aliens” boasts a list of writers, producers, executive producers, and production companies almost as long as its cast of thousands.  With that many cooks, it is no wonder that the stew verges on mish-mash.

Jack Rico

By

2011/07/28 at 12:00am

Is Jayma Mays the nicest celebrity in Hollywood?

07.28.2011 | By |

Nice and humble are rarely two words used to describe any celebrity in Hollywood, but Jayma Mays might take the cake.

In an interview I did in New York City recently for ‘The Smurfs‘ movie, I had a chance to chat with Jayma Mays and ‘it’ guy, Neil Patrick Harris (yes, he’s still Doogie Howser M.D to me). I asked them both about their thoughts of their careers up to this moment. Mays began by saying that this film was “a big deal” to her. But later on she gave me an answer that not only floored me along the Columbia Pictures staff in the room, but also Neil, who could only riposte with a rib-hurting remark. Was she for real or did she yuk it up for the cameras? After all, they are actors. But no, she was for real and as sincere as you could possibly be.

My hats off to Jayna Mays for having the ‘gaul’ to be true to her modest and self-effacing self to answer, what must go down as, the most humble answer in the history of interviews. You’ll never hear another celebrity EVER say what she said. Take a look for yourself and be the judge.

Jack Rico

By

2011/07/21 at 12:00am

Ted Faraone

By

2011/07/21 at 12:00am

Friends with Benefits

07.21.2011 | By |

Friends with Benefits

It is sometimes amazing to see a well-worn Hollywood formula repackaged for the umpteenth time and still work.  Such is the case of “Friends with Benefits,” a star vehicle for Justin Timberlake (art director Dylan) and Mila Kunis (headhunter Jamie).  Before the opening titles there are two breakups:  Dylan’s girl in LA dumps him and Jamie’s boyfriend in New York dumps her — just as both are dragging their tardy guys to their favorite chick flicks.  Via a cute bit of editing (kudos to Tia Nolan) auds are led to believe briefly that it is one breakup — Dylan and Jamie — until the bi-coastal synchronicity sets in.  Both battle scarred veterans retire from the field.  No more romance for them.
 
Jamie lures Dylan to New York for a job interview to be the new art director of GQ Magazine.  He aces the interview.  The pair become fast friends — as in we like each other but there’s no sex.  That changes when Jamie utters, “God!  I want sex.”  Can two great friends have a sexual relationship that is “no relationship, no emotions, just sex, whatever happens?”  Auds will quickly figure out the answer.  As Stephen Sondheim wrote in one of the lyrics to A Little Night Music, eventually the nets descend.  The questions for “Friends with Benefits” are “How long will the arrangement last?”, “When will the nets descend?”, and “What happens after the inevitable breakup?”
 
While skein is busy answering said questions, pic reveals itself as a valentine to New York City, which is as much a character as any of the cast.  In the opening reel Jamie takes Dylan on a tour of New York to sell him on leaving LA.  It’s full “fish out of water” Angelino in Gotham jokes, but it works — both cinematically and as a plot device.  Dylan is sold.  Good thing, too, because by the time they get to the “just sex” part, pic is on to its second reel.
 
It’s nice to see Timberlake in a non-smarmy role, which he handles convincingly, but it is Kunis who steals her scenes as the tough, fast-talking, wisecracker.  Supporting roles are notable.  Patricia Clarkson does a star-turn as Jamie’s goofy, ex-hippie mom wherein there is a running gag about the nationality of Jamie’s dad.  Woody Harrelson has the unenviable task of being comic relief in a comedy.  His over-the-top gay sports editor sports more cliché gay jock jokes than your critic imagined exist.  To his credit, he plays the role big, bold, and farcical — think of Zach Galifianakis minus the annoying aspects.  Richard Jenkins as Dylan’s dad suffering the early stages of Alzheimer’s Disease and Jenna Elfman as sister Annie anchor pic’s serious scenes.  Jenkins comes across as sympathetic rather than pathetic.  Elfman has the least to work with but does well with what scribes Harley Peyton, David A. Newman, Keith Merryman and Will Gluck (who also directed) give her as the primary caregiver for dad and her son, a ten-year-old tuxedoed magician (Nolan Gould) whose trick failures are another one of pic’s myriad running gags.  In this regard “Friends with Benefits” bares careful scrutiny.  There are no loose ends.  Everything that happens in the picture happens for a reason and will probably happen again to move the plot along — or at least leave auds saying, “I knew that was coming.”  Sharp-eyed viewers will notice Paul Mazursky’s 1969 sexual revolution comedy, “Bob & Carol & Ted & Alice,” unspooling on a TV in the background of one scene.  It is one of pic’s many inside-film references.
 
Plot hinges on the overheard conversation, a truly shopworn device, but it gets the point across.  Jamie, unseen by Annie and Dylan, listens to Dylan argue with his sister that there is no relationship between Jamie and him; that the girl is damaged goods.  This leads to the inevitable breakup which takes place on Independence Day weekend at Dylan’s oceanfront boyhood home in what appears to be Santa Barbara.
 
Rest of pic’s 109 minutes are spent keeping auds guessing whether it will end as a romantic comedy (“Before Sunset”) or a weeper (“The Break-Up”).  Dénouement’s impetus comes from two characters both unlikely given their backgrounds and at the same time very likely given Hollywood tradition:  The parents.  Jenkins’ Mr. Harper in a lucid moment, punctuated by a perfectly timed gag, clarifies Dylan’s thinking.  Goofy, unreliable Lorna (Clarkson) does likewise for Jamie.  This plot trick has been done to death, but here it enjoys a resurrection.
 
“Friends with Benefits” is rated R.  For once the R rating is right.  There’s plenty of language and some pretty hot sex.  Children won’t understand it.  However, for adults it offers good lensing, adequate sound, and about a laugh a minute — even in the serious scenes.

Jack Rico

By

2011/07/13 at 12:00am

Harry Potter and the Deathly Hallows: Part 2

07.13.2011 | By |

Harry Potter and the Deathly Hallows: Part 2

‘Harry Potter and the Deathly Hallows: Part 2’, the final installment of the most profitable film series in history, is not only the preeminent work of the saga, but it is one of the top ten films I have seen so far in 2011. The film is so well crafted I had to see it twice. And for those who think I am an obsessed zealot, my statement comes from a critic who has never read any – not one – of the tomes. I am clearly not a ‘pothead’, as hardcore Potter fans are referred to. You don’t have to be a fan of the books to appreciate it, it stands alone as a fantastic and entertaining film that one can understand and enjoy. This is not a good movie, this is a great movie and great movies need to be recognized for their artistry come award season. ‘The Deathly Hallows: Part 2’ should be considered as a Best Picture contender come the Oscars next year and should clearly score nods for Best Art Direction, Best Cinematography, Best Director, Best Original Score, Best Sound Mixing, Best Visual Effects and Best Adapted Screenplay. In the same way ‘The Lord of the Rings: The Return of the King’ won the top prize in 2004, ‘Potter 8’ should go out with a bang.

‘Harry Potter and the Deathly Hallows: Part 2’ is an action drama that is entertaining, intriguing and emotionally transfixing. Part 2 picks up where Part one’s quasi-epic-finale ends with Voldemort obtaining the Elder’s Wand from the coffin of Dumbledore. Potter needs to find three more horcruxes to kill his archenemy, but before he does that, our boy wizard will need the help of his friends, Hermione and Ron, to get back to Hogwarts and face old friends that are now traitors and discover the truth that will change his life forever. However, things won’t be easy, the battle between the good and evil forces of the wizarding world escalates into an all-out war and many loved friends die. It is Harry Potter who may be called upon to make the ultimate sacrifice as it all ends in a climactic showdown with Lord Voldemort for the future of Hogwarts and ultimately the world.

Throughout the last decade, beginning with director Christopher Columbus, these installments have at one point or another been nominated for many Oscars, particularly in the technical field. But none of them never have deserved the best film prize – until now. It is hard for movies with great commercial success to have a place amongst the best come award season, but that mentality is slowly changing. For example, Avatar recently did it and it was in 3D. So it can be done, but for the purposes of this argument, I’ll limit myself to Peter Jackson’s ‘The Lord of the Rings’ trilogy as source material. The parallels between the ‘Harry Potter’ series and Jackson’s three epic offerings have gone on for many years amongst connoisseurs. They are both considered Hollywood blockbuster films with gargantuan production budgets, they rely heavily on visual effects to bring to life their stories, their genres are also the same – action, drama, epic fantasies – and even the narratives stand on themes of underdog characters predestined to fight the ultimate battle of good versus evil. So if LOTR can win Best Picture, why can’t ‘Harry Potter and the Deathly Hallows: Part 2’?  The premise was as exhilarating and gripping as I can remember any movie this year, the special effects were once again dazzling, the soundtrack by Alexandre Desplat (The King’s Speech) set off chills, the script by Steve Kloves was an emotional and moving coaster ride, the direction of David Yates was managed with great skill, and even though no one actor will be nominated for an Oscar for their work, neither were the ones for ‘Lord of the Rings’, except Ian Mckellen, once. The year is young and we must await for the fall movies to be released in order to judge Potter’s sustainability amongst its competition, nevertheless, it must be part of the conversation.

Why it took the producers of the Potter series 8 movies to get the mix right might be attributed to these sequels not providing real conclusions which take a toll on a persons tolerance. You can also argue that most of the previous seven films were slow paced and, dare I say, boring. However, all the ingredients have come to fruition on this final chapter including the acting skills of the beloved protagonists. Daniel Radcliffe, Emma Watson and Rupert Grint have come a long way since being pre-adolescents and they deliver wonderful and demonstrative performances that will manage to extract a tear or two from more than one spectator or fan.

I had the privilege of seeing the movie at the New York red carpet premiere and then again the next day at the Lowes Lincoln Square IMAX theater (which holds the largest IMAX screen in the world after Australia). Both were presented in 3D, but the 3D visuals were modest at best in the standard 3D screening during the premiere. Much of it probably had to do with the movie being converted to 3D in post-production as opposed to being shot in 3D. This ‘backdoor’ process usually provides a dull and dim experience too many who see it, but that wasn’t the case in the IMAX theater. The colors were so much more pristine and the 3D conversion was barely felt. It looked impressive. So if you’re looking to see it in 3D, make sure you see it in an IMAX screen, preferably the one in the aforementioned theater.

If ‘Harry Potter and the Deathly Hallows: Part 2’ is truly the last we will ever see of the cast and its crew then it was an unforgettable farewell to all of those who have stood by them throughout all these years. When we look back 10-20 years from now, hopefully we can all look admirably at this franchise with awe, and in particular, highlight this last film as the best of the series, and perhaps, one of the best films of 2011.

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