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The Latest in ShowBiz News

Mack Chico

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2009/06/25 at 12:00am

The Oscar’s: From 5 there will be 10

06.25.2009 | By |

The Oscar's: From 5 there will be 10

And the winner is… well, actually there are lots of winners with the decision to broaden the best-picture Oscar race to 10 films.

The board’s decision to double the category to 10 nominees “may make it more interesting and less cloistered,” said Academy of Motion Picture Arts & Sciences prexy Sid Ganis at a press conference Wednesday morning.

Ganis speculated that the longer list could include a documentary, foreign-lingo film, animated feature and, he deadpanned, “maybe even a comedy.”

The expansion to 10 slots increases the chances of films in those three categories, which have long been eligible for best-pic bids but may have missed out because they have their own categories, as some Oscar voters have said in the past. And indie films gain, because there’s more room for “little” movies.

The other big winners could be the TV audience — and, by extension, the Academy — if the expanded list includes more populist fare. And it can’t hurt that more films will be in line for a potential Oscar bump at the box office.

What’s more, one Acad member in the know predicted that this change is just the first in Oscar’s world.

Ganis’ “less cloistered” observation was a deftly phrased acknowledgment that the org has been charged in recent years with being elitist in some of its choices. After the 2008 noms came out, many media pundits, industry workers and film fans bemoaned the omission of such crowd-pleasing films as “The Dark Knight” and “Wall-E.”

Conventional wisdom says that when well-known films are nominated, such as “Titanic” or “The Lord of the Rings,” ratings for the Oscarcast rise. As for answers to other questions being asked around town Wednesday:

  • The foreign-language, feature doc and feature toon races will not be affected.
  • The nomination ballot will have space for 10 entries instead of five. That’s the only change, and the awards schedule will remain the same, since PricewaterhouseCoopers won’t need more time to count ballots.
  • Acad execs said they don’t feel the move will add significantly to the running time of the show, and the idea of cutting some categories from the telecast didn’t even come up.
  • No other categories — such as director — will be expanded to 10 nominees.

One awards pundit said the move makes the director race the one to watch, since it’s still five slots and could be a better indicator of the favorites. (However, it’s rare when the five director nominees exactly mirror the pic race.)

On Wednesday, many kudos vets were surprised but positive about the change. A few had qualms: The Acad will need more seats for more nominees, and the additional best pic clips could add to the ceremony’s running time. A few skeptics worried that the voters may have to scrounge around to come up with 10 worthy films (unlikely, since about 300 films qualify annually).

And one pundit said that with 10 nominees, a pic could win with only 11% of the vote.

That’s absolutely true. But a close race among 10 films is unlikely, and in the past, with five movies, there always seemed to be two or three front-runners. (The PWC accountants are too discreet to ever reveal how close or lopsided some of the races have been.)

Asked whether “Dark Knight” was a factor in the move, Ganis said that many titles were mentioned in the post-mortem, including that one.

“We’ve been mulling what we can do to make everything more valid,” Ganis said.

Though the move sounds radical, Ganis began his remarks at the confab by saying that the Academy is returning to an old tradition — a fact emphasized by two posters flanking him that gave the titles of the 10 best-pic contenders for 1939. The titles showed the breadth of choices, including “Gone With the Wind,” “Love Affair,” “Stagecoach” and “Mr. Smith Goes to Washington.”

The Acad had 10 pic nominees between 1931 and 1943.

Every year, an AMPAS awards committee does a post-mortem on lessons learned from the recent show. Ganis said this year’s Oscarcast producers Bill Condon and Laurence Mark suggested to the committee that it would be great if “the spectrum was wider” for best-pic contenders. Ganis said some at the Academy had been thinking the same thing, invoking the ’39 race. (The org is currently doing a tribute to those 10 contenders.)

It’s likely that Acad honchos were particularly receptive to Mark and Condon’s ideas since they came in the wake of their show, which changed the DNA of the Oscarcast by jettisoning many old traditions — which resulted in a positive reaction and improved ratings. And those changes opened up a lot of possibilities elsewhere.

Acad exec director Bruce Davis said Wednesday that the awards-review committee was enthused by the expansion of the best pic nominees. There were no dissenting votes at the board meeting held Tuesday night, Davis said.

Mack Chico

By

2009/06/25 at 12:00am

Alex Florez

By

2009/06/24 at 12:00am

Transformers: Revenge of the Fallen

06.24.2009 | By |

Rated: PG-13 for intense sequences of sci-fi action violence, language, some crude and sexual material, and brief drug material.
Release Date: 2009-06-26
Starring: Ehren Kruger, Roberto Orci
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.transformersmovie.com/

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Transformers: Revenge of the Fallen

‘Revenge of the Fallen’ falls somewhere between ‘American Pie’ and ‘Terminator’.  Yes, I know that covers the gamut of movie genres, but that’s exactly the situation at hand.  Director Michael Bay’s follow up to the blockbuster film based on Hasbro’s action figures, is clearly targeting the graduating class of 2009.  School is out, summer is in and screenwriters Roberto Orci and Alex Kurtzman turn the first half of the movie into a teen-sex comedy, something most fans of the original cartoon series from the 80s won’t really care for.  But somewhere beneath all the sophomoric double entendres, lies a story-line with the potential of whipping fanboys into a frenzy by shedding light onto the ancient origins of the Transformers.

Optimus Prime, leader of the ‘Autobots’ (the good ones), is the ultimate hero to rally around but it is Sam Witwicky (Shia LeBoeuf) the boy responsible for discovering the alien race, who will hold the fate of the world in his hands.  Together with the help of the humans, the ‘Autobots’ engage in a battle of biblical proportions against the evil ‘Decepticons’.  The action here is certainly impressive and the special effects out of this world but it is difficult to enjoy when you can’t quite tell what’s going on – also my biggest concern with the first film. With the exception of Optimus Prime, the hot-rod semi-truck and Bumblebee, the golden Camaro, telling some of these robots apart is a mounting challenge especially during combat scenes.   

At the end of the day, there’s a lot of fat that can be cut out of the film to make it a leaner action-packed extravaganza. I’d start by eliminating a series of extraneous characters that add very little.  John Turturro as Agent Simmons, for instance, feels as out of place as the late Richard Pryor in ‘Superman III’.  And we all know how that franchise turned out. 

 

Mack Chico

By

2009/06/24 at 12:00am

Jessica Alba & Robert Rodriguez to hook up for ‘The Insiders’!

06.24.2009 | By |

Jessica Alba & Robert Rodriguez to hook up for ‘The Insiders’!

Is it not enough that Jessica Alba has already played iconic comic book characters in “Fantastic Four” and “Sin City“? Apparently not, as rumors swirl today about her involvement with yet another paneled page property.

ICv2 is reporting that Alba has acquired the screen rights to a French comic book series titled “The Insiders.” The news originated from “various French language Websites,” which also pegs Alba’s “Sin City” director Robert Rodriguez as her partner in securing the comic’s film rights.

“The Insiders” first debuted in 2002 from Jean-Claude Bartoll and Renaud Garreta, yielding seven volumes of the series in France with an eighth scheduled for this October. In the same month, Americans will also see the first volume of “The Insiders” titled Chechen Guerilla — perhaps a move to familiarize stateside audiences with Alba’s upcoming character.

Should the rumors pan out, Alba would play Najah Cruz, a Columbian woman with “the weapons expertise and combat skills of a James Bond.” In the series, Cruz is tasked with infiltrating a crime syndicate on behalf of the United States government, where she ultimately works her way into becoming the lead criminal’s body guard.

Given the long delays in “Sin City 2” and reports that a “Fantastic Four” reboot is in the works sans the original cast, Alba could be without a comic book franchise to call her own — which is why turning to “The Insiders” could be a strong move for an actress looking to stick with the genre.

On top of that, Alba’s first high-profile gig came in the form of “Dark Angel,” a James Cameron-produced television series where she played a hard-as-nails soldier of the same ilk as Najah Cruz. Truly, starring in “The Insiders” would be a return to form for the young actress.

Jack Rico

By

2009/06/23 at 12:00am

Confessions of a Shopaholic

06.23.2009 | By |

Rating: 3.0

Rated: PG for some mild language and thematic elements.
Release Date: 2009-02-13
Starring: Tracey Jackson, Tim Firth
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.shopaholicmovie.com/

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‘Confessions of a Shopaholic’ has a simple story line with an adorable and charming protagonist and an uplifting and empowering kick to it. It’s a mix between the charm of ‘Legally Blonde’ and the glitz and glam of ‘The Devil Wears Prada’.

Based on the novel “Confessions of a Shopaholic” by Sophie Kinsella, the plot has a college grad (Isla Fisher) landing a job as a financial journalist in New York City to support her shopping addiction. She then later falls for a wealthy entrepreneur (Hugh Dancy), but there are some trip ups along the way.

The film is a romantic comedy that is more comedy than romance. It’s target audience is  transparently women who live in cities and have a slight addiction to shopping. The plot has many ridiculous notions in it which is why the overall appeal isn’t engaging, unlike its lead actress who is by far the best the movie has to offer. The rest of the cast which includes the likes of Joan Cusack, John Goodman, John Lithgow and – are you ready for this? –  Kristin Scott Thomas as the french editor of a high power fashion magazine, are too talented for the film. This only reaffirms our suspicions that the economic recession affects ALL of us.

The backdrop of New York City is once again a film co-star and it’s hard to argue why. There is something to be said about a New York romantic comedy, it exudes an energy and allure that is almost impossible to match.

If you want to laugh, giggle and hug your significant other this Valentine’s, this is film will do the trick!

Jack Rico

By

2009/06/22 at 12:00am

Inkheart

06.22.2009 | By |

Rating: 2.0

Rated: PG for fantasy adventure action, some scary moments and brief language.
Release Date: 2009-01-23
Starring: David Lindsay-Abaire
Director(s):
Distributor:
Film Genre:
Country:UK, Germany, USA
Official Website: http://www.inkheartmovie.com/

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Brendan Fraser’s new family adventure film ‘Inkheart’ has no heart at all, just ink on 120 pages of a script. The concept and premise are alluring, but it never delivers more than a basic and elemental movie experience. Instead of engaging the senses, the film only provides apathy. In addition, the film targets infant and juvenile audiences, but makes no excuses in its exclusion of adults. Parents beware, you are going to have a hard time maintaining any interest after the first 15 minutes.

The story focuses on a young girl (Eliza Hope Bennett) who discovers that her father (Brendan Fraser) has an amazing talent to bring literature characters to life and must try to stop a freed villain from destroying them all, with the help of her father, her aunt (Helen Mirren), and a storybook’s hero (Paul Bettany).

The acting is neither uproarious nor dreadful, just bland. Fraser gives you the ol’ nice guy acting he consistently does well, young newcomer Bennett shows potential and Mirren and Bettany are too good for the film – and it is noticeable.

The demise of ‘Inkheart’ comes at the misuse of its premise, the director Iain Softley could have trounced us with creativity, it also manipulated the laws of storytelling to suit the story’s shortcomings and the it had the inconsistencies of a stale and uninspired script.

It’s interesting to note, the movie’s message is to have us indulge in the journey of our imagination, but all it achieves is to be lifeless and forgettable.

Pau Brunet

By

2009/06/22 at 12:00am

Monday Box Office – "The Proposal" is #1

06.22.2009 | By |

Monday Box Office - "The Proposal" is #1

Walt Disney Co.’s romantic comedy “The Proposal” debuted as the top film in the U.S. and Canada over the weekend, as star Sandra Bullock’s best-ever opener gave the company its second No. 1 movie in a month.

“The Proposal” had $34.1 million in ticket sales, researcher Hollywood.com Box-Office said yesterday in an e- mailed statement. Time Warner Inc.’s “The Hangover” slipped to second with $26.9 million, while “Up” from Disney’s Pixar Animation Studios had $21.3 million in receipts.

The two Disney movies have brought in a combined $258.2 million since the animated 3-D feature “Up” opened at No. 1 four weeks ago. Bullock is identified with romantic comedies, and “The Proposal” gave audiences exactly what they went for, said Brandon Gray, president of Box Office Mojo in Sherman Oaks, California.

“Sandra is probably an underrated star, because she’s one of the few who can actually draw an audience when she’s in the right movie,” Gray said. “A lot of movies suffer from a lack of clarity or a lack of information in their advertisements, but ‘The Proposal’ was on point and promised a rollicking romantic good time for all.”

In “The Proposal,” Bullock plays an executive who faces deportation to her native Canada. She tries to fool U.S. immigration authorities by having her assistant, played by Ryan Reynolds, pose as her American fiancé. Gitesh Pandya, editor of Box Office Guru LLC, projected the film to earn as much as $22 million in its debut weekend.

‘The Hangover’

The top 12 films this weekend grossed $140.7 million, up 1.64 percent from a year earlier, Hollywood.com said. Ticket sales for all films rose 2.85 percent to $147 million.

“The Hangover,” a comedy about the aftermath of a bachelor party gone awry in Las Vegas, was the top film the two previous weekends. It has taken in $152.9 million since it opened on June 5.

“‘The Hangover’ is like a hangover; it just won’t go away,” Gray said. “It’s one of the great box-office successes of the year.”

“Up” is Disney’s most successful film this year with $224.1 million in receipts since its May 29 release and has helped lift the studio from last place among its Hollywood peers. The movie, featuring the voice of Ed Asner, drew family audiences with its story of an accidental friendship between a young boy and an elderly man who finally achieves his dream of foreign travel.

‘Pelham 1 2 3’

“Year One,” from Sony Corp., debuted in fourth place with $20.2 million. The film stars Jack Black and Michael Cera as hapless hunter-gatherers kicked out of their tribe for violating a taboo. Their wanderings lead to run-ins with Cain and Abel and other Old Testament figures. “Year One” was forecast by Pandya to generate $20 million in sales.

Sony’s “The Taking of Pelham 1 2 3,” starring Denzel Washington and John Travolta, fell to fifth from third with $11.3 million.

Sony Pictures Classic’s “Whatever Works,” by director Woody Allen, took in $280,720 in nine theaters, the best limited-release opener this year, according to Paul Dergarabedian, an analyst at Hollywood.com Box-office. The per- theater average of $31,191 was triple the $11,163 for “The Proposal.” The film will expand into more than 300 theaters on July 3, according to Dergarabedian.

‘Transformers’

A comedy led box-office sales for a fifth consecutive weekend. That may end next week when Viacom Inc. releases “Transformers: Revenge of the Fallen,” a sequel to 2007’s “Transformers.” Advance sales for the sequel were ahead of the first film by a 3-to-1 margin as of June 17, according to online vendor MovieTickets.com.

The movie, which opens June 24, has the potential to gross more than $200 million in its first seven days, nearing the record $238.6 million set by “The Dark Knight” in July 2008, Gray said.

The original “Transformers,” released in 2007, opened with $70.5 million and took in $708.3 million worldwide, according to Box Office Mojo, which tracks receipts.

The following table has figures provided by studios to Hollywood.com Box-Office. The amounts are based on actual ticket sales for June 19 and June 20, and estimates for yesterday.

Jack Rico

By

2009/06/19 at 12:00am

The Proposal

06.19.2009 | By |

Rated: PG-13 for sexual content, nudity and language.
Release Date: 2009-06-19
Starring: Pete Chiarelli
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://touchstone.movies.go.com/theproposal/

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The Proposal

The Proposal is a formulaic romantic comedy that offers nothing remotely fresh or new while following a very predictable outcome. For some people, that’s enough. Some will think its enough, but  the film is mediocre at best and hoping its anything else are just false expectations. 

Not much in the sense of a plotline – A pushy boss (Sandra Bullock) forces her young assistant (Ryan Reynolds) to marry her in order to keep her Visa status in the U.S. and avoid deportation to Canada.

It should not be considered a spoiler to reveal that the two actually fall in love. After all, that’s the point of the movie, and the only reason any percentage of the population will see it. (Also, once you’ve watched the three-minute trailer, there is no point in seeing the 108-minute film – not only does the trailer tell the whole story, but it includes all the best comedic material.)

The problem, which I alluded to earlier, is that the romance falls flat. It has nothing to do with chemistry. Bullock and Reynolds don’t burn up the screen, but they’re nice enough together. The movie doesn’t give us enough to go on to believe that these two have fallen in love. Those who buy it will do so because the formula demands it, not because the movie has succeeded in closing the sale.

There are some funny moments, chief of which is the overhyped “nude” scene in which Margaret, fresh from the shower and wearing nothing (but with arms and hands strategically positioned so the rating can remain PG-13) collides with an equally in-the-buff Andrew. It’s more amusing than laugh-aloud funny, and it’s about as naughty as things can get without crossing the line into R territory. Most of The Proposal‘s jokes are like that in that they provoke smiles and chuckles but fail to generate any really good laughs.

The cast isn’t populated by heavyweights. It has been a while since Sandra Bullock has been in the fast lane, and it’s been about a decade since she was a prime romantic comedy actress. Ryan Reynolds, who showed flashes of genuine talent in Adventureland, is back to phoning it in. (Although, to be fair, his flummoxed expression when Andrew “learns” he’s engaged to Margaret – which carries through more than one scene – is possibly the film’s funniest element.) 

The Proposal will give you a bland taste of romance this weekend. We rather you cozy up to one of the classic Tom Hank romantic comedies on DVD this weekend than endure the regurgitated, cardboard taste of The Proposal.

Jack Rico

By

2009/06/17 at 12:00am

Friday the 13th

06.17.2009 | By |

Rating: 2.5

Rated: R for strong bloody violence, some graphic sexual content, language and drug material.
Release Date: 2009-02-13
Starring: Damian Shannon, Mark Swift
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: www.fridaythe13thmovie.com

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Cinematically, ‘Friday the 13th’ is an awful film parceled with some terrible acting, an uninspired script and unimaginative direction…but god damn was it fun! And that’s what these movies are all about – zoning out, laughing out loud with your buddies and enjoying an innocuous time at the theater.

Relating this premise to you is useless since there really isn’t one to relate. It possesses all the cliches of hundreds of slasher films: bare breasts, gruesome decapitations and laughable dialogues. Not mush else to it. The producers missed a big chance to create something special with Jason and his origins.

 

The first 15 minutes are perhaps the best the film has to offer since it’s very fast paced, but then it slows down and any tension that was established is doused. Nevertheless, it is fun and that’s what people who watch these type of films are looking for.

Jack Rico

By

2009/06/17 at 12:00am

Year One

06.17.2009 | By |

Rated: R for some sexual content and language.
Release Date: 2009-06-19
Starring: Harold Ramis, Gene Stupnitsky, Lee Eisenberg
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.yearone-movie.com/

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Year One

‘Year One’ was a big yawner, actually, I’m being too nice, it’s competing with ‘Land of the Lost’ for worse movie of the year. The idea of Michael Cera playing a caveman is not funny, just bad, and once again I see myself writing a consistent review on Jack Black, “he has got to be one of the most annoying comedians in Hollywood”. The film has several funny moments at the beginning, but dies out halfway through. It has no real grasp of where its story is going; it feels lost and all over the place.

The premise of ‘Year One’ looked bad from the start – two cavemen buddies (Jack Black and Michael Cera) in ‘year one’ of Earth set their sites to explore the world and end up living the Genesis and subsequent chapters of the Holy Bible – well because of them, holy no longer.

Harold Ramis, one of the original Ghostbuster actors, has teamed up with Judd Apatow (who is producing) to direct this fragmented film which has to do more about the Bible and religious jokes than the primitive man. Indie director Kevin Smith, once experimented with the comical side of religion with a film called, ‘Dogma’ starring Matt Damon and Ben Affleck and it went nowhere fast at the box office. I wonder what will happen with this one? (exuding sarcasm).

I’ll be honest with you guys, religion isn’t everyone’s cup of joe and making someone laugh already is hard enough; combining the two can mean a recipe for disaster. Only Mel Brooks, Monty Python and some of the other greats have managed to do it well, but I’m not sure if anyone today can pull it off with success. Ramis sure didn’t and neither did Bill Maher with his ‘Religulous’. They were forgettable.

But to be fair, the acting wasn’t bad at all (except for vexing Jack Black), and the dialogue was funny at times. The problem, which is too troublesome to overcome, is the   direction and pacing of the story along with the verisimilitude or implausibility of the adventures our protagonists go through. It distracts us from enjoying the funny moments.

When we interviewed Ramis for this review, he seemed like a hell of a nice guy. He possesses tremendous acumen about the history of film comedy and has an awareness of his place in it. That said, I don’t think he an Apatow seemed to be on the same page. Way too many flaws in the film for two very smart icons to get it wrong.

Nevertheless, ‘Year One’ isn’t what you’d expect from a Cera, Black comedy. They look out of place and the subject matter is tough to digest if you’re unfamiliar with the biblical texts. This film needs a rewrite and a recast really bad.

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