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The Latest in ShowBiz News

Mack Chico

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2008/08/20 at 12:00am

‘A Serious Man’ – Coen brothers’ new film is cast

08.20.2008 | By |

'A Serious Man' - Coen brothers' new film is cast

The Coen brothers have tapped a pair of relative unknowns to star in their next pic, “A Serious Man.”

Michael Stuhlbarg, a Tony-nominated actor with little experience in front of the cameras, and Richard Kind, a character actor best known for his role on ABC’s “Spin City,” will star as brothers in the period black comedy.

Set in 1967, story centers on Larry Gopnik (Stuhlbarg), a Midwestern professor whose life begins to unravel when his wife sets out to leave him and his socially inept brother (Kind) won’t move out of the house.

Shooting is set to start at the beginning of next month in Minneapolis.

Working Title is producing, and Focus Features will distribute.

Joel and Ethan Coen, whose George ClooneyBrad Pitt starrer Burn After Reading will open next month, penned the screenplay for “A Serious Man” and are sharing producing duties. Working Title’s Tim Bevan and Eric Fellner exec produce.

Stuhlbarg, who has made guest appearances on “Law & Order” and “Studio 60 on the Sunset Strip,” was nominated for a Tony for his role in “The Pillowman” and starred in the title role of this summer’s Shakespeare in the Park production of “Hamlet.”

He is repped by manager Lisa Loosemoore.

Kind’s credits include “For Your Consideration,” “The Station Agent” and “Confessions of a Dangerous Mind” and the TV series “Mad About You.”

Mack Chico

By

2008/08/19 at 12:00am

Street Kings

08.19.2008 | By |

Rating: 1.0

Rated: R for strong violence and pervasive language.
Release Date: 2008-04-11
Starring: James Ellroy, Kurt Wimmer, Jamie Moss
Director(s):
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Film Genre:
Country:USA
Official Website: http://www.foxsearchlight.com/press/

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Mack Chico

By

2008/08/19 at 12:00am

Miss Pettigrew Lives for a Day

08.19.2008 | By |

Rating: 2.5

Rated: PG-13 for some partial nudity and innuendo.
Release Date: 2008-03-07
Starring: David Magee, Simon Beaufoy
Director(s):
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Country:UK
Official Website: http://www.filminfocus.com/focus-movies/miss-pettigrew/synopsis.php

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Elena Calvo

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2008/08/19 at 12:00am

The Life Before Her Eyes

08.19.2008 | By |

Rating: 3.0

Rated: R for violent and disturbing content, language and brief drug use.
Release Date: 2008-04-18
Starring: Emil Stern
Director(s):
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Film Genre:
Country:USA
Official Website: http://www.lifebeforehereyes.com/

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Alex Florez

By

2008/08/19 at 12:00am

Natalie Martinez talks about her new film ‘Death Race’

08.19.2008 | By |

Natalie Martinez talks about her new film 'Death Race'

Natalie Martinez, the beautiful cuban american actress joins Jason Statham, Joan Allen, and Tyrese Gibson in ‘Death Race‘ – a film about an ex-con named Jensen Ames (Statham) who is forced by the warden of a notorious prison (Allen) to compete in the post-industrial world’s most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.

Watch Natalie talk about the race, working with Jason Statham and playing the role of ‘the navigator’.

Mack Chico

By

2008/08/19 at 12:00am

Tom Cruise to work with Sam Raimi on ‘Sleeper’

08.19.2008 | By |

Tom Cruise to work with Sam Raimi on 'Sleeper'

As Tom Cruise goes about writing the next chapter in his career, he’s developing an interest in comic book movies.

Together with Sam Raimi, he is setting up “Sleeper” at Warner Bros. Cruise is loosely attached to star in the adaptation of the DC Comics/Wildstorm comic that Raimi would produce with his Star Road Entertainment partner Josh Donen.

Written by Ed Brubaker with art by Sean Phillips, “Sleeper,” which ran from 2003-05, centers on an operative whose fusion with an alien artifact makes him impervious to pain and allows him to pass it on to others through skin contact. He is placed undercover in a villainous organization by an intelligence agency and falls for a member of the group, named Miss Misery.

Although he remains a co-owner of United Artists — from which his longtime producing partner Paula Wagner resigned last week — he’s not tied exclusively to that company. It now looks as if his next acting gig will be the Spyglass thriller “Tourist,” as if to counter the more cerebral role he played in the UA boxoffice failure “Lions for Lambs” and the upcoming UA WWII period pic “Valkyrie,” in which he plays the anti-Nazi Claus van Stauffenberg.

“Sleeper” is the third project that Cruise has become associated with over the past two weeks –all three separate from his commitments at UA. In addition to “Tourist,” the actor has expressed interest in the Working Title-Universal comedy “Food Fight.”

Also apart from UA, the actor picked up some good notices last week for his uncharacteristic turn as a bald film mogul in DreamWorks-Paramount’s “Tropic Thunder.”

Even if Cruise opts not to do “Sleeper,” his interest in the project is propelling it forward, despite complicated rights issues that must be sorted out. Raimi and Donen have long been fans of the book, and the project could have found homes at Sony and Regency if those issues hadn’t been so complex.

“Sleeper” takes place in the same publishing universe as other Wildstorm books, and integrally featured characters from the company’s flagship title “WildC.A.T.s” as well as characters from another book, “Gen 13.”

Both “WildC.A.T.s” and “Gen 13” had been set up at different places around town and some of those deals were made before DC bought the imprint in 1999.

Warners, now involved in a legal wrangle with Fox over the rights to “Watchmen,” appears determined to cross all the t’s and dot all the i’s in its contracts for “Sleeper.”

The project is being eyed not only as a starring vehicle for Cruise but also as a possible franchise for the studio.

Matt Reilly is overseeing the project for Warners while Russell Hollander shepherds for Star Road. Gregory Noveck oversees for DC. No writer is attached.

“Sleeper” sees Raimi and Donen continuing their company’s superhero, which began when they recently set up the superhero story “The Transplants” at Disney.

Mack Chico

By

2008/08/19 at 12:00am

Death Race – 6 clips from the film!

08.19.2008 | By |

Death Race - 6 clips from the film!

ShowBizCafe.com brings you 6 exclusive slicp from the new action film ‘Death Race‘, starring Jason Statham, Joan Allen and the beautiful cuban-american actress Natalie Martinez. The film opens nationwide this Friday.

Ex-con Jensen Ames (Statham) is forced by the warden of a notorious prison (Allen) to compete in our post-industrial world’s most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.

Mack Chico

By

2008/08/17 at 12:00am

‘Tropic Thunder’ dethrones Batman at the box office

08.17.2008 | By |

'Tropic Thunder' dethrones Batman at the box office

Ben Stiller comedy “Tropic Thunder” dethroned Batman sequel “The Dark Knight” from the top spot at North American box offices this weekend, entertainment industry estimates showed Sunday.

Stiller’s movie-within-a-movie about a group of actors shooting a war movie in the middle of a real-life conflict zone scooped 26 million dollars on its opening weekend, according to box-office tracker Exhibitor Relations.

The impressive opening haul gave the film — which also stars Robert Downey Jr and Jack Black — five-day earnings of just over 37 million dollars.

It came after the film’s premiere saw protests from disability activists who lambasted Stiller for repeated use of the word “retard” in the script. Stiller has defended the movie, insisting that it is a satire on Hollywood.

The success of “Tropic Thunder” knocked “The Dark Knight” off of top spot after four weeks of dominance.

But “The Dark Knight,” which features Christian Bale as the caped crusader and Heath Ledger as his arch-villain Joker, earned another 16.8 million dollars which was enough to take the film past “Star Wars” as the second highest-grossing movie of all time after 1997’s “Titanic.”

“The Dark Knight” has now raked in a cool 471.5 million dollars since opening in mid-July, but is still way off “Titanic’s” mammoth haul of 601 million.

Ironically, the milestone came on the same weekend as the animated “Star Wars: The Clone Wars” arrived in US theatres. The latest offering from George Lucas’s moneyspinning franchise opened in third with 15.5 million dollars.

The latest Hollywood remake of a cult Asian horror film “Mirrors“, starring Kiefer Sutherland, was in fourth spot with 11.1 million.

In fifth place was the marijuana comedy “Pineapple Express“, starring Seth Rogen and James Franco, which earned 10 million.

Critically panned action-adventure “The Mummy: Tomb of the Dragon Emperor” was sixth with 8.6 million, ahead of Abba musical remake “Mamma Mia!“, with 6.5 million.

Rounding out the top 10 were “The Sisterhood of the Traveling Pants 2” with 5.93 million, ahead of comedy “Step Brothers” with 5 million dollars.

Woody Allen’s latest film, romantic comedy “Vicky Cristina Barcelona” was 10th with 3.7 million although it was screened in fewer than 700 theaters nationwide.

Mack Chico

By

2008/08/17 at 12:00am

Alejandro Arbona

By

2008/08/16 at 12:00am

Tropic Thunder

08.16.2008 | By |

Rated: R for pervasive language including sexual references, violent content and drug material.
Release Date: 2008-08-15
Starring: Ben Stiller, Justin Theroux, Etan Cohen
Director(s):
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Film Genre:
Country: NULL
Official Website: http://www.tropicthunder.com/

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Tropic Thunder

“Tropic Thunder”, the new comedic vehicle by Ben Stiller and his pals, kicks off with a assault on the audience so unexpected and so enormously funny that it takes you totally by surprise and disarms you completely. Unfortunately, though “Tropic Thunder” is pretty good at several other points, this sequence ends up being the funniest in the entire movie.

It’s the story of three Hollywood actors from very different genres, who join forces to shoot a Vietnam-war melodrama. Ben stiller is Tugg Speedman, an action star whose career has suffered after his recent choices of roles, namely that of a developmentally disabled character he played hoping to win an Oscar in a movie called “Simple Jack.” Roberto Downey Jr., on the other hand, plays Kirk Lazarus, an Australian five-time Oscar-winner, who goes after roles for the challenge of becoming wholly new and different people foreign to his own reality; in the film-within-a-film also called “Tropic Thunder,” he plays an African-American soldier, a role for which Lazarus/Downey Jr. has had his skin dyed and his hair curled. And Jack Black plays Jeff Portnoy, a gross-out comedy star whose biggest success has been playing multiple roles as each member of a flatulent, obese family, and who’s joined the cast of the weighty Vietnam picture because he’d like to be taken seriously as an artist. Brandon T. Jackson also appears as a hip-hop star called Alpa Chino (read the name out loud if you don’t see the gag), and Jay Baruchel as Kevin Sandusky, a rookie actor on his first production, surrounded by big stars. Finally, the outstanding cast is rounded out by the British actor/comedian Steve Coogan as Damien Cockburn, the film’s director; Nick Nolte as Four Leaf Tayback, the Vietnam vet whose war memoirs were the basis for the screenplay; Matthew McConaughey as Rick Peck, Speedman’s aggressive agent; and Tom Cruise in a prosthetic belly and bald cap, as the villainous Les Grossman, the head of the studio.

The actors are generally excellent, above all Downey Jr. The exception to a strong cast for me was Ben Stiller, a comedic star I personally find to be very limited in the versatility of his characters and improvisations (notice how similar most or all of his film characters are; they tend to be hostile, overbearing, extremely dumb, or all three). The same goes for Tom Cruise, whose character turns out to be a one-note joke; the novelty of seeing Tom Cruise in disguise and playing such an unpleasant character was a gag that got old fast, and a role to which Cruise didn’t bring anything more.

The movie does have its grand comic moments, and some even hilarious. When it weakens is when the story becomes too dense; separate subplots play out onscreen, but Stiller’s unskilled hand as director treats all of them with equal importance, and the audience is distracted by narratives that should have just been extremely minor subplots. What’s more, enormous stretches of time pass in the film’s over-long running time when we don’t see or hear from one character or another, creating a very uneven story during the middle part of the movie.

Nevertheless, “Tropic Thunder” redeems itself and entertains the audience enormously during its stronger parts, and it even has its truly brilliant moments.

One separate note: The subject of a Caucasian actor playing an African-American man and verging on blackface buffoonery has turned out not to provoke the negative reaction you would have imagined, and I think rightly so, because it’s an issue of satire and what that character as a Hollywood star is willing to do. However, the element that has drawn criticism and even a boycott after all is the melodramatic, Oscar-bait role Tugg Speedman (Stiller) had played in his previous outing, “Simple Jack” about a developmentally disabled young man. Stiller is certainly less deft as an actor than Downey Jr., and plays that fictional part with less seriousness – because even a comedic character has to take himself totally seriously, even if the audience laughs at him. And maybe it’s because of the broad, exaggerated absurdity of Stiller’s performance in the part, but several groups dedicated to the rights and dignity of people with disabilities have organized a boycott of “Tropic Thunder.” I respect their motives wholeheartedly, but I don’t personally agree with them; the character is nothing more than a skewering of Hollywood actors and these roles they play, whether for the challenge of embodying a character they couldn’t possibly fully understand, or to raise awareness of the disadvantages faced by different groups in society, or as in the case of Tugg Speedman in “Simple Jack,” to show off their dramatic chops and try to win an Oscar. It’s not disrespectful of people with disabilities, in my opinion, but just Hollywood satire, and I’m confident that was Stiller’s intention as writer, director and actor.

 

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