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2009/02/03 at 12:00am

Free tickets to see ‘Friday the 13th’!

02.3.2009 | By Mack Chico |

It’s that time again ‘Jason’ fans! One of Hollywood’s most infamous and notorious killers is once again on the prowl looking to slash and mutilate young, naked teenagers.

Wanna check out the film… for FREE?

Win FREE movie passes to see FRIDAY THE 13TH on March 2nd after its release on Friday, February 13th in an undisclosed theater in New York City by responding the following question:

What is Jason’s last name in the film?

If you know the correct answer, write it and send it to us via our COMMENTS section below with your name and email address. We will then proceed to send you the electronic ticket to attend the screening of your choice at an undisclosed theater in New York City.

Good luck!

Synopsis:

In this re-imagining of the classic horror film, Clay searches for his missing sister in the eerie woods of legendary Crystal Lake, where he stumbles on the creaky remains of rotting old cabins behind moss-covered trees. And that’s not the only thing lying in wait under the brush. Against the advice of police and cautions from the locals, Clay pursues what few leads he has, with the help of a young woman he meets among a group of college kids up for an all-thrills weekend. But they are about to find much more than they bargained for. Little do they know, they’ve entered the domain of one of the most terrifying specters in American film history–the infamous killer who haunts Crystal Lake, armed with a razor-sharp machete…Jason Voorhees.

By Jack Rico

2009/01/20 at 12:00am

Movies

Early Review: ‘Inkheart’

01.20.2009 | By Jack Rico |

Brendan Fraser’s new family adventure film ‘Inkheart’ has no heart at all, just ink on 120 pages of a script. The concept and premise are alluring, but it never delivers more than a basic and elemental movie experience. Instead of engaging the senses, the film only provides apathy. In addition, the film targets infant and juvenile audiences, but makes no excuses of including adults. Parents beware, you are going to have a hard time maintaining any interest after the first 15 minutes.

The story focuses on a young girl (Eliza Hope Bennett) who discovers that her father (Brendan Fraser) has an amazing talent to bring literature characters to life and must try to stop a freed villain from destroying them all, with the help of her father, her aunt (Helen Mirren), and a storybook’s hero (Paul Bettany).

The acting is neither uproarious nor dreadful, just bland. Fraser gives you the ol’ nice guy acting he consistently does well, young newcomer Bennett shows potential and Mirren and Bettany are too good for the film – and it is noticeable.

The demise of ‘Inkheart’ comes at the misuse of its premise – the director Iain Softley could have trounced us with creativity – the deliberate manipulation of the laws of storytelling to suit the story’s shortcomings and the inconsistencies of a stale and uninspired script.

It’s interesting to note, the movie’s message is to have us indulge in the journey of our imagination, but all it achieves is to be lifeless and forgettable.

Exclusive! ‘Cantinflas’ producer Jay Weisleder talks cast, premise and a 2010 release

By Jack Rico

2009/01/19 at 12:00am

Movies

Exclusive! ‘Cantinflas’ producer Jay Weisleder talks cast, premise and a 2010 release

01.19.2009 | By Jack Rico |

Exclusive! 'Cantinflasâ€™ producer Jay Weisleder talks cast, premise and a 2010 release

Just last week, Variety announced that NBC Chairman and President Ben Silverman was going to executive produce the biopic of ‘Cantinflas,’ the most famous comedian in Mexico’s history. Since not much was said, we had to get in contact with Jay Weisleder, a 34 year old Costa Rican Jewish producer and brainchild behind bringing the comedian’s life to the big screen, to expand on the details of the project.

We called him on his cell phone while he was in Los Angeles and here’s what we were able to obtain and print on record:

– The lead for the film is unknown and they will not be looking for potential lead actors until Alejandro Monteverde, the co-writer and director, finishes developing the script. Four years ago they had in mind Diego Luna, Wilmer Valderrama, John Leguizamo and Gael Garcia Bernal to play the role. When we probed Weisleder about Leguizamo, he said he saw ‘Paraiso Travel’ and enjoyed his performance in it and that he would love to sit with him and other potential candidates in the near future. His criteria, though not strict, has him nailing down a Mexican actor which is why we think he is leaning towards Gael Garcia Bernal and Diego Luna. Since Gael is the stronger actor of the two, we’ll assume he’s their #1 desired candidate. On the female front, Natalie Portman, Rachel McAdams, Scarlett Johansson are being thought of as possible co-stars.

– The synopsis has been a kept secret from the press due to the delicate, sensitive nature of the script. We were conveyed the whole plot line, but were asked, off the record, to not print any verbiage of it. What we can tell you is that most of the story will be focused around two characters and a possible third one, a female. It will also explore self discovery, responsibility, a coming of age theme and an intense family transgression. As soon as we get the ok, we will posting up more info about the film in the upcoming weeks.

– The movie will be spoken in Spanish with some scenes in English and they’ll be shooting for a 2010 Mexican/US production release under, perhaps, a Universal Pictures distribution.

For those of you unfamiliar with Cantinflas’ work, here’s a snippet of his acting from ‘Around the World in 80 Days’

We want to get more of your feedback on the casting process and see if you have better ideas on who should be playing Cantinflas. Stay webbed!

John Leguizamo to play ‘Cantinflas’ in biopic?

By Jack Rico

2009/01/13 at 12:00am

Movies

John Leguizamo to play ‘Cantinflas’ in biopic?

01.13.2009 | By Jack Rico |

As soon as I heard Cantinflas was announced as a major motion picture film, I immediately thought of colombian actor John Leguizamo as the perfect lead. For those who don’t know who Cantinflas is, he was the greatest film comedian Mexico ever produced. Leguizamo would be an obvious choice and here are the 3 reasons why:

1. He physically looks like him

2. He speaks Spanish (broken Spanish, but he speaks it)

and…

3. He’s a natural comedian

One problem producers will confront from the get go would be his Spanish. He has a Nuyorican accent he can’t shake – have you heard him in Love in the Time of Cholera playing a colombian? He sounds like… you guessed it, a Puerto Rican from New York. Leguizamo, who was born in Bogota, Colombia, will have to master an authentic Mexican accent without sounding like Speedy Gonzalez. If he does that, and Alejandro Gomez Monteverde can write a formidable script, we could see a watershed moment in Leguizamo’s acting career for the better. Salma Hayek did something similar with ‘Frida’ and the results were an Oscar nomination as best actress for that role. I don’t see anyone else with a recognizable name playing the Mexican icon, unless they go with an unknown, which would be a bad business move if the producers go that route. Let’s see what happens, folks!

Here is a pic of Leguizamo with a moustache. What do you think? Leave a comment below.

Below is the Variety report about the Cantinflas biopic:

Latino comic and actor Cantinflas, his real name is Fortino Mario Alfonso Moreno Reyes, who helped usher in the golden era of Mexican filmmaking in the 1940s and ’50s, will be the focus of a biopic by Alejandro Gomez Monteverde.

Alejandro Gomez Monteverde will co-write and direct “Cantinflas,” a biopic about the comedian and actor who helped usher in a golden era of Mexican filmmaking in the ’40s and ’50s.

NBC co-chairman Ben Silverman will serve as an exec producer on the feature film with Monteverde and TV producer Jay Weisleder producing. Monteverde, whose drama “Bella” won the People’s Choice Award at the 2006 Toronto Intl. Film Festival, will co-write the script with Jose Portillo.

Despite his debut to American audiences in “Around the World in 80 Days” (1956), Cantinflas is not well known in the English-speaking world.

After pitching the idea to Silverman, Weisleder told the reluctant exec to ask any Latino about Cantinflas. “The moment he did that he called me from a restaurant and said ‘I got 10 people following me. Everybody knows who he is. We gotta do this,’ ” Weisleder said.

As the founder and former owner of Reveille, Silverman remains attached as an exec producer on several Reveille features projects, which include the Kurt Cobain biopic at Universal and “Staked Plains” at Focus.

Weisleder worked with Silverman at Reveille and has several television projects in development, including the comedy “My Problems With Women,” exec produced by Justin Timberlake. Monteverde and Weisleder secured the rights with the late actor’s son, Mario Moreno Ivanova, who will serve as an associate producer on the project.

By Jack Rico

2009/01/12 at 12:00am

Movies

‘Terminator Salvation’ – First Review!

01.12.2009 | By Jack Rico |

I just came back from watching an exclusive 20 minute screening of TERMINATOR SALVATION at the Time Warner Center in Manhattan, New York. I love that area, but that’s a whole other conversation.

The director of the film McG, yes the same guy who produced the TV series ‘O.C’ and ‘Pussycat Dolls Present: Girlicious’, was there to present and introduce 4 never before seen clips. Before I get to that, I must say, I think the guy gets a bad rap (I’m at fault too). Today he impressed me with his presence, orator skills and humor. Compared to director Zack Snyder, from Watchmen, he’s a savant. McG essentially pitched himself to the 40 some-odd film critics as why he is the right guy to direct this film. He was convincing, but even more, the clips he showed had me at hello.

Here’s a breakdown of what I saw followed by some commentary (spoilers!):

Scene 1: A snipett of the film that felt more like a :30 second trailer.

Scene 2: All out action. Looks like McG went for the jugular on this one… and he got me. We see actor Sam Worthington as Marcus Wright, I’m still trying to find out what relevance his character has in the film, with Anton Yelchin as Kyle Reese, arriving at what seems an abandoned gas station. There they are surprised by several refugees who are aiming guns at them until… a thunderous thud comes roaring through the roof in the form giant robotic claws and… GASP! people are torn to shreds! A truck chase ensues between the gigantic robot and our two heroes. Robot motorcycle drivers are spit out from the legs of the behemoth machine and then… KABOOM! Many of the CGI scenes presented were still unfinished so we couldn’t get a full grasp of the clips, yet, it was enough to remind me of T2’s action sequences. I was entertained to say the least.

Scene 3: Here we see Bale crashing his helicopter into a lake. Hydrobots come rushing like piranhas to mutilate and dismember what ever they can get their fiber optic wires on, only to be confronted by “B.A.B” (Bad Ass Bale) who plays John Connor. Sam Worthington then comes out of the lake like the Predator and stands toe to toe with Bale. Drama ensues. Fade to black.

Scene 4: This clip looks like an extended theatrical trailer wich lasted like 3-4 minutes. It’s essentially a summary of the movie and all the clips that were exhibited.

Here are my thoughts of the presentation and the film:

McG

McG was an appealing and engaging presenter. He hinted at ‘The Governator’ making a cameo. The director talked about how ‘big budget action meets quality acting’ will be seen here á la Dark Knight and Iron Man. He loves Sam Worthington and he thinks he’s going to be a BIG star. He mentioned that Bale’s talent is the reason the movie will be a hit. He also mentioned that ‘Bruce Wayne’ spends 6-8 hours in the editing room with him to make sure it doesn’t turn out campy. It was referred to in the Q&A that there is a part 5 in the mix and it will incorporate the time travel theme. Danny Elfman was picked over Oscar winning Argentinian composer Gustavo Santaolalla from Babel. He chose him because of his delicateness and bravura.

The Scenes

The action scenes we saw are the real deal and I can’t wait to see this film in IMAX. I’m gonna flip out! There was so much action compacted into the 10 minute clip that my head almost exploded. That’s what a summer action movie is all about. I thought Bale sounded like BATMAN, you know, the hoarse, husky, grating voice I’m talking about. To me that was the single reason The Dark Knight was not perfect. The raspy voice has got to go! I feel that apart from that, there will be enough acting chops from Bale to distinguish this from a contrived, generic action summer flick. From the looks of it, we can count on Terminator Salvation to be an entertaining and frolicking good time at the movies this summer!

Check out some of the pictures we collected at the press event:

McG presenting an animatrics T-800 and cussin’ up a storm

New unknown robot

T-800’s

Motorbots?

The destruction of Earth

EXCLUSIVE! 8 never before seen clips from ‘CHE’!

By Jack Rico

2008/11/12 at 12:00am

Movies

EXCLUSIVE! 8 never before seen clips from ‘CHE’!

11.12.2008 | By Jack Rico |

With a month to go before its US release (December 12th and Jan 9th, 2009) we obtained 8 never before seen movie clips from ‘Che’ starring Academy award winning actor Benicio del Toro and a prolific Latino cast.

These clips are in Spanish without English subtitles, just the way director Steven Soderbergh intended them to be. Cameos include Julia Ormond, Franka Potente and yes… Matt Damon as a US agent having a whole conversation speaking in Spanish.

We were surprised at the various Latino dialects we heard from Colombia, Puerto Rico and even Mexican, from many actors who were trying to sound Cuban. But at the end of a 5 hour journey through the life of Guevara, it is the last of your worries.

Nevertheless, we will have a review of the film in December. We enjoyed it, if it matters to you, so enjoy these clips and we hope they help you judge whether you want to invest your time and money in the film.