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Box office Archives - Page 4 of 8 - ShowBizCafe.com

Box office Archives - Page 4 of 8 - ShowBizCafe.com

Mack Chico

By

2010/08/23 at 12:00am

‘The Expendables’ is #1 for a second week

08.23.2010 | By |

'The Expendables' is #1 for a second week

Sylvester Stallone and “The Expendables” managed to somehow beat Julia Roberts again at her own box office game. Looks like she’s lost her touch a bit.

The action film, directed by and starring Sylvester Stallone, also beat out in its second straight week the debuts of “Vampires Suck,” “Pirahna 3D,” “Lottery Ticket,” and “Nanny McPhee Returns”.

“The Expendables” has a cast that includes Jet Li, Steve Austin, and Jason Statham, with cameos by Bruce Willis and Arnold Schwarzenegger.

Here are the top five box office films:

#1 “The Expendables” ($16.5 million)
#2 “Vampires Suck” ($12.2 million)
#3 “Eat Pray Love” ($12 million)
#4 “Lottery Ticket” ($11.1 million)
#5 “The Other Guys” ($10.1 million)

Mack Chico

By

2010/07/26 at 12:00am

Inception: #1 at the box office!

07.26.2010 | By |

Inception: #1 at the box office!

It was close, but not close enough. Leonardo Dicaprio established who the true superstar is against Angelina Jolie’s ‘Salt’.

“Inception” remained the No. 1 movie for the second-straight weekend with $43.5 million, according to studio estimates Sunday. Sony’s spy caper “Salt” premiered a solid No. 2 with $36.5 million. The movie stars Jolie as a CIA operative who goes rogue after she’s accused of being a Russian sleeper agent.

Coming in at No. 3 with $24.1 million was Steve Carell’s family hit “Despicable Me.” The animated comedy raised its domestic total to $161.7 million.

The weekend’s other new wide release, 20th Century Fox’s family comedy “Ramona and Beezus,” took in $8 million to finish at No. 6. The movie is based on Beverly Cleary’s children’s books about a teenage girl and her accident-prone little sister.

“Inception” hung in strongly in its second weekend, its total down just 31 percent from its $62.8 million opening. During the busy summer, top hits often drop 50 percent or more in the second weekend and rarely repeat as the No. 1 movie.

The film will quickly shoot past the $200 million mark at the domestic box office and has a good shot at topping $300 million, said Dan Fellman, head of distribution at Warner Bros.

The ticket sales are estimates for Friday through Sunday at U.S. and Canadian theaters, according to Hollywood.com. Final figures will be released today.

Pau Brunet

By

2010/06/07 at 12:00am

Monday Box Office: ‘Shrek 4’, three’s a charm

06.7.2010 | By |

Monday Box Office: 'Shrek 4', three's a charm

This week come to the screen four strong releases but none with options to reach the first position, a position he has held comfortably Shrek Forever After. In the third week introduced the lowest down top10, 41%, and totals $ 25M and a total of $ 183M. The film has surprised this week to present a slight decrease just as a kind of negative weekend in general. This track has been negative for the other two options segment, Prince of Persia and Marmaduke. Now Shrek has just enough time to take advantage of the stretch, because in some great competitor will Toy Story 3. Word of mouth from the Dreamworks movie not made of steel and therefore it is easy to think that will be very weak before the Disney film.

On their own, Prince of Persia falls more than expected, 53% to $ 13.9 M and even below the 60M in the U.S., while Marmaduke has raised only $ 11.3 M despite leaving with more than 3,200 cinemas . The film has lacked some bad data matching The spy next door or Furry Vengeance. The promotion was colorful but not spectacular and this may translate into a little hold up the $ 25-27M.

Of the premieres this week, more strongly shining were the two comedies, Get him to the Greek and Killers, and both are what have been the best results. The first complies with the long awaited, $ 17.4 M in 2.697 theaters with an average of $ 6.400, the second is placed in the $ 16.1 M, slightly higher than previously thought and much better than expected with Friday’s data . With 2.859 copies, his average is placed in a room right $ 5,600.

Get him to the Greek achieves a success because it has been successful to be a decent offer from sector 20 to 35 years pro-comedies like thugs as Role Models or Forgetting Sarah Marshall. The film of “colleagues” did not have much competition in this bulletin and this has become strong, based on a correct positive review. On their own, Killers has positioned itself as clearly feminine and comedy for all ages, but with a radically different aroma Sex and the city 2. The Lionsgate film is raised as an option similar to Date Night, and sought the memory of his previous films lead actress, Katherine Heigl, The Ugly truth and 27 dresses.

The comedy star last week, Sex and the city in February, has fallen hard as expected. What makes an exaggerated 60% to $ 12.6 M and puts his total at $ 73m, 26 less than the previous film by now. Warner is unlikely to repeat the success of the previous movie, concerned by a terrible word of mouth and fierce competition. The film arouses the interest deducted from their followers and this suggests that jumps to $ 100M but little further.

The fourth release of the week has been the ill-fated Splice, independently of gender production fully dimensioned by Warner. The tape came out with 2.450 cinemas and surrounded by a positive review of some enthusiasm from the most fan of the genre. After its limited release on Friday, the upside is that does not sink during the Saturday, probably indicating an interesting response from the adult sector concerned by the proposal. Now the question is in the pull of recommendation, the element which should keep alive.

# TITULO Recaudación Descenso # Salas Prom/Salas Acmdo.
1 Shrek Forever After 25M$ -41% 4.386 $5.760 183M$
2 Get Him to the Greek
17,4M$

2.696 $6.400 17,4M$
3 Killers
16,1M$ 2.859 $5.300 16,1M$
4 Prince of Persia 13,9M$ -53% 3.646 $4.168 59,5M$
5 Sex and the City 2 12,6M$ -60% 3.445 $3.775 73,4M$
Jack Rico

By

2010/04/19 at 12:00am

Flip flop at the box office: ‘Kick-Ass’ #1 now

04.19.2010 | By |

Flip flop at the box office: 'Kick-Ass' #1 now

The action/comedy Kick-Ass emerged from a neck-and-neck box office race to claim the #1 spot from the 3D animated family feature HOW TO TRAIN YOUR DRAGON. Director Matthew Vaughn’s critically lauded, R-rated film took in $19,828,687 for the weekend.
 
Based on the groundbreaking, best-selling comic by Mark Millar and John Romita Jr., KICK-ASS stars Aaron Johnson, Christopher Mintz-Plasse, Mark Strong and Chloë Grace Moretz, and features Nicolas Cage.  The screenplay is written by Vaughn and Jane Goldman.  The producers are Matthew Vaughn, Brad Pitt, Tarquin Pack and Kris Thykier; Millar and Romita Jr. are co-producers.  Lionsgate acquired North American distribution rights for $15 million last year.

Said Joe Drake, Lionsgate Co-Chief Operating Officer and Motion Picture Group President, “KICK-ASS is fantastic, highly original entertainment, and our marketing and distribution teams have brilliantly positioned it for a long and successful run.  That kind of run is precisely what we are seeing on the international front, where KICK-ASS has demonstrated a very strong hold at the box office; in Great Britain alone, it’s taken in nearly $13.8 million in 17 days.”
 
Lionsgate’s upcoming releases include: Robert Luketic’s romantic comedy KILLERS, starring Ashton Kutcher and Katherine Heigl, opening June 4; Sylvester Stallone’s action/thriller THE EXPENDABLES, with an all-star cast including Stallone, Jason Statham, Jet Li, Dolph Lundgren, Randy Couture, Steve Austin, Eric Roberts and Mickey Rourke, opening August 13; and Daniel Stamm’s horror movie THE LAST EXORCISM, produced by Eli Roth (HOSTEL), starring Patrick Fabian and Ashley Bell, opening August 27.

Pau Brunet

By

2009/12/28 at 12:00am

‘Avatar’ is #1 at the box office, again

12.28.2009 | By |

'Avatar' is #1 at the box office, again

The estimated $278 million in weekend box-office revenue broke the previous record of roughly $253 million set in July 2008, the weekend “The Dark Knight” was released.

A diverse group of films drew throngs to the multiplexes: James Cameron’s “Avatar” pushed strongly into its second week while “Sherlock Holmes,” “Alvin and the Chipmunks: The Squeakquel” and “It’s Complicated” all opened.

“Avatar,” the 3-D epic, topped them all, earning $75 million for 20th Century Fox, according to studio estimates Sunday. Remarkably, that was only a 3 percent drop from its opening weekend total of $77.4 million. (Blockbusters typically drop 30-50 percent in the second weekend.) In its 10 days of release, “Avatar” has made $212 million domestically — and could be on its way to a worldwide gross of over $1 billion.

“This thing is going to be playing and playing, I can tell you that,” said Bert Livingston, 20th Century Fox distribution executive. “There’s a lot of business out there. Everybody’s got good movies out.”

In second was “Sherlock Holmes,” Guy Ritchie’s reboot of the franchise with Robert Downey Jr. starring as Arthur Conan Doyle’s detective. The Warner Bros. film opened with a weekend total of $65.4 million, including a record Christmas Day debut of $24.9 million.

It was a start that seemed sure to pave the way for sequels. Dan Fellman, head of distribution for Warner Bros., called the result “sensational.”

“Alvin and the Chipmunks: The Squeakquel,” which opened Wednesday, took in $50.2 million on the weekend and $77.1 million in its five days of release. The film, also from Fox, earned an impressive $18.8 on Wednesday alone. The strong start suggested that “Squeakquel” was likely to surpass its 2007 original, which made $217 million.

Also opening was Nancy Meyer’s “It’s Complicated,” the romantic comedy from starring Meryl Streep, Alec Baldwin and Steve Martin. With an audience 72 percent female, the Universal film took in $22.1 million, a solid debut.

The buffo Christmas weekend results spelled good things for all the films in release in the coming week — one of the most lucrative of the year.

“We all know what next week means to the industry. This is a huge,” said Nikki Rocco, head of distribution for Universal. “Christmas is past us. No more shopping, no more returning. College kids are home. … I’m so optimistic about what the next weekend holds for us.”

Said Livingston: “Starting this Monday, every day is a Saturday.”

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Hollywood.com. Final figures will be released Monday.

1. “Avatar,” $75 million.

2. “Sherlock Holmes,” $65.4 million.

3. “Alvin and the Chipmunks: The Squeakquel,” $50.2 million.

4. “It’s Complicated,” $22.1 million.

5. “Up in the Air,” $11.8 million.

6. “The Blind Side,” $11.7 million.

7. “The Princess and the Frog,” $8.7 million.

8. “Nine,” $5.5 million.

9. “Did You Hear About the Morgans?” $5 million.

10. “Invictus,” $4.4 million.

Pau Brunet

By

2009/11/30 at 12:00am

‘New Moon’ is #1 for second week!

11.30.2009 | By |

'New Moon' is #1 for second week!

Studio execs should give plenty of thanks to female moviegoers: The Twilight Saga: New Moon and The Blind Side led the best-ever Thanksgiving weekend at the box office by drawing women and families into theaters, while male-centric newcomers Old Dogs and Ninja Assassin only earned so-so numbers.

Following its record-breaking first weekend, first-place finisher New Moon brought in $66 million over the three-day (Friday through Sunday) weekend, driving its cume to a fantastic $230.7 million — the sixth highest of the year, just below Star Trek ($257.7 million). Not far behind, The Blind Side came in at No. 2 with $40.1 million by appealing to audiences who would rather watch a movie about football than stay home for a game on TV. With a $100.3 million total so far, the pigskin pic is Sandra Bullock’s second $100 million hit of the year after this summer’s The Proposal ($164 million).

Disaster pic 2012 ($18 million) continued to perform well, beating a duo of new releases: the Robin Williams-John Travolta buddy pic Old Dogs (fourth place, $16.8 million) and the actioner Ninja Assassin (sixth place, $13.1 million). With a $24.1 million total so far, Old Dogs hasn’t captured the same men-of-a-certain-age crowds that drove Travolta’s Wild Hogs to a $39.7 million debut back in 2007. Meanwhile, Disney’s A Christmas Carol (fifth place, $16 million) got a holiday bump, jumping 30 percent over last weekend to a total of $105.3 million.

Specialty pics found modest success, with the animated Fantastic Mr. Fox earning $7 million Fri.-Sun. in its first wide-release weekend, and The Road grossing $1.5 million at 111 theaters.

Overall, the box office raked in an all-time high of $278 million over the five-day weekend.

Pau Brunet

By

2009/10/18 at 12:00am

Monday Box Office: ‘Where the Wild Things Are’ is #1

10.18.2009 | By |

Monday Box Office: 'Where the Wild Things Are' is #1

After a long and troubled production, Warner Bros.’ Where the Wild Things Are found its supper waiting, and it was hot to the tune of $32.5 million, according to early estimates by Hollywood.com Box Office. The movie was easily the best debut for acclaimed director Spike Jonze, whose two previous films, Being John Malkovich and Adaptation, ended their domestic runs at $22.9 million and $22.5 million, respectively. All eyes will be watching to see how much Wild Things, with its reported $80 million budget, drops next weekend. The film earned a relatively solid “B+” grade from CinemaScore moviegoers, but some families may be staying away as the movie jumped only 2 percent from Friday to Saturday.

The violent thriller Law Abiding Citizen, starring Jamie Foxx and Gerard Butler, attracted an adult audience and captured second place with $21.3 million. Right behind it was the box-office phenomenon of the season, Paranormal Activity, which scared up $20.2 million from a mere 760 theaters. The cult horror film, which Paramount brilliantly marketed by asking internet users to “demand” the movie to come to their town, grossed a spooky $26,530 per screen. That’s all the more impressive considering Paranormal Activity was produced on a budget of $11,000. The movie is expected to reach 1,800 theaters next weekend.

Fourth place went to the Vince Vaughn comedy Couples Retreat, which dropped a respectable 48 percent for a $17.9 million weekend. The thriller The Stepfather, a remake of the 1987 original, debuted in fifth place with $12.3 million. In limited release, Joel and Ethan Coen’s A Serious Man expanded to 82 theaters and grossed $860,257 for a hearty $10,491 per-screen average. And New York, I Love You, a collection of short films dedicated to the city, debuted with a decent $372,000 from 119 theaters. One wonders how many Gotham-loving moviegoers skipped the film to watch the Yankees play postseason baseball instead.

Overall, the weekend was up 41 percent from the same frame last year, when Max Payne opened to $17.6 million.

Pau Brunet

By

2009/10/05 at 12:00am

‘Zombieland’ is No. 1 at the Box Office

10.5.2009 | By |

‘Zombieland’ is No. 1 at the Box Office

Sony’s marketing machine marches on: “Zombieland” opened No. 1 at the weekend box office, giving the studio its sixth first-place debut of the year. The horror-comedy hybrid sold an estimated $25 million in tickets at North American theaters, according to tracking services. The entry to watch, however, was Disney’s experiment in using 3-D to repackage the Pixar classics “Toy Story” and “Toy Story 2.” The films, re-rendered in 3-D and released as a double feature, sold an estimated $12.5 million, placed third — behind a three-week-old animated entry from Sony, “Cloudy With a Chance of Meatballs.” (That movie sold another $16.7 million for a cumulative total of $82.4 million.)

So Disney did a successful job priming the market for “Toy Story 3,” set for release in June, but so far failed to prove any points about the goldmine potential of re-releasing old hits in 3-D. The Ricky Gervais comedy “The Invention of Lying” (Warner Brothers) was fourth with about $7.4 million, while “Surrogates” (Disney) limped into fifth place with $7.3 million ($26.4 million total). The only other wide release, “Whip It,” fared poorly in sixth place. The Fox Searchlight comedy, backed by a months-long marketing campaign and featuring the talents of Drew Barrymore and Ellen Page, sold about $4.9 million.

Pau Brunet

By

2009/09/13 at 12:00am

Monday Box Office: "I Can Do Bad All By Myself" is #1!

09.13.2009 | By |

Monday Box Office: "I Can Do Bad All By Myself" is #1!

Incandescent filmmaker Tyler Perry’s latest family comedy “I Can Do Bad All By Myself” opened in the top place in North America’s ticket booths this weekend, with an estimated 24 million dollars in ticket sales during three days beginning Friday, preliminary estimates provided by North American boxoffice authorities Sunday show.

The PG-13 rated Lionsgate film was Perry’s second number one debut of the year, and the fifth among his eight movies released in just 4 1/2 years. It leads a pack of weak contenders during the traditionally one of the most sluggish weekends. Adopted from one of Perry’s plays, the film tells the story about an alcoholic singer who finds healing in church and family. Madea, a pistol-packing granny, has become a phenomenon with the screening of Perry’s latest two films, with the first being “Madea Goes to Jail,” which opened to a personal best of 41 million dollars in February. His low-budget films have been especially popular among black women moviegoers. He was rated one of Hollywood’s top ten money makers in 2009. With the debut of this hilarious flick, he is destined to continue with his golden trail.

“9 (Animated)” debuted in second place, with an estimated 10.9 million dollars in sales. The film, an animated sci-fi/action film from Focus, is a post-apocalyptic tale of some creepy-looking rag dolls. It got an early start on the competition by opening on Wednesday, and its total stands at 15.3 million dollars. Based on Shane Acker’s Academy Award-nominated short film of the same name, it is directed by Acker and produced by Tim Burton and Timur Bekmambetov, and stars Elijah Wood, John C. Reilly and Jennifer Connelly.

The WWII saga “Inglourious Basterds” from Weinstein Co. and featuring Hollywood’s top headliner Brad Pitt, slipped one place to third standing. It has fetched 6.5 million dollars this weekend and grossed a total revenue of 104.3 million dollars over four weeks.

Rounding out the top five films in North America over the weekend are: “All about Steve,” a comedy produced by Sandra Bullock from Fox debuting with 5.8 million dollars, and 21.8 million dollars over two week; “The Final Destination,” a horror flick from Warner Bros., with 5.5 million dollars this weekend and58.3 million dollars over three weeks after standing two weekends in a row as number one.

 

# TITULO Recaudación Descenso # Salas Prom/Salas Acmdo.
1 I Can Do All Bad by Myself $24M 2,255 $10.654 $24M
2 9 $10,8M 1,661 $6,530 $15,2M
3 Inglourious Basterds $6,5M -44% 3,215 $2,028 $103,2M
4 All About Steve $5,8M -49% 2,265 $2,558 $21,8M
5 The Final Destination: 3D $5,4M -56% 2,732 $1,976 $58,2M
6 Sorority Row $5,2M 2,665 $1,951 $5,2M
Pau Brunet

By

2009/07/27 at 12:00am

Monday Box Office – Disney’s "G-Force" is #1!

07.27.2009 | By |

Monday Box Office - Disney's "G-Force" is #1!

Neither the magic of Harry Potter nor the combined star power of Katherine Heigl and Gerard Butler was enough to keep a crew of wise-cracking guinea pigs from scurrying to the top of the box office this weekend. Disney’s family comedy G-Force, produced by Jerry Bruckheimer and featuring the voices of Nicolas Cage, Will Arnett, and Penelope Cruz as a team of world-saving rodents, made an estimated $32.2 million in its debut. Despite opening hot on the heels of the one-week old Harry Potter and the Half-Blood Prince, the animation/live action hybrid pic was a hit with young audiences, pulling 55 percent of its viewers from the under-18 crowd.

But Potter’s box office magic hasn’t worn off just yet: The series’ sixth installment landed in the number two spot its second weekend with $30 million, bringing its total to $221.8 million. After just 12 days in theaters, Half-Blood is already the fifth biggest hit of the year domestically, not to mention overseas, where the powerhouse has raked in an additional $236 million.

There was plenty for adults to enjoy at the box office, too. The Ugly Truth, a raunchy R-rated rom-com that pits Katherine Heigl and Gerard Butler in a battle of the sexes, scored an impressive $27 million bow, a career best for both Heigl and director Robert Luketic (Legally Blonde).

The weekend’s other wide release, Warner Bros’ creepy Orphan — starring Peter Sarsgaard and Vera Farmiga — pulled in $12.8 million from an audience that was 55 percent female.

Lower down on the chart, Fox Searchlight’s (500) Days of Summer (at number 11 with $3 million) is still building momentum. The quirky rom-com posted a hefty $19,176 per-site average and a 95 percent increase over its debut last weekend.

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