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‘Madea Goes to Jail’: #1 at the box office again!

2009/03/01 at 12:00am

‘Madea Goes to Jail’: #1 at the box office again!

03.1.2009 | By Mack Chico |

Jonas Brothers proved this weekend that they are no Miley Cyrus. The teen pop stars’ 3-D concert film, Jonas Brothers: The 3D Concert Experience, opened in twice as many theaters as last year’s Hannah Montana/Miley Cyrus Best of Both Worlds but grossed a scant $12.7 million at the box office — less than half of Cyrus’ bow.

Jonas still managed to pull in a solid average of $10,000 but grossed far less than what most prognosticators were predicting. It also wasn’t strong enough to best Tyler Perry’s Madea Goes to Jail, which won its second weekend in a row with $16.5 million. Madea‘s total now stands at $64.9 million.

Oscar winner Slumdog Millionaire showed that the Academy Awards can mean something at the box office, grossing $12.2 million in its widest weekend of release since bowing more than four months ago.

The Danny Boyle-directed film’s total gross soared 45 percent for the weekend and now stands at an impressive $115.1 million. Liam Neeson’s Taken became the second unlikely film of the year, after Paul Blart: Mall Cop, to cross the $100 million, grossing an additional $10 million its fifth week of release. The film, whose gross stands now at $107 million, dropped an amazing 12 percent — not bad for an under-the-radar action thriller. And rounding out the top five is New Line’s He’s Just Not That Into You.

The romantic-comedy ensemble grossed $5.9 million to put its total at $78.5 million. The other new wide release, Street Fighter: The Legend of Chun-Li, grossed $4.6 million as expected, for an eighth spot in the line-up. Box office as a whole was up 11 percent for the frame, which is quite impressive considering it was a pretty quiet weekend as everyone awaits the debut of next weekend’s Watchmen.

Friday the 13th makes a killing at the B.O!

By Mack Chico

2009/02/16 at 12:00am

Movies

Friday the 13th makes a killing at the B.O!

02.16.2009 | By Mack Chico |

Gory “Friday the 13th” carved its way to the top of the holiday box office, earning a record $42 million on its opening weekend.

The remake of the 1980 horror flick set an all-time high for scary movies, edging out 2004’s “The Grudge,” which raked in $39 million during its debut weekend.

The machete-madness movie features hockey-masked zombie Jason, a drowned summer camper who takes revenge on a new generation of frisky teen counselors.

Even with Valentine’s Day falling on Saturday, “Friday” easily routed the chick flick “He’s Just Not That Into You,” which fell to second place with a take of $19.6 million.

The thriller “Taken” fell to third, with $19.3 million in ticket sales.

Among other new movies, the comedy “Confessions of a Shopaholic” landed in fourth place with sales of $15.4 million, while “The International” pulled in $10 million to finish seventh.

Hollywood was cheering what looks like the best Presidents’ Day weekend ever at the box office. The total gross of all movies was about $190 million, which trumps the previous benchmark of $157 million set in 2007.

‘He’s Just Not That Into You’ #1 at the box office!

By Mack Chico

2009/02/08 at 12:00am

Movies

‘He’s Just Not That Into You’ #1 at the box office!

02.8.2009 | By Mack Chico |

The star-studded romantic comedy He’s Just Not That Into You is the early leader at the weekend box office, having grossed $10.6 million on Friday. That’s well ahead of the $6.3 mil taken in by hearty holdover Taken on the weekend’s first day, and it far surpasses the grosses for the frame’s other big new releases — Coraline ($4.5 mil), Push ($3.5 mil), and The Pink Panther 2 (a very disappointing $3.4 mil). Friday’s chart is below, and please check back here tomorrow for a full weekend recap in the Box Office Report.

1. He’s Just Not That Into You — $10.6 mil
2. Taken — $6.3 mil
3. Coraline — $4.5 mil
4. Push — $3.5 mil
5. The Pink Panther 2 — $3.4 mil

‘Taken’ Takes First Place at the Box Office

By Pau Brunet

2009/02/02 at 12:00am

Movies

‘Taken’ Takes First Place at the Box Office

02.2.2009 | By Pau Brunet |

What football game?

Fox’s Liam Neeson starrer “Taken” took in an impressive $24.6 million in estimated opening grosses to top domestic rankings over a weekend weakened less than expected by preoccupation with the Super Bowl.

Paramount’s PG-13 thriller “The Uninvited” scared up $10.5 million for a third-place bow, while Lionsgate’s romantic comedy “New in Town,” starring Renee Zellweger and Harry Connick Jr., debuted in eighth with $6.8 million.

The frame’s $129 million in industry coin represented a 1% improvement over last year’s record Super Bowl frame, according to Nielsen.

Essentially, distributors enjoyed big enough boxoffice receipts on Friday and Saturday to compensate for a football-slackened Sunday.

Year-to-date, 2009 is off 10% from a year ago at $824.6 million. But that’s mostly because of seasonal calendar fluctuations.

Meanwhile, two of Oscar’s best-picture nominees staged respectable first-time expansions into wide release during the weekend, despite competition from the pigskin-championship telecast.

The Weinstein Co.’s Nazi-themed drama “The Reader” registered $2.4 million from 1,002 engagements to push its cumulative boxoffice to $12.6 million. Additionally, Focus Features’ Harvey Milk biopic “Milk” grossed $1.4 million from 882 playdates, as the Sean Penn starrer raised its cume to $23.4 million.

Also, Miramax’s drama “Doubt” — whose five Oscar noms include four cast mentions — added 198 locations for a barely wide 602 runs and grossed $801,000. That gave the Meryl Streep and Philip Seymour Hoffman starrer a $27.9 million tally to date.

A fifth-place weekend haul of $8.6 million by Clint Eastwood’s “Gran Torino” gave the actor-director and his Oscar-snubbed urban drama a career-record cume of $110.5 million. Distributed by Warner Bros., “Torino” cruised past Eastwood’s previous personal best of $102.2 million for 1993’s “In the Line of Fire.”

“He’s an extraordinary director and star whose films hold up over time,” Warners exec vp distribution Jeff Goldstein said.

Fox Searchlight’s Indian drama “Slumdog Millionaire” rang up $7.7 million in sixth place, elevating its cume to $67.2 million over a weekend in which helmer Danny Boyle captured the DGA’s feature-film award.

Sony Screen Gems’ three-quel “Underworld: Rise of the Lycans” topped second-session holdovers with $7.2 million in seventh place. The modestly budgeted action fantasy marked a big weekend-over-weekend drop of 65% but still posted a 10-day cume of $32.8 million.

Sony’s irrepressible Kevin James starrer “Paul Blart: Mall Cop” overperformed yet again, grabbing second place on the frame with its $14 million session. The “Blart” cume climbed to $83.4 million over three weeks, with a domestic run of well over $100 million now certain for the Steve Carr-helmed comedy.

“If Paul Blart was in the Super Bowl, he would get called for holding,” Sony spokesman Steve Elzer quipped.

In a limited bow during the weekend, IFC Films unspooled the romantic drama “Medicine for Melancholy” in a single New York location and grossed $14,721.

Sony Pictures Classics brought its French drama “The Class” to six theaters — the first playdates for the Oscar foreign-language nominee since Academy-qualifying runs in December — and grossed $86,514, or an auspicious $14,419 per theater, with a cume of $121,410.

SPC’s other foreign-language candidate — the Israeli animated documentary “Waltz With Bashir” from Israel — added 19 engagements for a total of 44 and grossed $185,687, or a solid $4,220 per site, as the cume reached $1 million.

Searchlight’s Mickey Rourke starrer “The Wrestler” added 151 theaters for a total of 722 and grossed $2.4 million, pushing its cume to $13.9 million.

Helmed by Pierre Morel (“District B13”), “Taken” audiences skewed 52% male, with 60% of patrons 25 or older.

“It was an all-audience film,” Fox senior vp distribution Bert Livingston said. “It’s beyond our expectations.”

“Uninvited” audiences were evenly divided between males and females, with two-thirds of patrons under 25.

“The opening was right where we were expecting,” Par exec vp distribution Don Harris said.

The critically panned “Town” drew audiences that were 65% female, with 56% of patrons 30 or older.

“It opened right in line with our expectations,” Lionsgate distribution president Steve Rothenberg said.

Looking ahead, there will be four wide openers on Friday, all boasting notable casts.

Focus unspools the stop-motion feature “Coraline,” featuring the voice of Dakota Fanning, and Steve Martin reprises his title role in Sony’s comedy “The Pink Panther 2.” Summit also has Fanning toplining its actioner “Push” with Chris Evans, while Warners’ romantic comedy “He’s Just Not That Into You” features an ensemble cast including Jennifer Aniston and Scarlett Johansson.

‘Paul Blart: Mall Cop’ is #1 at the box office, again?

By Pau Brunet

2009/01/26 at 12:00am

Movies

‘Paul Blart: Mall Cop’ is #1 at the box office, again?

01.26.2009 | By Pau Brunet |

What is this world coming to?

Is Kevin James the new Will Smith? He has just proved he has some cred. In its second frame, Paul Blart: Mall Cop was able to take down the favorite to win, Underworld: Rise of the Lycans and hold onto the number one spot.

Mall Cop continues to beat out expectations in its second frame by declining a miniscule 32% to earn another $21.5 million over the weekend. Underworld: Rise of the Lycans followed at number two with $20.7 million.

While the number is still strong, Lycans is the worst opening we’ve seen from the franchise. The first Underworld bowed to $21.8 million and the sequel, Underworld: Evolution, saw a boost with $26.9 million. While I’m sure Sony will find a way to spin a reason for the drop in ticket sales, we can all assume that an Underworld installment lacking in Kate Beckinsale just didn’t feel right. Lycans cost $35 million to produce, so Sony should have no problem earning some positive cash flows with what should be the franchise’s final installment.

Probably the biggest disappointment was Inkheart. New Line’s latest attempt at fantasy, the family adventure was only able to gross $7.7 million in its opening bow. With a strong cast and a family audience, this film should have done much, much better.

“We’re disappointed. We wish the opening would have been bigger, but I think it was always going to be this type of result. Unfortunately, the audience wasn’t excited to see it,” said Warner exec VP of domestic distribution Jeff Goldstein.

The final film worth a mention is Clint Eastwood’s Gran Torino. Though the film didn’t get the love that many hoped from the Oscar nominations, Gran Torino was still able to hold onto the number three spot over the weekend after declining only 27% from the last frame. Tack on the latest earnings of $16 million and the film is close to jumping the $100 million mark. By next weekend it looks like Gran Torino will quickly become Clint Eastwood’s highest grossing film for both directing and acting.

Here’s the estimated ticket sales for Friday through yesterda.

1. Paul Blart: Mall Cop, $21.5 million

2. Underworld: Rise of the Lycans, $20.7 million

3. Gran Torino, $16 million

4. Hotel for Dogs, $12.4 million

5. Slumdog Millionaire, $10.6 million

6. My Bloody Valentine 3D, $10.1 million

7. Inkheart, $7.7 million

8. Bride Wars, $7 million

9. The Curious Case of Benjamin Button, $6 million

10. Notorious, $5.7 million

By Pau Brunet

2009/01/19 at 12:00am

Movies

‘Paul Blart’ tops at box office!

01.19.2009 | By Pau Brunet |

Sony’s Kevin James laffer “Paul Blart Mall Cop” debuted to an estimated $33.8 million from 3,144 runs in another boom session at the domestic B.O. that saw unexpectedly strong results across the board.

The Martin Luther King. Jr. holiday weekend was up a whopping 31% over last year, and that was only for Friday through Sunday. Studios can look forward to more good business on Monday.

Like “Mall Cop,” Lionsgate’s horror pic “My Bloody Valentine 3-D” and Fox release “Notorious” overperformed in their openings

“Valentine” — the widest 3-D release to date — grossed an estimated $21.9 million from 1,033 3-D locations and 1,501 conventional runs to narrowly beat “Notorious” for third place, according to Rentrak.

“Notorious,” a biopic of slain rap artist Christopher Wallace, aka Notorious B.I.G., grossed an estimated $21.5 million from 1,638 theaters to post the best per-location average — $13,126 — of the weekend. Film was distributed by Fox but produced and marketed by Fox Searchlight. Opening is the biggest ever for the specialty unit.

Warner Bros.’ holdover sleeper hit “Gran Torino,” directed by and starring Clint Eastwood, gunned past “Valentine” and “Notorious” to come in second. Film declined a mere 25% to an estimated $22.2 million in its second weekend in wide release for a cume of $73.2 million.

The other new wide release was Paramount’s family comedy “Hotel for Dogs,” which also came in ahead of expectations with an estimated $17.7 million from 3,271 to place No. 5. Pic was produced by DreamWorks.

Paramount prexy of distribution Jim Tharp said “Hotel for Dogs” could ultimately do three or four times its opening number thanks to the long holiday weekend. Same applies to the other new releases.

“Certainly, ‘Hotel for Dogs’ came in at the top end of anyone’s expectations,” Tharp said.

On the specialty side, Searchlight’s “Slumdog Millionaire” enjoyed a noticeable bump from its Golden Globe wins.

The year-earlier sesh wasn’t weak: Par’s high-profile “Cloverfield” debuted to $40.1 million for the three days and Fox’s “27 Dresses” opened at $23 million. Rather, more films this year did more biz.

Even titles with overlapping auds managed to find their groove. “Mall Cop” and “Hotel for Dogs” both vied for families, although “Mall Cop” generally played to older kids.

“Ultimately, we got everybody,” Sony worldwide prexy of distribution Rory Bruer said.

“Mall Cop” is a victory for James, as it’s the first feature he’s toplined. Comedy was produced by Adam Sandler’s production shingle Happy Madison and cost $26 million to produce. Sony believes the film could hit $40 million by midnight on Monday.

Produced for under $15 million, “Valentine” should bring strong returns for Lionsgate. Most 3-D fare has been family or teen fare, such as “Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour.”

Lionsgate said 3-D runs turned in revenues four times greater than conventional runs, thanks to higher ticket prices.

“This is the first time horror fans have gotten something in 3-D,” Lionsgate prexy of distribution Steve Rothenberg said, speaking of the digital iteration of the format. “Notorious,” produced for under $20 million and starring Jamal Woolard as Wallace, crossed over beyond its key demo, according to Fox. Film played slightly more to men.

Fox said the big surprise was that 40% of the audience was under age 25, even though Wallace — also known as Biggie Smalls — was killed more than a decade ago.

“He is a cultural icon that has touched a nerve and resonated with younger auds, proving the impact he’s had on the landscape,” Chris Aronson said.

Among the producers of “Notorious” is Sean Combs.

Elsewhere on the top 10 chart, Fox’s femme comedy “Bride Wars” declined only 44% in its second frame to an estimated $11.8 million from 3,228. Cume is $37.6 million in the pic’s 10th day in release.

Universal/Rogue Picture’s horror title “The Unborn” dipped a respectable 50% in its second weekend to an estimated $9.8 million from 2,359 for a cume of $33.1 million.

Ed Zwick’s drama “Defiance,” a Paramount Vantage release, placed No. 8 as it went wide. Film grossed an estimated $9.2 million from 1,789; cume is $9.5 million.

Christmas hit “Marley and Me,” from Fox, grossed an estimated $6.3 million from 2,952 runs for a cume of $132.7 million in its fourth sesh.

‘Gran Torino’ pulls an upset at box office!

By Mack Chico

2009/01/12 at 12:00am

Movies

‘Gran Torino’ pulls an upset at box office!

01.12.2009 | By Mack Chico |

Warner Bros. sped to the top of the domestic boxoffice this weekend, as Clint Eastwood’s urban drama “Gran Torino” registered an estimated $29 million with a turbocharged expansion into wide release.

Fox’s opening salvo with the romantic comedy “Bride Wars” captured second place with $21.5 million, while Universal’s supernatural thriller “The Unborn” delivered $21.1 million in third. The three top debutantes outpaced expectations in a weekend so robust as to blow away any concern that economic hard times might discourage moviegoing.

Sony’s urban drama “Not Easily Broken” bowed less dramatically, but with just 724 runs even its ninth-place showing of $5.6 million amounted to a solid showing.

Industrywide, the first weekend of the 2009 boxoffice year marked a 4% improvement over the same frame last year with $146 million in collective grosses, according to Nielsen EDI data.

The specialty market also was ebullient.

Paramount Vantage added 97 playdates for a total of 135 for its Leonardo DiCaprio-Kate Winslet starrer “Revolutionary Road” and grossed $1.4 million. That represented an impressive $10,666 per engagement and boosted its cume to $3.2 million.

Fox Searchlight added 42 locations for a total of 60 for its Mickey Rourke vehicle “The Wrestler” and grossed $873,900, or an auspicious $14,565 per site, for a $2.8 million cume.

The Weinstein Co.’s Winslet-toplined drama “The Reader” added 109 theaters for a total of 507 to gross $1.4 million, or a so-so $2,666 per venue, for a $5.5 million cume.

Overture added 10 playdates for a total of 16 for its romantic comedy “Last Chance Harvey,” starring Dustin Hoffman and Emma Thompson, and registered $151,058, or a solid $9,441 per engagement, as its cume reached $541,212.

And Sony Pictures Classics’ animated drama “Waltz With Bashir” added three locations for a total of eight and grossed $80,889, or a pleasing $10,111, with a cume of $363,859.

Then there was the situation with IFC Films’ Benicio Del Toro starrer “Che.”

As planned, the distributor began distributing the Ernesto “Che” Guevara biopic in two parts following three weeks of bicoastal exclusives for the entire four-hour-plus epic. But it reported grosses for the two parts jointly.

The Steven Soderbergh-helmed pics grossed a combined $37,546, or $7,509 per theater, as cume hit $293,641. IFC programmed theaters with the separate films christened “Che, Part I” and “Che, Part II,” abandoning the festival-circuit titles of “The Argentine” and “The Guerrilla.”

In another twist, “Che” will expand Friday into solo runs in nine additional markets, where theaters will program both parts together for one weekend before splitting the film into two parts in each venue. “Che” will continue to play in two parts in New York and Los Angeles.

“We wanted to give people the opportunity to see the same ‘road show’ presentation that we had so much success with in New York and L.A.,” IFC distribution president Mark Boxer said.

By Mack Chico

2009/01/04 at 12:00am

Movies

‘Marley and Me’ is #1 at box office

01.4.2009 | By Mack Chico |

The box office this weekend brought more of the same, which for Hollywood was a good thing, as the comedy “Marley & Me” and other Christmas films continued strongly. The top five films — and some others down the ladder — kept their positions from last week.

“Marley & Me,” from 20th Century Fox, with Jennifer Aniston and Owen Wilson, was the weekend’s top film, with about $24 million in domestic ticket sales and $106.5 million since it opened on Christmas.

It was followed by another comedy, “Bedtime Stories,” from Walt Disney Company, with Adam Sandler. That film took in about $20.3 million over the weekend, for a total of $85 million since opening. “The Curious Case of Benjamin Button” from Paramount Pictures with Brad Pitt and Cate Blanchett, was third, with about $18.5 million in weekend sales for a $79 million total.

In a similar display of staying power, “Valkyrie” from MGM, with Tom Cruise, remained the No. 4 film for a second weekend. The film took in $14 million, for a total of $60.7 million since opening on Christmas. Its success has laid to rest months of public speculation about whether the audience would accept Mr. Cruise in his role as a German officer who tried to kill Hitler.

Another holdover, the comedy “Yes Man” with Jim Carrey, from Warner Brothers, took in about $13.9 million, for a total of $79.4 million since opening.

A number of the season’s potential Oscar contenders continued to jockey for position in a field packed with movies that have been released to a relatively limited number of theaters.

“Doubt,” from Disney’s Miramax unit, among the more widely played of these, took in about $5 million for the weekend and $18.7 million since opening, to reach No. 8, up from 10th place.

“The Reader,” from the Weinstein Company, took in $1.6 million, as it moved into 398 theaters, and became the weekend’s 17th-ranked film, up from 22nd last week, when it played in a much smaller number of screens. It has total sales of $3.6 million.

Pooch film ‘Marley and Me’ barks to #1 at the box office

By Mack Chico

2008/12/29 at 12:00am

Movies

Pooch film ‘Marley and Me’ barks to #1 at the box office

12.29.2008 | By Mack Chico |

“Marley & Me,” the story of a mischievous dog who grows up alongside the young couple who owns him, made $37 million in sales at U.S. and Canadian theaters, emerging as the top film in one of Hollywood’s most-competitive weekends.

“Bedtime Stories,” starring Adam Sandler, finished second with $28.1 million, box-office tracker Media By Numbers LLC said today in an e-mailed statement. Brad Pitt in “The Curious Case of Benjamin Button,” debuted in third place with $27 million.

‘Benjamin Button’

Christmas ranks among the busiest times for Hollywood studios in terms of new releases, making this holiday weekend among the most competitive, Media By Numbers President Paul Dergarabedian said in an interview.

Second place’s “Bedtime Stories” stars Sandler as a father whose nighttime tales come to life. It will surpass $100 million in sales, which will be the second Sandler film this year to do so, after “You Don’t Mess With the Zohan,” Pandya said.

“Benjamin Button,” which finished third, is the tale of a man who ages in reverse and is based on a short story by F. Scott Fitzgerald. The film has garnered five Golden Globe nominations from the Hollywood Foreign Press Association, including best drama and best actor. The Paramount Pictures movie cost about $150 million, according to Internet Movie Database Inc.

‘Valkyrie’

Also debuting this week was Tom Cruise in “Valkyrie,” the story of a German officer in World War II who leads a group trying to assassinate Adolf Hitler. The movie, the second from Metro Goldwyn Mayer Inc.’s United Artists studio, opened in fourth place with $21.5 million. The cast includes Kenneth Branagh, Bill Nighy and Tom Wilkinson.

Last weekend’s No. 1 movie, “Yes Man” from Time Warner, slid to fifth with $16.5 million. Jim Carrey plays a man who transforms his humdrum life by saying “yes” at every opportunity for a year. It has made $49.6 million in two weeks of release.

Rounding out the top 10 in sixth through 10th places, respectively, were “Seven Pounds,” from Sony Corp., at $13.4 million; “The Tale of Despereaux” from General Electric Co.’s Universal Pictures with $9.37 million; Fox’s “The Day the Earth Stood Still” at $7.9 million; “The Spirit,” from Lions Gate Entertainment Corp., opened ninth with $6.51 million; and Disney Miramax’s “Doubt” finished in 10th with $5.68 million.

Receipts for the top 12 movies rose 7.6 percent to $182.5 million from the year-earlier period, Los Angeles-based Media By Numbers said. For the year, box-office sales have dropped 0.9 percent to $9.55 billion. Year-to-date attendance has declined 5.3 percent.

The following table has figures provided by studios to Media By Numbers. The amounts are based on gross ticket sales from Dec. 26 and yesterday and estimates for today.

‘The Spirit’ is a total disaster at the box office

By Mack Chico

2008/12/29 at 12:00am

Movies

‘The Spirit’ is a total disaster at the box office

12.29.2008 | By Mack Chico |

Things have not gone as Frank Miller had hoped for. The Spirit only managed to collect $6,510,000 from Friday to Monday and $3,842,000 on Christmas day. That is considered a calamitous result for a big budget film over this holiday weekend.This is also bad news for the actors associated with it like Eva Mendes and Gabriel Macht.

I scoured the internet and found a few quotes summarizing this abysmal outcome:

iO9.com says:

“We can only hope that this poor opening – and presumed subsequent disappointing box office, as I can’t see this movie suddenly becoming a hit based on word of mouth – means that TPTB will rethink their plan to let Miller recreate Buck Rogers for a new generation.”

Comicmix.com says:

“Frank Miller’s interpretation of Will Eisner’s classic character met with horrified reviews from those familiar with the source material and poor reviews from everyone else. Spirit is considered the second straight misfire for Lionsgate, which also flopped with Punisher War Zone at the beginning of the month”.

Manodogs.blogspot.com says:

“Frank Miller’s film adaptation of Will Eisner’s The Spirit was soundly pummeled by ‘Marley and Me.’ Perhaps it’s a mixed blessing: if recent superhero movie performances are an indicator of audience taste, maybe the superhero movie fad is finally over; no longer will studios be able to churn-out cookie-cutter crap with a cape and expect big box office returns. Only time will prove either theory true. If The Spirit is a good film, it may have been overlooked in the wake of the superhero fad’s death; it may (also) have been overcome by bigger box-office star-power; or it could just be a bad flick. Only time will tell.”

Let’s see if Frank Miller gets a big budget for Buck Rogers now. Only time will tell.