By Karen Posada
05.1.2012 | By Karen Posada |
There’s not much to expect from ‘New Year’s Eve’, unfortunately this movie with so many well known actors doesn’t have much to give; not even entertainment value. I can’t help but compare it with Garry Marshall’s ‘Valentine’s Day’, the director used the exact same recipe here: tie in about 7 stories and try to use some humor along with drama on the biggest holiday of the year. It’s tough to get the audience to care about a character with so many things going on and so many stories to follow, you don’t get much of a background on the characters and just when you are starting to get into one of the stories it changes to the next one. The biggest star in the movie is of course New York City, a place where the holidays; New Year’s Eve in particular is like no other.
The film is an analogy to new beginnings, looking back in the past and pushing the rewind button to not make the same mistakes and to accomplish the resolutions we procrastinated on. The only story that has a little substance is that of Ingrid (Michelle Pfeiffer) a woman who has followed the same routine for years and worked endlessly without being appreciated until one day she decides to change it all and we have a little fun with her exploring NYC. We basically follow around the whole cast as they prepare for midnight, some are anxious about their midnight kiss, others are anti-holiday, others are nostalgic about the year that has passed and others are too busy working to care about the holiday. The love stories are predictable and boring, there are some minor twists but not exiting enough to improve the movie.
The audience was surprised with some guest appearances, but we already had enough of a cast for me to find it necessary. The Hispanics in the movie Ava (Sofia Vergara) and Kominsky (Hector Elizondo) have small supporting roles, Vergara plays the exact same character she does in her hit show ‘Modern Family’ with awkward anecdotes and childish behavior, who knows if they’ll ever cast her as something besides a stereotype. Elizondo is always a Marshall aka the help, so no surprise there.
A 2 hour-long movie of running around is exhaustingly boring, the movie has a nice (not original) concept but it’s not enough. I’m not sure how I feel seeing Academy Award winners such as Halle Berry and Hilary Swank in such petty roles that seem to be for amateurs. The only thing this movie inspired in me is a curiosity to actually be crazy enough to see the ball drop live in Times Square and I enjoyed recognizing the different sights in NYC, such as Smith Street in Brooklyn towards the end of the film.